Halcyon 1527560

Halcyon 1527560

Halcyon 1527560
OTF, TTF | 13 Mb

Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon's design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant Garde, by mixing their geometric structure with more modern humanist qualities and attributes. The result is a friendly and approachable personality with a sophisticated and serious edge. Halcyon feels familiar, but unique, playful but not asinine. The versatility of its character makes Halcyon a reliable choice for any design decision. With a large variety of weights, and a whole host of Opentype features, Halcyon can adapt to fit the tone of your communications. The lighter weights present a more refined and formal voice, while the heavier, oversized weights grow more exuberant. It's large x-height and open apertures increase it's legibility, making it perfect for setting large display headlines or small sized, long form text. Halcyon is a multilingual family with hundreds of accented characters, and allows for customisable characters through diacritic combinations. All European languages are already covered, alongside many more within the Latin alphabet.
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Fresh Squeezed Font Duo 1604515

Fresh Squeezed Font Duo 1604515

Fresh Squeezed Font Duo 1604515
OTF | 832 Kb

Fresh Squeezed is a modern sans serif font duo that's perfect for your summer graphics. This font duo looks great on invitations, cards, packaging, logos, social media graphics and much more. If you are looking for a modern font duo with a fresh, summer aesthetic, give Fresh Squeezed a try.
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F37 Ginger Font Family

F37 Ginger Font Family

F37 Ginger Font Family
OTF 8 TTF
F37 Ginger started out life as a pure Swiss modernist font, but as time went by, we just couldn't suppress the urge to give it an original and unorthodox geometric twist. We found ourselves repeatedly returning to the work of two legendary typographers throughout F37 Ginger's drawing process, namely Paul Renner and Herb Lubalin. Their early letterforms have been a constant source of inspiration. It was the alternatives in Renner's Futura font and Lubalin's Avant Garde Gothic, in particular, that paved the way for F37 Ginger's signature geometric shapes, and unusual near circular, counters. This makes it an ideal font for logos, headlines and body copy.
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ITC Lubalin Graph Full Family

ITC Lubalin Graph Full Family

ITC Lubalin Graph Full Family
18 OTF 20 TTF
ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin’s previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jorgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.
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BC Reformulate Font Family

BC Reformulate Font Family

BC Reformulate Font Family
8 TTF
There aren’t many fonts on the market which naturally and function­ally combine strict rationality with humanistic calligraphy inspirations. Reformulate proves that even a non-proportional font, created using a very simple principle of shad­owing, need not appear cold, drab and artificial. Jakub Samek dis­plays a good sense of balance between the traditional and the calculated, between banal and thought-out. For him, optical impression and an aspiration for perfect legibility are more important than the perfect consistency of individual characters, taking a free, but educated approach. A geometrical construction, wrapped in an Illustrator brush stroke, was placed onto a cone of uniform width, as dictated by the tools and the grid. In spite of its coarseness in both principles and implementation, Reformulate later found a somewhat surprising application for its use.
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Bianco Serif Font Family

Bianco Serif Font Family

Bianco Serif Font Family
8 TTF
Bianco Serif is the second member of the type family Bianco. The addition of geometric serifs and slanted curves changes the tone and character of text with increased contrast. An excellent companion to Bianco Sans.
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Saboteur a moody inky font 1545623

Saboteur a moody inky font 1545623

Saboteur a moody inky font 1545623
OTF TTF | 337 Kb

Introducing Saboteur! I went old-school with this font, creating the letters with ink and paper. I used a folded pen, which is one of my favorite lettering tools.
Despite being a true ink-brush font, Saboteur is still craft-friendly! The letters are all solid -- no internal areas to weed out. And the edges have been smoothed and refined just enough to make the letters easy to cut out, while still retaining some of their original rough character. (I've done a test cut on a Silhouette Cameo at one inch tall, and it both cut and weeded beautifully.)
As with all of my fonts, this one comes with plenty of punctuation and accented characters. And if there's an accented character missing, please don't hesitate to let me know what you need me to add!
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Qalinda Script Font 1545613

Qalinda Script Font 1545613

Qalinda Script Font 1545613
2 TTF OTF | 405 Kb

Qalinda Script is a stylish calligraphic font that has a varied base line, thick, classic and elegant touch. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc.
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Pickle Biscuit by kids, for kids! 1545624

Pickle Biscuit by kids, for kids! 1545624

Pickle Biscuit by kids, for kids! 1545624
OTF TTF | 199 Kb

What happens when a class full of kindergarten students write out the alphabet? All of their letters get jumbled up and turned into Pickle Biscuit!
I have a dear friend who is a kindergarten teacher. In order to support her class and her school, I've created this font from the fabulous letters of her students. Every letter in this font is modeled on the writing of actual 5- and 6-year-olds. (Though they've been adjusted to match in size and weight, and smoothed to make them easy to use.)
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Neutron Star - LCD inspired font 1530954

Neutron Star - LCD inspired font 1530954

Neutron Star - LCD inspired font 1530954
OTF TTF | 1.2 Mb

What happens when a class full of kindergarten students write out the alphabet? All of their letters get jumbled up and turned into Pickle Biscuit!
I have a dear friend who is a kindergarten teacher. In order to support her class and her school, I've created this font from the fabulous letters of her students. Every letter in this font is modeled on the writing of actual 5- and 6-year-olds. (Though they've been adjusted to match in size and weight, and smoothed to make them easy to use.)
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New Yorker Type 1612830

New Yorker Type 1612830

New Yorker Type 1612830
OTF | 2.2 Mb

NewYorkerType was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand. So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin’s design for New-Yorker magazine was just one of them, but the best. Recently I repaired some of the mistakes that I made more than thirty years ago, so now its a better revival. Yours, sincerely honoring Rea Irvin a great type- and magazine-designer Gert Wiescher
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Albret Handwritten Script 1612820

Albret Handwritten Script 1612820

Albret Handwritten Script 1612820
OTF, TTF | 541 Kb

Introducing my new font Albret with its pleasant and elegant style. If you want to add a certain charm, appeal and allure in your projects, Albret is just what you need. Albret comes with uppercase, lowercase, standard punctuation and special letters for most of the European languages.
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Bettol (Font Duo) 1240787

Bettol (Font Duo) 1240787

Bettol (Font Duo) 1240787
OTF, TTF | 1 Mb

Bettol (Font Duo) is the font style handmade dancing and then live trace to have unique ., the writing style is very natural. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.
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