4 OTF | 14.72 MB RAR
Dogtown is my attempt at adding a massive amount of texture to a font. I used my own rolled ink textures to give that old school printed look and feel. It has a mix of three styles to give that wood type vintage letterpress effect.
It works best at large sizes as there is so much detail.
It has 4 versions in total
Dogtown 1 - With light texture
Dogtown 2 - With medium texture
Dogtown 3 - With heavy texture
Dogtown (regular) - Contains all of the above using contextual alternatives.
Contextual alternatives
That means it will alternate between 3 glyphs for each letter, number and punctuation mark. You will need to turn of contextual alternatives option in your design package for this to work.
You can also switch out letters by selecting through the glyphs palette or by selecting Dogtown one, two or three font.
The intention was to make everything look more irregular and less repetitive, more like natural letterpress printing.
It includes uppercase, lowercase, numbers, punctuation, symbols, western european, central european and South Eastern glyphs. The font format is otf. In the main regular font (with contextual alternatives) it has over 600 glyphs!

WOFF EPS Ai OTF | 15.26 MB RAR
Valentina is a realistic hand painted script style typeface. Valentina emulates traditional brushes and inks. It includes awesome OpenType Features like Stylistic Alternates and ligatures.

3 WOFF 3 TTF 3 OTF | 5.44 MB RAR
Hemingwar is a sturdy hand-lettered font family inspired by Hemingway's adventurous life that started from humble beginnings. It's rounded corners give it a warm, approachable aesthetic. Perfect for badges, logos and type based design, this font looks great on curved paths or as an accent piece to that beautiful script font you love to use. Keep it classic or add some flair to your project with one of the 9 alternate letters included!
Here's what's included when you buy Flycatcher's Hemingwar Font Family:
Hemingwar Font - OTF, TTF, & Web Font | Hemingwar Stencil - OTF, TTF, & Web Font | Hemingwar Roughened - OTF, TTF, & Web Font | Each includes 26 letters, 10 numbers, & limited punctuation

2 TTF | 161 KB RAR
Have fun playing with alternates with Generally Speaking, a fresh all-caps font. Alternate between upper and lowercase letters for a custom, handprinted look. Also included is a bonus 'alternate endcaps' font to add a little something extra to the first and last letters of words and phrases!

31 Font
OTF | WOFF
I started designing Ingra in 2007, as a derivative of a typeface specifically drawn for newspapers’ info-graphics. The earlier design of the typeface was a narrower, made in order to optimise the use of space in a newspaper setting. After a few years, I came up with the wider version for a broader range of uses, since designers already used it in different ways. After a few attempts, I left the old fonts behind and I decided to redraw it as a brand new typeface. The resulting typeface has a strong connection to its ancestor in terms of functionality, but it has a different character.

6 Fonts
OTF | TTF
Sigmund Freud was a neurologist who lived from 1856 to 1939. His research and studies led to the foundation of ‘Psychoanalysis’.When I first saw Freud’s century old letters, I was fascinated by the beauty of these historic manuscripts. It made me smile to imagine a person writing his or her shrink a letter set in Freud’s handwriting. I started to plan creating a font based on his manuscripts.I contacted the Sigmund Freud Museum Vienna and Freud Museum London. To start the creation I selected eight handwritten documents from the archive in Vienna – This selection of specimen was my orientation during the design process. The Samples were created between 1883 to 1938 and are of various character such as handwritten scientific papers, personal letters, notes and a telegram.

8 Font Family 100 Fonts
OTF | WoFF
Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

RBNo3.1 is a sans serif typeface with a technical and geometric appearance. The family includes 9 weights with matching italics. Its large x-height makes it especially legible at small point sizes. RBNo3.1 feels comfortable in technical surroundings with short text passages, in brochures, catalogs, magazines, posters, websites, headlines or logos.
OTF | 18 Fonts

OTF | 8 Fonts

7 Font
OTF | TTF
The Cinecav™ X family is based on Cinecav™, a typeface created for closed caption television (CCTV) applications. Cinecav™ X is perfect for other video screen based applications such as videogames, DVD menus, iTV, and video kiosks, but unlike the standard Cinecav™ family, Cinecav™ X can't be used in closed caption systems which require specialized character sets.

