Salt And Sugar.Font Duo
2 OTF 21 PNG EPS Ai
MARS ATTACK TYPEFACE can make it easier to convey the message in your design. Use for awesome display, labeling, clothing, movie sceen, poster, movie title, gigs, album covers, logos, and much more.

Mars Attack Typeface
OTF TTF
MARS ATTACK TYPEFACE can make it easier to convey the message in your design. Use for awesome display, labeling, clothing, movie sceen, poster, movie title, gigs, album covers, logos, and much more.

Gelisyah Script Font
OTF

Clareza Font Family
2 OTF
Clareza means “Clarity” in Portuguese. That was exactly the goal in creating this font. We managed to create a font that is crisp and extremely legible at all sizes but then comes to life in an interesting and unusual way when used as a display font. The glyph traps are at the heart of Clareza’s unusual style: they were carefully designed to become a great feature at display sizes, adding an interesting personality without dominating. Clareza is a solid Geometric workhorse ideal for clear, legible, applications including branding, advertising and signage. If you are looking for a font that is crisp with a little more personality, Clareza will absolutely fit the bill!

QUBO - Font
TTF, OTF | 9 KB

AYOR - FONT
TTF | 13 KB

Vellesa Script Font
OTF

WESTFALIA font
OTF

Georgina – A Stencil Hybrid Font
TTF

Balaclava font
TTF

Ashtone
2 OTF
Ashtone is new font from Rvq Typefoundry, elegant feel character set. To create the beautiful combination, just mix the uppercase and lowercase then mix with the alternative glyphs and playing with swash. The Ashtone script includes a full set of capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, punctuation & some extra glyphs.

ITC Modern No. 216 Font Family
8 OTF

Bergen Sans Font Family
6 OTF
Bergen Sans is a contemporary sans serif font family of 6 fonts. Carrying clean and stylized Scandinavian geometry, partnered with explosive post Bauhaus type aesthetics, Bergen Sans is perfect companion in any designer’s ‘survival’ kit. While being a small font family it has unlimited capabilities and plenty of Open Type features for highly professional use. Bergen Sans also includes Extended Latin, Cyrillic (including Bulgarian alternates) and Greek language support.

Marianne
3 TTF
Protest writing (Caps only) made of tape modules joined by drawing a typical notch. 3 styles – Inline, Outline and Solid – each with variants Opentype, many original ligatures (including ‘HTTP’…) and alternative ‘A’ leaning on his right leg, allow many combinations and uses.

Robest
2 TTF

Chronic Font Family
7 TTF
Chronically strong, yet pacific. Chronically bold, yet friendly.
This font was at first inspired by a HAP Grieshaber work and soon incorporated elements from pieces by Willem Sandberg, two astonishing artists who lived through two world wars. They had to struggle for freedom and consistently manifested, with words, works and actions, their absolute love of liberty. Both were chronically free. As this font intends to be.

Davis Font Family
8 TTF
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print design. This is now true in corporate, advertising and interface design, and is even spilling over into editorial layouts. Such focus on clarity and precision in modern design environments have brought to light the many issues that riddle classic print faces, and increased the call for new solutions. The reinvigorated type design market responded to the demand, sometimes with original takes that build on the classics, and sometimes with merely subtle differences from the old aesthetics.

Cerulea Font Family
14 TTF
Cerulea is a unicase from the world of the sky. Drawing inspirations from Art Nouveau, Classical Roman, and Uncial styles, Cerulea’s wide, spacious bowls, sharp points, and subtle wandering curves evoke airiness, flight, and fantasy. Seven weights, and true italics for each, range from zephyrous to thunderous. Vary the mood every time you choose between the serious capital form of a letter, the more fanciful lowercase form, or another variant in the stylistic sets. The more than 800 glyphs cover pan-European Latin, Greek, Cyrillic, fractions, circled numbers, planet and zodiac symbols, card suits, chess pieces, ornaments, and more.

Davis Sans Font Family
8 TTF
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print design. This is now true in corporate, advertising and interface design, and is even spilling over into editorial layouts. Such focus on clarity and precision in modern design environments have brought to light the many issues that riddle classic print faces, and increased the call for new solutions. The reinvigorated type design market responded to the demand, sometimes with original takes that build on the classics, and sometimes with merely subtle differences from the old aesthetics.

Emily Smiles
5 OTF 5 TTF
Emily Smiles new stable character structure; It is ideal for exhibiting a solid position for products such as brand, poster design, book covers, magazines, fashion campaigns, album covers, logo, slogan, typography.
Emily smiles from 'a' to 'z' '' aa '' has adjacent ligatures letters and a little more. For example, in the photoshop and illustrator, the same letters are combined and the new design letter comes together. It gives a natural image. In addition to standard characters, there are alternative upper and lower case letters. Ligatures and extra letters.You can see Letter presentation page.