St Croce

St Croce

St Croce
6 OTF
This typeface is based on worn-out lettering on tombstones in the St. Croce Basilica in Florence. For hundreds of years, microscopic particles of marble are being carried away on the soles of visitors: the embossed figures become fossilized white clouds, fragments of inscriptions are nearing the limits of legibility. First missing are thin joins and serifs, then the main strokes finally slowly diminish into nothingness over time. Unlike an archaeologist, for whom even a completely featureless stele is valuable, the typographer must capture the proper moment of wear, when the type is not too “new” but also not too much decimated.
Such a typeface is usable for catalogs, book jackets, invitations and posters.
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BB Strata Font Family

BB Strata Font Family

BB Strata Font Family
7 OTF 7 TTF
The font family BB Strata was first designed for the visualization of scientific content of an exhibition and developed for publication. The construction of the letters consists entirely of right angles and 45 °-diagonals only . It contains 506 characters per cut and is divided into seven different faces – available in the versions optical (text) and monoline (heading).''
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Grifo Font Family

Grifo Font Family

Grifo Font Family
30 OTF
Grifo is an economic text face designed for magazines. It’s made to save space in long texts and in big, tightly set headlines. The family has three optical sizes: S, for text; M, for titles and L for big headlines. Each of these have five weights from Light to Black, with matching italics. Grifo’s design draws on the extreme hight stroke contrast of the neoclassic types but has bracketed serifs and sharp triangular terminals. Indeed, sharp spikes and hooks are one of grifo’s traits, specially in the L size. It’s full of talon shapes, like the c, e, the bottom curve of the t, or most obviously, commas and quotes. One other distinguishing quality is the prominently rational approach of the shapes, with very hard lines, as if the letters were cut with a scalpel. Vertical strokes all end with abrupt horizontal cuts and the baseline serifs of the letters a, d and u where cut off, to give the alphabet a harder and simplified edge, contributing also to save space. Grifo is the portuguese word for Griffin, the sharp-clawed, half-lion, half-eagle, mythological creature.
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Airplanes In The Night Sky Pro

Airplanes In The Night Sky Pro

Airplanes In The Night Sky Pro
OTF
Couldn't you really use a wish right now? Girly. Swirly. Quirky. And utterly adorable. This Pro version of one of Kimberlys latest cutesy handwriting fonts has received lots of corrections and tweaks to the outlines - to remove autotracing artefacts, stroke width inconsistencies and create a better flow. Finally the character set was completed and expanded. Job done! Back to stargazing..
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Bleeding Cowboys Pro

Bleeding Cowboys Pro

Bleeding Cowboys Pro
OTF
A very popular grungy font, now made even more useful! With this Pro version you have the possibility to tone it down a bit - I have made alternate letters without swashes (use the OpenType Swash feature to
switch them) and without so much bleed (use the OpenType Stylistic Alternates/ss01 feature). And then you can turn it up again by adding six different swashes to any letter! Write { or after a letter to add a swash to the right side, _ will add one below. Added fun and language support!
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Ennio FY

Ennio FY

Ennio FY
OTF
Ennio FY is an original latin font revival, inspired by a wooden type font of the 19th century found in a french graphic handbook of the fifties. Slightly condensed, the contrast between triangular serifs and extra well round shapes give this font a very singular style. Suitable for text or display use, Ennio FY will show all its originality and elegancy whenever you print it out.
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Martini Script - Both fonts

Martini Script - Both fonts

Martini Script - Both fonts
OTF
Martini Script is a cool, retro script with its origins in the hand-lettered ads of the 40s and 50s. During the second half of the 20th century, the introduction of new technologies, along with a change of taste, brought about the demise of hand lettering skills. We have attempted to revive this hand lettered look in the design of Martini Script.
Martini Script has a casual, friendly, stylish charm, and is extremely versatile. The font comes in two styles; Martini Script Regular and Martini Script Fat, which work together to create a dynamic, confident look, perfect for a variety of applications, from posters and signs, to book and music covers and product packaging. Martini Script has standard OpenType features, and language support includes all European character sets.
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HYPER DRIVE Font

HYPER DRIVE Font

HYPER DRIVE Font
2 OTF 2 TTF EPS Ai
It's loud, fast, raw, and guaranteed to propel your text into hyperspace. Hand-painted with distinctive rough brush strokes, HYPER DRIVE is bound to make a big impact on logos, apparel, quotes, product packaging & more.
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Backyard

Backyard

Backyard
4 OTF
Backyard is a blackletter type.
It’s classic but rounded, which gives it a simple and clean appearance.
It comes in four varieties; the Regular style, the Black style and each of those styles as Italic.
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Smurrie

Smurrie

Smurrie
OTF
Smurrie means ‘sludge’ in Dutch. It is not an exact translation, but as good as I could find. The name refers to the rounded, blob-like shape of the glyphs. I think this font would look very good on posters, book covers and T-shirts. Smurrie is an all caps font, but upper and lower case differ and can be used together. Smurrie oozes with charm, fun and happiness and comes with a whole bunch of diacritics.
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Foundry Wilson Font Family

Foundry Wilson Font Family

Foundry Wilson Font Family
4 TTF
Foundry Wilson is a lovingly drawn revival of a 1760 font from Scottish type founder Alexander Wilson, a learned and cultured man who crafted his types with care and skill. Many of Wilson’s fonts were produced exclusively for the Foulis brothers' classics published by Glasgow University Press. This creative relationship produced typography that earned the praise of their peers. A fresh alternative to the contemporary Baskerville, with a taste of the incised letterforms of its time, Foundry Wilson is a robust and lively type design that displays a beautiful colour and texture on the page.
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Punto Font Family

Punto Font Family

Punto Font Family
6 TTF
Punto is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look.Punto comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices.The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages..
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