Syabil Sans Serif Font 2039474

Syabil Sans Serif Font  2039474

Syabil Sans Serif Font 2039474
18 OTF 18 TTF
Syabil. Is a sans serif font family designed by Eko Bimantara. This font crafted with the intention to present a clean, legible, multipurpose that easy to read wether it on screen or print. Fit for all purposes; Text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium. This font consist of 9 weight; Thin, Light, Book, Regular, Medium, SemiBold, Bold, ExtraBold and Heavy with each weight paired by italic. Also including Latin Plus language support with more than 11.700 glyphs in all weight.
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Batoh Font 2022747

Batoh Font  2022747

Batoh Font 2022747
TTF
Take your design game to the next level with a hyper realistic font that truly looks hand painted. Pure Heart uses brand new technology that makes way for more authentic looking fonts and is sure to grab the attention of customers and designers alike. Each letter was carefully painted dozens of times until deemed perfect, and then edited to get the texture absolutely perfect. Buy Batoh Font today and be on the cutting edge of new font technology. So how does it work? Instead of vectorizing the letters, Batoh Font uses actual images and transparency effects in order to get the quality that you see. Batoh Font installs like any other font, and can be used in any color, on any background.
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Doublewide Font Family

Doublewide Font Family

Doublewide Font Family
8 OTF
There are many wide types that look sci-fi or super chic, but where is the personality? Doublewide brings its loud and fun loving character to the wide types party. Featuring light to black weights and a true italic, Doublewide can bring a boring page to life with lively headlines and compelling call-outs.
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Plain Font Family

Plain Font Family

Plain Font Family
24 OTF
Every word could be a logotype. Text composes effortlessly balanced lines. It works from footnote to poster size. The graphic aesthetic is unique yet universal. Few typefaces have qualified to this level of visual alchemy, epitomized by the classic Helvetica from the photo lettering times. If Plain is so fluid, it is thanks a drawing that is neither constrained by a geometrical approach nor structured after the idiosyncrasy of the stroke. Glyphs are designed optically, as plain surfaces and, under an apparent modern simplicity, their dynamic interaction create a distinctive identity. Plain is the achievement of years of research by Francois Rappo, whose Theinhardt family had set a milestone in revisiting Grotesque typeface design. It comes in an exceptionally large range of twelve weights and their matching italic, offering graphic designers a complete tool to make the best use of its potential.
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