16 Fonts
OTF | TTF

40 Fonts
OTF

16 Font
TTF | WoFF
Conto Slab is an individual and significant slab serif typeface in eight weights (upright, italic). It is mainly designed for corporate identity along with the editorial design and advertising. A special set of ligatures make the fonts very useful for logo type and lettering.The sporty Thin and the powerful Black weights are working well in display typography, while the Regular, Medium and Bold weights are meant to stay well in text and tables.Main characteristic are the serif but spurless lowercase shapes (a/b/d/g/m/n/p/q/r/u). Another specific feature is the rising contrast. Whereas you can not find any contrast in the Thin weight, you will find more and more contrast while climbing up to Black.Enjoy the extraordinary italics! They are not just slanted slab obliques, they are a mixture of real italics and slanted shapes. Have a look!Conto Slabs special ligatures are made for logo-types and lettering. Therefore you find around 100 discretionary ligatures like ‘cl’, ‘en', ‘rx’ or ‘sty’ and many more!! Try the OT-feature ss01. Maybe there is something nice for your next logo.Each font contains around 850 glyphs and supports all latin-script based languages. It also includes small-caps and all kind of figures you need for serious typography. Of course you have case and small-cap sensitive punctuation even arrows and fractions up to 1/9.Conto Slab is a further version of the sans serif font Conto. Both are perfectly harmonized and contain almost the same character set. That makes them very useful for larger projects.(Differences in character set: Conto Slab got some more ligatures and two more currency glyphs Indian “rupee” and Chinese “yuan” compared to Conto.)

4 Font
OTF | WoFF
Kumiz FY is a friendly typeface with very generous and absolutely creamy forms. The extra smooth shapes remind to its brush pencil origin and give it a special dynamic characteristic.Kumiz FY fits very well with unctuous food packaging and any other logo-typing or crazy burger design. Available in two weights, roman and italic.Kumiz was co-created by Evgeny Tkhorzhevsky & Gia Tran on co-create.fontyou.com, the first collaborative type foundry.

9 Font
OTF | WoFF
Newcastle gives you great opportunities for spicy typography. If you find some similarities to one of our fonts, ‘Blitzplakat’, you are right. We took it to the next level and made it even better: We extended the range of letters, added optional catchwords, extra shapes, shadows, dust and arrows.Here is a lead to get the most out of Newcastle:Use ‘Discretionary Ligatures’ in the OpenType section of your layout program of choice to turn frequent short words like ‘and’, ‘of’ or ‘from’ into catchwords. Choose ‘Styleformat 01’ to make them vertical.Keep ‘Contextual Alternates’ activated to make consecutive letters look more realistic (the second letter will be replaced automatically by a slightly different looking version).Want to roughen the look of your design even more? Add the dust hidden in the ‘Extras’ style by typing underscore, emdash, endash or hyphen.This font is vintage fun - let’s party!

3 Fonts
OTF | WOFF
In Fehlian I blended features of my earlier Arthur and Lindau releases. Fehlian is a sturdy yet sophisticated Art Deco style Roman semi-serif. It is an excellent choice for titlings, headlines, labels, shopfronts and any other display usage which needs to be typographically furnished with something special.Moreover, besides the plain Fehlian font you have the option of yet another two wonderfully decorated versions which lend even more beauty to your designs.Note that Fehlian is a capitals-only product. It has no lowercase but the uppercase is completed for multilingual usage and supports every Euro-Latin language.

4 Fonts
OTF | WOFF
A 1940s-era edition of the sheet music for the Marine Corps Hymn offered up the hand lettering which comprises Ensemble Inline JNL. Bold, condensed and attention-getting, this titling font commands attention.Available in Inline, Solid, Inline Oblique and Solid Oblique versions.

60 Font
OTF | WOFF
TD Lemon Sans is part of the Lemon Sans family—an extensive set of fonts to go with Lemon Serif. Its design does not stick too closely to the serif version but meets the particular needs of a modern display typeface.The Lemon Sans family comes in six weights: extra light, light, semi light, regular, medium and bold. Every of the six weights is available in a regular and a unicase character set plus their condensed versions. Finally all these versions are available rounded which increases the number of weights to a total of 60.

2 Fonts
OTF | OFF
Irrlicht is based on C. H. Kleukens’ 1923 typeface Judith Type. Whilst Dunkle Irrlicht is a fairly faithful rendition and extension of Kleukens’ typeface, the Licht style was initially added as a stand-alone stencil version; yet, the two styles work perfectly together – for different nuances, for emphasis or simply stacked/layered.Irrlicht is equipped with upper- and lowercase ligatures, contextual and stylistic alternates, fractions, superior and inferior figures, extended language support and a few extra goodies.

1 x TTF and OTF
http://www.myfonts.com/fonts/trial-by-cupcakes/freeland/
Freehand is a hand-painted brush typeface, with a rich, inky texture, and just a bit of a masculine, edgy vibe. It’s modern, bold, and lively, but not too whimsical. Features plenty of ligatures and stylistic alternates for a realistic, hand-lettered look.
Uppercase letters can be used alone as a cohesive group, or they can be paired with their lowercase cousins, for lettering that dances effortlessly across your design.