Romantic Script 2105472
2 OTF 2 TTF 2 WOFF
This font are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your small business, book covers, stationery, marketing, magazines and more.

Conthrax Font Family
14 OTF
Conthrax is an ultramodern, orthogonal sans-serif typeface with plastic forms influenced by consumer electronics and vehicle design. Mathematical symbols, fractions, numeric ordinals and monetary symbols are in good supply. Cyrillic, Greek, Vietnamese and almost all Latin-based languages are supported. Conthrax is available is seven weights and italics. The desktop license for Semi-Bold is free.

Charles Wright Font Family
6 OTF 6 TTF
K-Type Charles Wright is a full typeface in the style of lettering used for British vehicle license plates. The family includes the standard Bold weight which is based on the condensed bold ‘2001’ style with an uppercase which conforms to UK registration plate specifications for character heights of 79mm and widths of 50mm.

Eveningnews fonts 2067743
2 OTF
Since many years I live in Munich and read the daily newspaper Abendzeitung. The old hand-lettered title lettering designed by in-house designer Ernst Friedrich Adler around 1947 or 48 was almost untouched. Adler had worked for the newspaper an incredible 47 years!
Starting from this logotype I designed an entire typeface and added a second fancy cut. And, what do you know, the people at the Abendzeitung called me up and said they liked what I did and started using it. Now you can buy these two fonts for a very good price and start your own »Eveningnews«!

Burnt Marshmallow Font 2054561
OTF
Burnt Marshmallow is a casual and clean handwritten font with a playful attitude. This font will communicate your message in a fun and accessible way.
Burnt Marshmallow font comes with upper and lowercase characters, ligatures, numbers and punctuation.

Big Font Family
20 OTF
BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif.