Hello Creamy Font + Toppings

Hello Creamy Font + Toppings

Hello Creamy Font + Toppings
Ai EPS 2 TTF
We call it HALLO CREAMY , a combination of a bold and-well-creamy font that will melt anything it’s put into, especially in Summer and Winter season. Combine it with food to make them look tastier. Hint: it’s very suitable with pizza, ice-cream, and alike products.
With this font plus the MANY EXTRA TOPPINGS we provide in it, you can be even more playful with your creations. A little touch of this and voila, they will look yummier, trendier, and more colorful
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Hogar Font Family

Hogar Font Family

Hogar Font Family
16 OTF
This font is the result of merging my architecture background and my love for typography, which inspired me to create a system of fonts based on interior architecture design, furniture design and, especially, the love I feel for my home. The system comes with a monolinear style in sans and script versions, each including 5 weights, that share similar proportions, weight interpolation and details. Hogar is basically a sans with script gestures and a script with sans shapes. In order to make the system more complete, I included an italic version, also in 5 weights, which represents a transition between both main styles. Additionally, I developed a set of monolinear dingbats including some furniture designs by well-known architects.. The family supports more than 200 Latin derived languages.
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Tee Franklin Font Family

Tee Franklin Font Family

Tee Franklin Font Family
14 OTF
The British Vogue commissioned this typeface for their magazine re-design in 2001. After studying the originals of Morris Fuller Benton and the existing versions, this font was designed with all new thin weights. Just when the family was finished, Vogue informed that they had decided to use American Typewriter instead. Bastards. But here is a true classic typeface with a facelift. The pun intended. Tee Franklin has seven weights with obliques, the Heavy being just slightly heavier than the existing versions from Adobe and ITC, and moving down to totally new Ultra Light, using Luc(as) de Groot's formula to keep the weights optically correct. The glyphs are the same as the Morris Fuller Benton’s original from 1902, except for the upper case Q, which was re-designed with a loop in the counter for added differentiation.
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Calaboose

Calaboose

Calaboose
4 TTF
This is my cowboy font, and it’s called “Calaboose”!
Use it for headlines and short messages that needs that western look.
Calaboose is cowboyslang for prison - but don't worry, you won't get arrested for being a cityslicker using the four versions of this grafitti(!) inspired western font! All versions of Calaboose come with ligatures for double letters and alternate characters!
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8th Avenue

8th Avenue

8th Avenue
3 TTF
Inspired by the strange, blocky lettering on the sides of a set of a set of plastic kitchen containers in my childhood home, 8th Avenue is a sophisticated, somewhat syncopated font with a retro look and feel that at the same time brings a very modern attitude to your design. 8th Avenue works well as display font for packaging, headlines and logos.
Those pastel turquoise plastic boxes from the early 1950’s, with white screen printed letters reading “FLOUR”, “SUGAR”, “COFFEE” etc. on one sides were a simple quiet presence in our home back then and for decades after. Seeing them—Even that soft blue-green colour felt like home.
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