OTF
Hammock is a chilled and simple handwritten typeface. Having the combination of the large capital letters and the small lowercase enable you to play with the font uniquely and flexibly. Also, its left-slanted letters give a bit of special look to the typeface.

TTF
Potlood streep is a style of handwriting. Inspired by the writings of modern letters and try to make it with a pen. Thin writing style in this font gives the impression of harmony
This font is suitable for designing the cover of books, letters, clothing, invitations, logos, posters, etc.

Meet Portabello! A sophisticated hand drawn typeface in 3 styles. Hand made characters replicate hand lettered artwork. Just the right amount of messy mixed up with a stylish script, making it completely legible.
TTF, Webfont | 3 Fonts

Nadhin is new typeface, come with 2 versions Nadhin Script & Sans. Nadhin Script is mono script font with elegant, vintage and modern look. Nadhin Script covered all Uppercase, lowercase, numeral, punctuation & come with 142 Alternate. Nadhin Sans is all caps typeface. Simple & Elegant. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
OTF | 2 Fonts

Smoothie Shopppe is a bold, yet sweet, modern version of our old favorite retro display fonts. Fun, yet clean brush style script letters. Many additional character combinations with ligatures and swashes to fancy any project. An awesome bonus of over 80 ornaments! Frames, banners, tons of chalkboard style ornaments and doodles to decorate displays, signage, logos, anything your little heart desires. I've even included a PDF ornament map to clearly see what's available as your working.
OTF, TTF, Webfont | 2 Fonts

Random Ink has a very unique character. This font is made by using a coarse brush painting. artenative this font is a splash of paint. you can use the OTF and TTF files. also there are some vector to be used manually.
OTF, TTF, Webfonts | 1 Font

8 OTF Font
To design a font Kapra, I was inspired by a You And Me Monthly published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. The font Kapra is designed in eight versions – lower and uppercase characters.

6 OTF Font
The inspiration for Plume’s distinctive character shapes came from the almost romantic elegance of the italic forms found in very early typewriter fonts. The potential softness is, however, tempered by the application of contemporary design principles which combine beauty with utmost functionality. At large sizes the subtle, varied, and often voluptuous design details come into play, but at small sizes Plume is robustly legible, making it an ideal typeface for a magazine or a corporate identity where a touch of playfulness is required. We recommend pairing it with the Viato font family, as it too is expressive, but not competing. The Standard Edition includes a complete Latin A Extended character set.

6 OTF Fonts
Functionality is the key factor when choosing a typeface for corporate use, and the Viato font family delivers functionality on several fronts. It has exceptional legibility at text sizes but is recognizable and distinctive when used big and bold. Corporate communications universally aim to attract customers to a business. With this in mind, Viato’s design is warm, friendly and inviting thanks to the open proportions and character structures. Tapering terminals and some unusual character treatments ensure that the Viato font family has a unique appearance that is instantly recognizable. The Standard Edition includes a complete Latin A Extended character set. Hebrew and Corporate Editions of the font are also available and include additional scripts.

4 OTF Fonts
Royalty is not a font design, it is a font concept. The characters are designed to form typographic patterns, within which the words are still discernible. All character shapes are based on geometric elements, but the geometric expression is softened by using softer, almost calligraphic treatments of individual parts of a glyph. This juxtaposition of geometry and calligraphy is reminiscent of medieval manuscripts when Royalty is set in text. The spacing of the font is set to be deliberately disturbing, encouraging new shapes and textures to emerge. The counter-space becomes all-important - it’s not important what is read but what is seen.
The four styles of Royalty are designed to be interchangeable. All the horizontal strokes retain the same thickness throughout the font family, meaning that letters from the different styles can be joined without interrupting the flow of the connections. Royalty allows the designer to be freed from the constraints of functionality; words become images, sentences become ornaments. The Standard Edition includes a complete Latin A Extended character set.

Photoshop PSD, Vector EPS, AI Illustrator | CS3+ | 300 DPI | 8.5x11 | CMYK Color | Print ready | RAR 5.46 MB

Layered Photoshop PSD | CS+ | 300 DPI | 2480x1754 | 8x5 | CMYK Color | Print ready | RAR 781 MB

Photoshop ATN | TIFF, PSD, JPG | CS3+ | 300 DPI | CMYK Color | Print ready | RAR 8 MB

Layered PSD | 2560 x 1440 px | CM 237527 | 57,6 MB

ATN | Adobe CS4+ | CM 238324 | 153 KB

Photoshop ATN | Minimum Adobe - CS3 | 150 KB

Photoshop ATN | Works With TIFF, PSD, JPG | Minimum Adobe CS Version: CS3 | 23 Kb

Photoshop ATN | Works With PSD, JPG, RAW | Minimum Adobe CS Version: CS3 | 4 Kb

75 TTF | 10 MB

28 Fonts | 45 TTF | 8 MB