6 OTF TTF
Blanket Font Family
5 TTF
Blanket is a friendly, baby-soft typeface with a gentle slant. With the warmth of an italic but less of the speed, it is designed primarily for use on child oriented material. The ‘schoolbook’ a and g are default, but the more adult double storey versions are available through stylistic sets / stylistic alternates. Blanket is child friendly without being childish. Typographically sophisticated, it features a wealth of figure styles, automatic fractions, ligatures, alternates, case sensitive forms and a small spattering of swashes.Although the intent was to make a typeface fit for children’s books, the finished product works well anywhere a casual (but not sloppy) look is desired.
Blanket is a friendly, baby-soft typeface with a gentle slant. With the warmth of an italic but less of the speed, it is designed primarily for use on child oriented material. The ‘schoolbook’ a and g are default, but the more adult double storey versions are available through stylistic sets / stylistic alternates. Blanket is child friendly without being childish. Typographically sophisticated, it features a wealth of figure styles, automatic fractions, ligatures, alternates, case sensitive forms and a small spattering of swashes.Although the intent was to make a typeface fit for children’s books, the finished product works well anywhere a casual (but not sloppy) look is desired.
Vtg Stencil DIN Font Family
14 TTF
The Vtg Stencil DIN fonts were developed to made the most common stencil type of Germany available in digital type. Of course there are several, slightly different stencil designs from different manufactures in circulation, but all share the typical design of DIN type.Vtg Stencil DIN comes in many styles – Regular, Alt, Fabric, Halftone and Rough. The Alt style features older designs of letter “a” and figures “6” and “9”. Fabric, Halftone and Rough styles have an eroded, weathered look using up to four glyph variations of each letter. For an random effect an glyph rotator is programmed into the fonts opentype-code and applied by typing in opentype-savvy application.
The Vtg Stencil DIN fonts were developed to made the most common stencil type of Germany available in digital type. Of course there are several, slightly different stencil designs from different manufactures in circulation, but all share the typical design of DIN type.Vtg Stencil DIN comes in many styles – Regular, Alt, Fabric, Halftone and Rough. The Alt style features older designs of letter “a” and figures “6” and “9”. Fabric, Halftone and Rough styles have an eroded, weathered look using up to four glyph variations of each letter. For an random effect an glyph rotator is programmed into the fonts opentype-code and applied by typing in opentype-savvy application.
Aventura Typeface
2 TTF
Inspired by a nature and which adds more personality to your work. In the download you get 2 style fonts. A regular face and Rough style which look great in either all caps or lowercase. Combining all these styles can generate many different typographic layouts for packing, book covers or just quotes to post to your social media.
Inspired by a nature and which adds more personality to your work. In the download you get 2 style fonts. A regular face and Rough style which look great in either all caps or lowercase. Combining all these styles can generate many different typographic layouts for packing, book covers or just quotes to post to your social media.
Bird House Script
OTF TTF
Bird House Script is a handwritten font designed using markers. This font perfect for branding, signature, and more. It includes uppercase standard character, punctuation and multiple language support.
Bird House Script is a handwritten font designed using markers. This font perfect for branding, signature, and more. It includes uppercase standard character, punctuation and multiple language support.
Sweet February Script
OTF TTF
Sweet February Script, a handmade font Calligraphy Style, perfect for your next design, such as logos, printed quotes, handwritten quotes, invitations, cards, product packaging, merchandise, social media & greeting cards, headers and and anything else about your imagination.
Sweet February Script, It contains a full set of lowercase & uppercase, a large range of punctuation, numerals, and multilingual support. The font also contains several stylistic alternates, & Swash, for you who have Opentype capable software (e.g. Photoshop/Illustrator, Corel Draw).
Sweet February Script, a handmade font Calligraphy Style, perfect for your next design, such as logos, printed quotes, handwritten quotes, invitations, cards, product packaging, merchandise, social media & greeting cards, headers and and anything else about your imagination.
Sweet February Script, It contains a full set of lowercase & uppercase, a large range of punctuation, numerals, and multilingual support. The font also contains several stylistic alternates, & Swash, for you who have Opentype capable software (e.g. Photoshop/Illustrator, Corel Draw).
Neon Effect Type
Neon Effect Type
PSD
This Photoshop file contains individual letters and numbers with a highly detailed, realistic neon effect applied. Use this kit to build your own glowing neon signs. Colors can be changed easily on a per letter or number basis, and you can even use gradients for a more dynamic light effect.
Each letter and number is about 840 pixels tall, and they can be resized using Photoshop’s ‘Image Size..’ function if you select the ‘Scale Styles’ option.
PSD
This Photoshop file contains individual letters and numbers with a highly detailed, realistic neon effect applied. Use this kit to build your own glowing neon signs. Colors can be changed easily on a per letter or number basis, and you can even use gradients for a more dynamic light effect.
Each letter and number is about 840 pixels tall, and they can be resized using Photoshop’s ‘Image Size..’ function if you select the ‘Scale Styles’ option.
Cora Font Family
6 OTF
Cora is a sans serif with an experimental bent, offering a large x-height, some contrast of stroke weight, and capitals inspired by classical lettering. The large x-height gives it a voice with a little more volume so that those in the back of the room have no trouble hearing. Because the letters seem slightly large, Cora remains clear at smaller point sizes. It is a typeface intended to perform well on screen without losing its attraction in print and the nature of its shapes allows for condensation or expansion without becoming severely distorted. The uppercase exhibits classical proportions found in ancient Roman inscriptions, which provides opportunities for setting titles in all caps. Cora Opentype Pro has a full range of numerals for every use, small caps, the most common open type features and supports many languages that use the latin extended alphabet. It is available in a range of three weights plus Italics. CoraBasic is a reduced version of Cora. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.
Cora is a sans serif with an experimental bent, offering a large x-height, some contrast of stroke weight, and capitals inspired by classical lettering. The large x-height gives it a voice with a little more volume so that those in the back of the room have no trouble hearing. Because the letters seem slightly large, Cora remains clear at smaller point sizes. It is a typeface intended to perform well on screen without losing its attraction in print and the nature of its shapes allows for condensation or expansion without becoming severely distorted. The uppercase exhibits classical proportions found in ancient Roman inscriptions, which provides opportunities for setting titles in all caps. Cora Opentype Pro has a full range of numerals for every use, small caps, the most common open type features and supports many languages that use the latin extended alphabet. It is available in a range of three weights plus Italics. CoraBasic is a reduced version of Cora. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.
Tact New Font Family
Tact New Font Family
3 TTF
Tact New family is geometrically sans serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all Latin and Cyrillic glyphs.
3 TTF
Tact New family is geometrically sans serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all Latin and Cyrillic glyphs.
Core Sans CR Font Family
Core Sans CR Font Family
18 TTF
Core Sans CR is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.
18 TTF
Core Sans CR is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.