GraphicRiver - Newspaper Art Photoshop Action With Painting Effect 17461214

GraphicRiver - Newspaper Art Photoshop Action With Painting Effect 17461214

Create professional newspaper art images from your photos in the easiest possible way. Not only is it simple to it then becomes lots of fun playing around with all the layers ! Everything generate the newspaper art, remains layered giving you lots of creative control. This action works in a non-destructive way to achieve a high quality look. So, the original image layer will remain unchanged. This action is exclusively designed for photographers & graphic designers. It’s a must have for photo effect lovers. This action has been tested and works on photoshop CS3, CS4, CS5, CS5.5, CS6, CC,
Photoshop ABR | Photoshop PAT | Photoshop ATN | CS3+ | RAR 45,3 MB
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108 Vector Brush Strokes (Plus PNGs) 796442

 108 Vector Brush Strokes (Plus PNGs)  796442

I'm really pleased to introduce you to my vectored brush stroke collection. The collection includes a whole range of straight brush strokes from thick to thin, and from heavy to light. Brush strokes are super useful and perfect for backgrounds, patterns, borders and so much more. They're also great fun (and easy) to work with! For those of you who do not have access to Illustrator or another vector program, I have included two large PNG images (10,000px - 14,000px) that together include the whole collection and are large enough for you to work with, with ease.
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Foundry Gridnik

Foundry Gridnik

Foundry Gridnik
10 OTF
The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics.
Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel’s devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.
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St Croce

St Croce

St Croce
6 OTF
This typeface is based on worn-out lettering on tombstones in the St. Croce Basilica in Florence. For hundreds of years, microscopic particles of marble are being carried away on the soles of visitors: the embossed figures become fossilized white clouds, fragments of inscriptions are nearing the limits of legibility. First missing are thin joins and serifs, then the main strokes finally slowly diminish into nothingness over time. Unlike an archaeologist, for whom even a completely featureless stele is valuable, the typographer must capture the proper moment of wear, when the type is not too “new” but also not too much decimated.
Such a typeface is usable for catalogs, book jackets, invitations and posters.
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BB Strata Font Family

BB Strata Font Family

BB Strata Font Family
7 OTF 7 TTF
The font family BB Strata was first designed for the visualization of scientific content of an exhibition and developed for publication. The construction of the letters consists entirely of right angles and 45 °-diagonals only . It contains 506 characters per cut and is divided into seven different faces – available in the versions optical (text) and monoline (heading).''
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Grifo Font Family

Grifo Font Family

Grifo Font Family
30 OTF
Grifo is an economic text face designed for magazines. It’s made to save space in long texts and in big, tightly set headlines. The family has three optical sizes: S, for text; M, for titles and L for big headlines. Each of these have five weights from Light to Black, with matching italics. Grifo’s design draws on the extreme hight stroke contrast of the neoclassic types but has bracketed serifs and sharp triangular terminals. Indeed, sharp spikes and hooks are one of grifo’s traits, specially in the L size. It’s full of talon shapes, like the c, e, the bottom curve of the t, or most obviously, commas and quotes. One other distinguishing quality is the prominently rational approach of the shapes, with very hard lines, as if the letters were cut with a scalpel. Vertical strokes all end with abrupt horizontal cuts and the baseline serifs of the letters a, d and u where cut off, to give the alphabet a harder and simplified edge, contributing also to save space. Grifo is the portuguese word for Griffin, the sharp-clawed, half-lion, half-eagle, mythological creature.
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