Between Font Family

Between Font Family

Between Font Family
48 OTF
There are three states to Akira Kobayashi’s Between™ typeface and, while different from each other, they all offer a human-centered design to ensure that copy set in them is affable and approachable. An added benefit is the ability to transition “between” the designs, choosing different styles – or even individual characters – to create hierarchy, contrast or emphasis. Kobayashi designed the Between typeface in response to the current use of rounded and humanist sans serif designs, over the cool grotesques of the 20th century. Between 1, melds industrial and humanistic sans serif design ethics. Between 2 is based on the idea of sans serif version of Kobayashi’s Cosmiqua® typeface. It strikes a balance between being crisp and legible, and organic and friendly. Between 3 is a freestyle sans with an uplifting sprightly mien. Between has 48 styles and each has eight weights of roman – each with an italic counterpart. The family also benefits from a large set of alternative glyphs and many OpenType® features.
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Enza Expanded Font Family

Enza Expanded Font Family

Enza Expanded Font Family
8 TTF
"Enza Expanded” is the new display typeface of the family Enza, designed by Jose Jose Villamizar for Neo Type Foundry. Its design stems from the typographic exploration for conducting an identity aimed at entrepreneurs of the Millennial Generation.
This typeface is composed of a family of 9 weights and has a total of 462 characters each one. "Enza Expanded” includes Thin, ExtraLight, Light, Regular, Medium, DemiBold, Bold, ExtraBold and Black styles. It also includes stylistic alternates, fractions, and ligatures. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.
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Renata Font

Renata Font

Renata Font
TTF
Both casual and upscale, Renata features inviting, unpretentious letterforms, stroked by the hand of an experienced calligrapher with a small brush-tipped pen. Renata has a fluid, languorous look that suggests elegance, quality, and a handcrafted touch. It’s exceptionally readable thanks to its high x-height and spacious connecting strokes. It also looks exceptionally natural – every lowercase letter includes not only its normal connected form, but a beginning, ending, and an “isolated” form (useful for settings like “mar y sol,” “o sole mio”; lettered lists; and creative uses like wordmarks). Renata also includes a full complement of alternates, ligatures, and swashes.
• 119 swashes
• alternate letterforms for every lowercase letter
• beginning, ending and isolated forms for every lowercase letter
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HandBrushed Font Family

HandBrushed Font Family

HandBrushed Font Family
2 OTF
HandBrushed comes as two font files, one for the font and one for the swashes. It's a brush based font that comes in a sans serif style. It comes with letters in uppercase and lowercase, numbers and glyphs.
The main story behind this font is that it was actually designed with a brush! It took around 60-70 A4 papers, a black thick brush and a couple cups of coffee! The Handbrushed font is fully my “sans serif handwriting” and I am really glad to be able to share it with you!
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FF Sanuk Big Pro Font Family

FF Sanuk Big Pro Font Family

FF Sanuk Big Pro Font Family
16 OTF
FF Sanuk Big is a clean and crisply drawn headline typeface intended for high legibility with a distinct character. Compared to the regular version, FF Sanuk Big has an extensively high x-height—with shorter ascenders and descenders. The tight spacing makes it perfect for big and powerful headlines. The family consists of 16 styles in total, including a wide range of weights and up-to-date OpenType features.
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