Autumn in November Font
TTF
TTF
Bely Font Family
Bely Font Family
5 OTF
Bely is the first design by French newcomer Roxane Gataud. Too many typefaces are either governed by fear and never accomplish what they could, or are unrestrained which results in their frenetic dangling like a leaf caught in a spider’s web. Bely’s strength is that it has both restraint and freedom throughout the text weights and into the unique display weight. There is no fear in this type family, but only great respect for both the tradition of reading and the opportunity to make an impression. Bely is a high-class throwback containing four text weights which were built upon classical proportions to capitalise on reading familiarity. Bely Text features balanced capitals and a play between large, triangular serifs at the top and thick, bracketed, rectangular serifs at the bottom. The family is capped by a radical, expressive French-style display weight which pushes the rules of the text weights to their logical extreme. Bely Display, truly daring with its monstrous and angled contrast, exploits the features which make an impression at larger sizes. In the end, Bely Display is adventurous when used in packaging, identities, and headlines with attitude, while Bely Text’s calm baseline and piercing ascenders give paragraphs texture and familiarity. Bely covers the Latin A Extended glyph set and brings its sense of confidence to your projects with its two text weights, matching italics, and unique display style. Bely’s satisfying OpenType features allow for the implementation of typographic niceties such as small caps, both tabular and proportional lining and oldstyle figures, ligatures, alternate characters, case-sensitive variants, and fractions. The complete Bely family, along with our entire catalogue, has been optimised for today’s varied screen uses.
5 OTF
Bely is the first design by French newcomer Roxane Gataud. Too many typefaces are either governed by fear and never accomplish what they could, or are unrestrained which results in their frenetic dangling like a leaf caught in a spider’s web. Bely’s strength is that it has both restraint and freedom throughout the text weights and into the unique display weight. There is no fear in this type family, but only great respect for both the tradition of reading and the opportunity to make an impression. Bely is a high-class throwback containing four text weights which were built upon classical proportions to capitalise on reading familiarity. Bely Text features balanced capitals and a play between large, triangular serifs at the top and thick, bracketed, rectangular serifs at the bottom. The family is capped by a radical, expressive French-style display weight which pushes the rules of the text weights to their logical extreme. Bely Display, truly daring with its monstrous and angled contrast, exploits the features which make an impression at larger sizes. In the end, Bely Display is adventurous when used in packaging, identities, and headlines with attitude, while Bely Text’s calm baseline and piercing ascenders give paragraphs texture and familiarity. Bely covers the Latin A Extended glyph set and brings its sense of confidence to your projects with its two text weights, matching italics, and unique display style. Bely’s satisfying OpenType features allow for the implementation of typographic niceties such as small caps, both tabular and proportional lining and oldstyle figures, ligatures, alternate characters, case-sensitive variants, and fractions. The complete Bely family, along with our entire catalogue, has been optimised for today’s varied screen uses.
Winnie the Hoop Font Family
Winnie the Hoop Font Family
3 OTF
Winnie the Hoop is a bold, friendly and round display family inspired by a certain well known teddy bear. The family consists of three styles; Roman, Italic and Script, which are designed to be combined together. You can use any of the three styles as your main style and use the others to create multilayered typography that all share the same aesthetic. The typeface is well suited for branding and packaging design, advertisements, posters and even editorial design as a headline style. The Script is packed with ligatures and has Swash alternates that make it easy to customise your design. All styles include two sets of numerals.
3 OTF
Winnie the Hoop is a bold, friendly and round display family inspired by a certain well known teddy bear. The family consists of three styles; Roman, Italic and Script, which are designed to be combined together. You can use any of the three styles as your main style and use the others to create multilayered typography that all share the same aesthetic. The typeface is well suited for branding and packaging design, advertisements, posters and even editorial design as a headline style. The Script is packed with ligatures and has Swash alternates that make it easy to customise your design. All styles include two sets of numerals.
Fast Track - A Speedy Display Font
Fast Track - A Speedy Display Font
PSD OTF
Fast Track is an all-caps font with a distinct appearance of speed. It works well in racing posters, automotive t-shirts, kid's cards... the possibilities are endless!
PSD OTF
Fast Track is an all-caps font with a distinct appearance of speed. It works well in racing posters, automotive t-shirts, kid's cards... the possibilities are endless!
