Rushda Font
OTF | 10 KB
OTF | 10 KB
After Miles Display Font
After Miles Display Font
4 OTF
After Miles is a handwritten script font . Very cool for branding, poster, logo, and any other artworks. Using After Miles will be better if we play the stylistics alternate and combining it with swashes packs.
4 OTF
After Miles is a handwritten script font . Very cool for branding, poster, logo, and any other artworks. Using After Miles will be better if we play the stylistics alternate and combining it with swashes packs.
NCO Potatoe
NCO Potatoe
4 TTF
There is a very simple reason why the name of this font includes a potato. Or potatoe, if you prefer. It was carefully carved out of 14,5 kg of potatoes.
Or 32.0 lb of potatos.
Every single letter, every digit and every symbol. Manually, of course, and care-fully. It took a while. Longer than digitizing it, but since we love great quality, we put just as much care into this process.
4 TTF
There is a very simple reason why the name of this font includes a potato. Or potatoe, if you prefer. It was carefully carved out of 14,5 kg of potatoes.
Or 32.0 lb of potatos.
Every single letter, every digit and every symbol. Manually, of course, and care-fully. It took a while. Longer than digitizing it, but since we love great quality, we put just as much care into this process.
Pagnua font
Pagnua font
TTF
Pagnua is a sans serif font and was published by Leandro Ribeiro Machado. Pagnua includes 6 OpenType features including Contextual Alternates. Pagnua has extensive Latin language support.
TTF
Pagnua is a sans serif font and was published by Leandro Ribeiro Machado. Pagnua includes 6 OpenType features including Contextual Alternates. Pagnua has extensive Latin language support.
Malva Font Family
Malva Font Family
18 TTF
Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for.Legibility was one of the top concerns during the development of Malva. We took special care to differentiate the naturally ambiguous characters I, i, l and 1. Besides that, carefully proportioned letterforms make Malva a very legible text typeface. The lighter and bolder weights look great at large sizes, such as posters, ads and headlines. On the other hand, the whole family works very well on the web and on mobile devices.The family consists of 18 fonts, from Thin to Black and matching italics. Each font contains 424 glyphs, supporting 219 languages.
18 TTF
Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for.Legibility was one of the top concerns during the development of Malva. We took special care to differentiate the naturally ambiguous characters I, i, l and 1. Besides that, carefully proportioned letterforms make Malva a very legible text typeface. The lighter and bolder weights look great at large sizes, such as posters, ads and headlines. On the other hand, the whole family works very well on the web and on mobile devices.The family consists of 18 fonts, from Thin to Black and matching italics. Each font contains 424 glyphs, supporting 219 languages.
Intelo Font Family
Intelo Font Family
32 TTF
Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages.To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.
32 TTF
Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages.To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.
Madelyn Script
Madelyn Script
4 OTF
Madelyn is handwritten script font based on the expression of real handwriting. Amiable and organic, it is perfect if you want to convey individuality and style. It’s written by calligraphy pen with casual dry strokes and a signature style.
4 OTF
Madelyn is handwritten script font based on the expression of real handwriting. Amiable and organic, it is perfect if you want to convey individuality and style. It’s written by calligraphy pen with casual dry strokes and a signature style.
Adleit Script
Adleit Script
OTF WOFF TTF Ai
Comes with the handlettering brush style and made to give you ease in accomplishing the work of typography such as logotype, poster, headline, and other creative projects. Adleit comes with usability to use for Logotype, Letterhead, Poster, Apparel Design, Label and etc.
OTF WOFF TTF Ai
Comes with the handlettering brush style and made to give you ease in accomplishing the work of typography such as logotype, poster, headline, and other creative projects. Adleit comes with usability to use for Logotype, Letterhead, Poster, Apparel Design, Label and etc.
Chocolatte Font Family
Chocolatte Font Family
2 TTF
Chocolatte font is a yummy, creamy script font, made entirely with chocolate.. No, sorry, that’s not true. It was made with a pen, but I thought I’d create a nice urban myth.
Chocolatte is a pretty useful font: you can stick it on your X-mas cards, write a little poem with it and surprise the love of your life with an enormous amount of chocolate, decorate your cake with it (preferably a chocolate cake) or use it for your… well, whatever.
Just remember that this delicious font cannot be eaten, but it does come with copious amounts of diacritics for all you chocoholics out there!
2 TTF
Chocolatte font is a yummy, creamy script font, made entirely with chocolate.. No, sorry, that’s not true. It was made with a pen, but I thought I’d create a nice urban myth.
Chocolatte is a pretty useful font: you can stick it on your X-mas cards, write a little poem with it and surprise the love of your life with an enormous amount of chocolate, decorate your cake with it (preferably a chocolate cake) or use it for your… well, whatever.
Just remember that this delicious font cannot be eaten, but it does come with copious amounts of diacritics for all you chocoholics out there!
Acorde Font Family
Acorde Font Family
14 OTF
Acorde is a reliable workhorse for large, demanding design projects. It was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. The typeface’s name is derived from ‘a’ ‘cor’porate ‘de’sign typeface, however Acorde is not only suitable for corporate design programmes but for information design and editorial design purposes as well. Acorde’s inception was in early 2005 as Stefan Willerstorfer’s final project in the Type?and?Media course at the Royal Academy of Art in The Hague (NL). It is a humanist sans serif with noticeable diagonal contrast and shows clear influences of the broad nib pen, especially in the Italics. Acorde’s characterful details give it a distinctive appearance in large sizes and contribute to its high legibility in small sizes. It comes in 14 styles – seven weights in Roman and Italic each. While the proportions of the Regular style were chosen to guarantee optimal legibility without being too space consuming, the heavier the weight gets the more suitable it is for headline purposes. The heavy weights are relatively narrower than the lighter ones, which gives them a strong appearance. The huge character set contains 925 glyphs per font and covers a vast range of latin-based languages. Various accented letters, small caps, eleven figure-sets, superscript and subscript are all included. OpenType features allow for a comfortable use of the large set. Acorde was honored with the 2010 Joseph Binder Bronze award for type design by DesignAustria.
14 OTF
Acorde is a reliable workhorse for large, demanding design projects. It was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. The typeface’s name is derived from ‘a’ ‘cor’porate ‘de’sign typeface, however Acorde is not only suitable for corporate design programmes but for information design and editorial design purposes as well. Acorde’s inception was in early 2005 as Stefan Willerstorfer’s final project in the Type?and?Media course at the Royal Academy of Art in The Hague (NL). It is a humanist sans serif with noticeable diagonal contrast and shows clear influences of the broad nib pen, especially in the Italics. Acorde’s characterful details give it a distinctive appearance in large sizes and contribute to its high legibility in small sizes. It comes in 14 styles – seven weights in Roman and Italic each. While the proportions of the Regular style were chosen to guarantee optimal legibility without being too space consuming, the heavier the weight gets the more suitable it is for headline purposes. The heavy weights are relatively narrower than the lighter ones, which gives them a strong appearance. The huge character set contains 925 glyphs per font and covers a vast range of latin-based languages. Various accented letters, small caps, eleven figure-sets, superscript and subscript are all included. OpenType features allow for a comfortable use of the large set. Acorde was honored with the 2010 Joseph Binder Bronze award for type design by DesignAustria.
