Filosofia Font Family

Filosofia Font Family

Filosofia Font Family

The Filosofia Regular family is designed for text applications. It is somewhat rugged with reduced contrast to withstand the reduction to text sizes. The Filosofia Grand family is intended for display applications and is therefore more delicate and refined. An additional variant, included in the Grand package, is a Unicase version which uses a single height for characters that are otherwise separated into upper and lower case. This is similar to Bradbury Thompson’s Alphabet 26, except that Thompson’s goal was to create a text alphabet free of such redundancies as the two different forms which represent the character “a” or “A”, whereas Filosofia Unicase does have stylistic variants to provide flexibility for headline use.
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A Little House 1564129

A Little House 1564129

A Little House 1564129
2 TTF 2 OTF 2 WOFF | 14 MB RAR

A Little House is a handwritten connected script font with a playful and even slightly childish forms and a lot of doodles, perfect for book design, decoration, invitations, logos, greeting cards, branding, print ads, quotes, magazines, packaging, headers and more.
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Agroable - Clean & Rough Font 1573121

Agroable - Clean & Rough Font 1573121

Agroable - Clean & Rough Font 1573121
2 TTF | 126 KB RAR

Agroable - vintage sans serif font in two versions: clean and rough with little gritty effect. Font is perfect for designing vintage logotypes, badges, labels. It may be used as "main" font in logotype (big text in a center of logo), and as a secondary font (for example, the text around the logo with the secondary information). Make your own retro logo with this font and enjoy the result!
However, the use of this font is not limited to just logos. It's also suitable for t-shirt prints, business cards, flyers, posters, ads, restaurant menus, signs, typography design, quotes and any graphic design.
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Moare Font 1572729

Moare Font 1572729

Moare Font 1572729
OTF TTF | 227 KB RAR

Multi purpose use as it has upper cases, lower cases, numbers and punctuations - as pictured above.
Some idea for usage: titling, signage, poster, flyers or t-shirts design, headlines, book covers and more!
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Jugsar Typeface 1560504

Jugsar Typeface 1560504

Jugsar Typeface 1560504
TTF OTF | 89 KB RAR

Jugsar is a new & modern handmade font. Jugsar is perfectly suited to stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider and much more.
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Caponi Text Font Family

Caponi Text Font Family

Caponi Text Font Family
10 OTF
While Caponi was initially designed for display use in Entertainment Weekly, the primary source was Bodoni’s text types, making the later addition of a text version a logical idea. Caponi Text is unusual among contemporary interpretations of Bodoni not just in focusing on Bodoni’s earliest work, but also in fully embracing the inconsistencies and unevenness of the source material. The warm, inviting tone of Caponi Text expands the notion of how a Bodoni can feel on the page. While preserving many eccentricities, it also make concessions to contemporary taste, so a more traditional lowercase s, with serifs rather than ball terminals, is available as an alternate.
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Lyno Font Family

Lyno Font Family

Lyno Font Family
4 OTF
Lyno was designed by Karl Nawrot and Radim Pesko between 2009 and 2012. It is available in four syles. The characters of Ulys(ses 31), Stan(ley Kubrick), Jean (Arp) and Walt (Disney) negotiate the digital freedoms of their production through playful typologies of form. They are open and various, and their spirit is this: to resist normative tendencies and to reject the idea of definitive form.
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FM Font Family

FM Font Family

FM Font Family
14 TTF
A versatile slab serif face that combines modernity with timelessness, available in five weights with corresponding italics. An ideal font for editorial use that is suitable for all requirements; headlines, body copy, pull quotes and captions.
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Backspacer Font Family

Backspacer Font Family

Backspacer Font Family
PFB
Years ago, by happenstance, designers Nancy Mazzei and Brian Kelly found an old decrepit typewriter in an abandoned lot with tall grass in Brooklyn. They kept it around their apartment for two years. Then one day they decided that it was time to move and they planned to throw the old typewriter away. But it was so beautiful they wanted to keep at least a part of it. So they decided on keeping the keys. They kept the keys in a brown bag until one fine day the keys were introduced to a camera. It was a match made in heaven that resulted in some beautiful quirky images of typewriter keys. These images were the inspiration for Backspacer. They were scanned, traced and turned into a working typeface by Zuzana Licko.
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