Les Paul • Font Family
Les Paul • Font Family
8 OTF
LES PAUL - Layered Font Family with Retro Extras! Inspired by post cards and advertising from 50's and early 60's Les Paul will be cool item in your collection. "Les Paul" has a 7 styles and you can combine them to get really great view of your project. Use Lined Style for shadow or use it as front side - it will be good. Choose inline style - four different way. And add a outline as a decor of your type graphic.
Also, you can find type graphics as Extras style. Add this cool retro look pic to awesome result! Looking good in Book Titles, Posters, Mugs, T-Shirts, Greeting Cards etc.
8 OTF
LES PAUL - Layered Font Family with Retro Extras! Inspired by post cards and advertising from 50's and early 60's Les Paul will be cool item in your collection. "Les Paul" has a 7 styles and you can combine them to get really great view of your project. Use Lined Style for shadow or use it as front side - it will be good. Choose inline style - four different way. And add a outline as a decor of your type graphic.
Also, you can find type graphics as Extras style. Add this cool retro look pic to awesome result! Looking good in Book Titles, Posters, Mugs, T-Shirts, Greeting Cards etc.
Dolly Mixture font
Dolly Mixture font
2 OTF
Dolly Mixture is a chunky sugary typeface, full of life and character. Hand drawn using a thick Sharpie and refined in Illustrator. Perfect if you need to make a bold statement.
2 OTF
Dolly Mixture is a chunky sugary typeface, full of life and character. Hand drawn using a thick Sharpie and refined in Illustrator. Perfect if you need to make a bold statement.
Clone Font Family
Clone Font Family
16 TTF
Clone is a type family by Lasko Dzurovski from Macedonia. The lovechild of cyber-culture and genetic font modification takes inspiration from coding, technology and architecture. A quasi-monospaced typeface that gives a nod to the quirkiness of engineered fonts without sacrificing a natural reading experience. Biomechanical future meets CAD blueprints. The first generation of Clone has rounded forms, the next one is already in the making.
16 TTF
Clone is a type family by Lasko Dzurovski from Macedonia. The lovechild of cyber-culture and genetic font modification takes inspiration from coding, technology and architecture. A quasi-monospaced typeface that gives a nod to the quirkiness of engineered fonts without sacrificing a natural reading experience. Biomechanical future meets CAD blueprints. The first generation of Clone has rounded forms, the next one is already in the making.
Doblo Font Family
Doblo Font Family
10 TTF
Doblo is a colorful and slightly retro layered type family designed by Joel Carrouche. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.
10 TTF
Doblo is a colorful and slightly retro layered type family designed by Joel Carrouche. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.
Quintus Font Family
Quintus Font Family
2 TTF
This font is an adaptation of the typeface I designed for TJX Europe, which was used in their branding campaigns for the TK MAXX stores all over Europe. Most characters were given a major facelift and also a few extra ligatures were added in the process.
Quintus comes with a regular and a bold version so it offers more variety in use. It also works well in all caps.
2 TTF
This font is an adaptation of the typeface I designed for TJX Europe, which was used in their branding campaigns for the TK MAXX stores all over Europe. Most characters were given a major facelift and also a few extra ligatures were added in the process.
Quintus comes with a regular and a bold version so it offers more variety in use. It also works well in all caps.
Gunoc Display Font
Gunoc Display Font
TTF OTF
Introducing a new display vintage font with tons of cool characters, symbols, and OpenType Features. GunocTypeface is perfect for quotes, logos, apparel, advertising, wedding invitations and packaging design.
TTF OTF
Introducing a new display vintage font with tons of cool characters, symbols, and OpenType Features. GunocTypeface is perfect for quotes, logos, apparel, advertising, wedding invitations and packaging design.
Between Font Family
Between Font Family
48 OTF
There are three states to Akira Kobayashi’s Between™ typeface and, while different from each other, they all offer a human-centered design to ensure that copy set in them is affable and approachable. An added benefit is the ability to transition “between” the designs, choosing different styles – or even individual characters – to create hierarchy, contrast or emphasis. Kobayashi designed the Between typeface in response to the current use of rounded and humanist sans serif designs, over the cool grotesques of the 20th century. Between 1, melds industrial and humanistic sans serif design ethics. Between 2 is based on the idea of sans serif version of Kobayashi’s Cosmiqua® typeface. It strikes a balance between being crisp and legible, and organic and friendly. Between 3 is a freestyle sans with an uplifting sprightly mien. Between has 48 styles and each has eight weights of roman – each with an italic counterpart. The family also benefits from a large set of alternative glyphs and many OpenType® features.
