Designed at Poligraphmash circa 1940. Based on Latinskaya of the H. Berthold (St.Petersburg, 1901), Cyrillic version of Lateinisch of H.Berthold (Berlin,
1899). This digital version developed at ParaGraph in 1996 by Lyubov Kuznetsova. The favorite text typeface of Soviet typography.

Univers Next is a completely reworked version of the original Univers typeface family by Adrian Frutiger. Based on a student project he drew in the late 1940s, Frutiger completed the Univers family in 1957 for Deberny and Peignot, where he was a staff designer. As the first large type family to be conceived in a wide range of widths and weights right from its inception, with a unique systemized numbering system, Univers was truly a trailblazer. In 1997 Adrian Frutiger and the design staff at Linotype completed the large joint project that resulted in Linotype Univers, a cohesive font family of 63 weights. The existing weights were completely redrawn, making the proportions more consistent and improving fine details such as curves and thick-to-thin stroke ratios. By following Frutiger’s original designs, Univers’s humanist characteristics were underlined.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be “neutral” or “transparent.” Like many of Barnbrook’s typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook’s types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

Aromatica—designed by Sofia Mohr—is a rounded typeface with a simple and clean look that reminds us of those strokes found in handwriting while providing functionality and readability.
Aromatica consists of 7 fonts: a monolinear Script, a Sans-serif of 5 weights, ranging from Extra Light to Bold, and a Patterns font, inspired by aromatic herbs and spices, which is the perfect companion to the Script and Sans faces.