Charlie Font Family

Charlie Font Family

Charlie Font Family
Charlie is a slab serif typeface created for use in print and exhibition settings. An affable slab serif, Charlie’s personality is clear and direct, yet warm and polite. Its design is restrained in approach, yet with narrow proportions, high x-height and sharp finishing details it is unique among other slab serifs. Charlie's broad range – from open hairlines to robust black weights – offers a number of options that lend the typeface versatility in use.
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Tomica Font Family

Tomica Font Family

Tomica Font Family
Designed in 2009 for the corporate visual identity of a digital television channel, Tomica was completely redesigned in 2011. Tomica is a sans serif geometric character. Even though it is of original design, Tomica is a descendant of Paul Renner's Futura (1927).
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Hillmark Font

Hillmark Font

Hillmark Font
OTF

Meet Hillmark, a brand new typeface from Tyfomono. Designed to fulfil your trend-catching things with the edgy style and undeniable artsy look. Perfectly fit for your fashion branding stuff, magazine, handwriting logo, inspirational quote poster, oh well you name it.
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Petunia Script Font 1516360

Petunia Script Font 1516360

Petunia Script Font 1516360
OTF TTF EPS
Petunia - a new fresh handmade calligraphy font. Comes with lovely curl in the beginning and last letter. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and even act as a body text !
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Lumin Font Family

Lumin Font Family

Lumin Font Family
38 OTF
The Lumin family includes slab-serif, sans serif, condensed and display typefaces, all of which play with the idea of contradiction. The contrast between horizontal and vertical strokes seems to be quite subtle, evoking the slab serifs of the past century. The stroke connections, however, are sharply chiseled, reminiscent of high-contrast modern types, an effect especially pronounced in the heavier weights. The result is hybrid letterforms that look almost like stencil drawings, yet maintain high legibility at the smallest sizes.
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Valter Font Family

Valter Font Family

Valter Font Family
14 OTF
Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing. Constructed on a monolinear skeleton, it offers seven weights that incrementally increase the contrast between the horizontal and vertical strokes. The thin styles appear wider, while the heavier weights feel normally proportioned, as only the interiors of the letters gain weight. Valter also includes narrower, cursive italics, as well as small caps and advanced OpenType layout features, creating a refined type family of 16 styles.
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Compacta Font Family

Compacta Font Family

Compacta Font Family
36 OTF
Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.
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Calcula Font Family

Calcula Font Family

Calcula Font Family
5 OTF 5 TTF
Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters. Inspired by the geometric Kufic style of traditional Arabic calligraphy, Calcula is a functional OpenType typeface, with design principles that are rooted in lettering, in that each letter reacts to neighbouring letters, adapting to its context.
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Grassia Font

Grassia Font

Grassia Font
3 OTF 3 TTF
Grassia tree type of family is a sans serif font. Grassia Gardenia, Green and Stipe are Useful for various design project. Download file contains both TTF and OTF file format. 75 glyphs are available.
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FS Siena Font Family

FS Siena Font Family

FS Siena Font Family
14 OTF
FS Siena is a typeface with history, and not just in the sense of having its origins in classical Roman lettering. Fontsmith founder Jason Smith first committed it to tracing paper while still at college, instinctively redrawing letterforms based on Hermann Zapf’s Optima according to ‘what felt right’. When Krista Radoeva took up the challenge to edit and extend the typeface, she and Jason were determined to preserve its subtly nonconformist and eclectic spirit. Like a great dish, there are individual components throughout the character set that all add flavour, and need to be balanced in order to work together. The smooth connection of the ‘h’ ‘m’ ‘n’ and ‘r’ contrasts with the corners of the ‘b’ and ‘p’. The instantly recognisable double-storey ‘a’ – the starting point of the design – contrasts with the single-storey ‘g’ and the more cursive ‘y’. And only certain characters – ‘k’, ‘w’, ‘v’ and ‘x’ in the lowercase and ‘K’, ‘V’, ‘W’, ‘X’ and ‘Y’ in the caps – have curved strokes.
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Superior Title Font Family

Superior Title Font Family

Superior Title Font Family
12 OTF
Superior Title is a high contrast Transitional typeface, a kind of missing link between Bodoni and Times. The Display styles are suitable for editorial usage, particularly for fashion and lifestyle publications.
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Tiempos Headline Font Family

Tiempos Headline Font Family

Tiempos Headline Font Family
12 OTF
Tiempos Headline is a serif typeface designed by Kris Sowersby and published through Klim Type Foundry. It’s the display version companion to Tiempos Text, with tighter spacing and higher contrast for setting elegant headlines. Tiempos Headline is also available in more weights than the text version, including light, regular, medium, semibold, bold and black.
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