48 OTF
There are three states to Akira Kobayashi’s Between™ typeface and, while different from each other, they all offer a human-centered design to ensure that copy set in them is affable and approachable. An added benefit is the ability to transition “between” the designs, choosing different styles – or even individual characters – to create hierarchy, contrast or emphasis. Kobayashi designed the Between typeface in response to the current use of rounded and humanist sans serif designs, over the cool grotesques of the 20th century. Between 1, melds industrial and humanistic sans serif design ethics. Between 2 is based on the idea of sans serif version of Kobayashi’s Cosmiqua® typeface. It strikes a balance between being crisp and legible, and organic and friendly. Between 3 is a freestyle sans with an uplifting sprightly mien. Between has 48 styles and each has eight weights of roman – each with an italic counterpart. The family also benefits from a large set of alternative glyphs and many OpenType® features.
Enza Expanded Font Family
Enza Expanded Font Family
8 TTF
"Enza Expanded” is the new display typeface of the family Enza, designed by Jose Jose Villamizar for Neo Type Foundry. Its design stems from the typographic exploration for conducting an identity aimed at entrepreneurs of the Millennial Generation.
This typeface is composed of a family of 9 weights and has a total of 462 characters each one. "Enza Expanded” includes Thin, ExtraLight, Light, Regular, Medium, DemiBold, Bold, ExtraBold and Black styles. It also includes stylistic alternates, fractions, and ligatures. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.
8 TTF
"Enza Expanded” is the new display typeface of the family Enza, designed by Jose Jose Villamizar for Neo Type Foundry. Its design stems from the typographic exploration for conducting an identity aimed at entrepreneurs of the Millennial Generation.
This typeface is composed of a family of 9 weights and has a total of 462 characters each one. "Enza Expanded” includes Thin, ExtraLight, Light, Regular, Medium, DemiBold, Bold, ExtraBold and Black styles. It also includes stylistic alternates, fractions, and ligatures. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.
Renata Font
Renata Font
TTF
Both casual and upscale, Renata features inviting, unpretentious letterforms, stroked by the hand of an experienced calligrapher with a small brush-tipped pen. Renata has a fluid, languorous look that suggests elegance, quality, and a handcrafted touch. It’s exceptionally readable thanks to its high x-height and spacious connecting strokes. It also looks exceptionally natural – every lowercase letter includes not only its normal connected form, but a beginning, ending, and an “isolated” form (useful for settings like “mar y sol,” “o sole mio”; lettered lists; and creative uses like wordmarks). Renata also includes a full complement of alternates, ligatures, and swashes.
• 119 swashes
• alternate letterforms for every lowercase letter
• beginning, ending and isolated forms for every lowercase letter
TTF
Both casual and upscale, Renata features inviting, unpretentious letterforms, stroked by the hand of an experienced calligrapher with a small brush-tipped pen. Renata has a fluid, languorous look that suggests elegance, quality, and a handcrafted touch. It’s exceptionally readable thanks to its high x-height and spacious connecting strokes. It also looks exceptionally natural – every lowercase letter includes not only its normal connected form, but a beginning, ending, and an “isolated” form (useful for settings like “mar y sol,” “o sole mio”; lettered lists; and creative uses like wordmarks). Renata also includes a full complement of alternates, ligatures, and swashes.
• 119 swashes
• alternate letterforms for every lowercase letter
• beginning, ending and isolated forms for every lowercase letter
HandBrushed Font Family
HandBrushed Font Family
2 OTF
HandBrushed comes as two font files, one for the font and one for the swashes. It's a brush based font that comes in a sans serif style. It comes with letters in uppercase and lowercase, numbers and glyphs.
The main story behind this font is that it was actually designed with a brush! It took around 60-70 A4 papers, a black thick brush and a couple cups of coffee! The Handbrushed font is fully my “sans serif handwriting” and I am really glad to be able to share it with you!
2 OTF
HandBrushed comes as two font files, one for the font and one for the swashes. It's a brush based font that comes in a sans serif style. It comes with letters in uppercase and lowercase, numbers and glyphs.
The main story behind this font is that it was actually designed with a brush! It took around 60-70 A4 papers, a black thick brush and a couple cups of coffee! The Handbrushed font is fully my “sans serif handwriting” and I am really glad to be able to share it with you!
