Hi guys! I want to introduce you my font - Frontier. Frontier based on simply and sketchy brush marker lettering. Font has an organic natural texture. Just try out!

Based on the "kawaii" graphic of Japanese origin, this family is composed of different types of Rodrigotypo and can make the text much more entertaining, supported by a series of illustrations, words and typographies for title.

PORT CITY is a modern-classic type family designed by Conrad Garner and is inspired by the goods and packages that are shipped in and out daily from port cities across the globe and the mighty vessels that carry their precious cargo from port to port. PORT CITY includes 4 sets with three weights each. The 4 family sets include SANS, SERIF, ROUND, and PRESS. PORT CITY’s classic options will let you design across decades of design styles and is very versatile when designed alone or when mixing the family sets and weights. It looks great on packaging, posters, print pieces and more.

New font brushed very interesting, also provided some ligatures and swashes extra. Also with additional Darling Harbour Brush Slant, a font slant harmony to be combined with Darling Harbour Brush. Perfect for projects brands, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm etc. Darling Harbour Brush features Open type feature, including initial and terminal letters,ligatures and International support for most Western Languages is included.

Azalea is a classy serif typeface that looks incredible in every context. Perfect for logos, branding, invitations, and more, Azalea will quickly become a staple in your font book. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely awesome.

Scandilover Family was inspired by monochrome Scandinavian style kid rooms full of handwritten graphics, black and white accessories and prints. Scandilover is a playful display font with its personal charisma. Each letter in the font perfectly combines with another and all in all creates a text that is an entire illustration itself. Scandilover Script is a thin delicate font which isn’t devoid of playfulness too. Together with contrasting Scandilover they make funny lively combinations. Just try!

Garuspik is an original ulra condensed, narrow, tall font with 3 styles: display, round and square. It is particularly well suited to create text blocks, advertising slogans, headlines, and other original and interesting text compositions. For convenience and variation the Uppercase are very tall, lowercase are moderately tall. Garuspik looks especially good when set in all uppercase. So, for convenience and simplicity, the smcp feature changes all characters to uppercase only. In addition, another OpenType feature changes the form of some uppercase, if they stand before to lowercase. And of course, there are all the necessary and popular features such as frac, ordn, locl and others.

Written with a blunt graphite pen, PiS Coalfield features a scruffy scribbled look, loosely inspired by the expressive handwriting on various posters by Sister Corita Kent, an influential pop artist experimenting with serigraphs in the 60ies. There is one set of regular and 4 sets of alternate glyphs for each basic letter programmed to cycle through automatically with the contextual alternate feature (which makes 5 possible versions of each letter). You can also hand-pick the 4 alternate sets if you prefer that of course! A super-lively handwritten look is guaranteed, readability is given in display but also in smaller sizes too! Use it for your organic tofu brand, children’s books or that hip sweet coffee shop around the corner!

Typefaces made from circles are an intriguing proposition for graphic designers. Many are created for technical reasons, such as for the dot matrix printers, or for large screens at sports events. Often they are simple sans serif forms, but Tanja is something unique; a Renaissance dot typeface. Based on the monolinear Marian 1554, Tanja began life as the proposed logo for a German publisher. Though the idea is simple, a seriffed dot typefaces, in its details it reveals a complexity as the dots vary gradually in size. Like Marian, it closely follows the historical models of Garamond and Granjon, but has a contemporary aesthethic, a remix of a remix of a classic. Designed as a display typeface for sizes above 30 point, it comes with various numeral styles, small capitals, swash letters and ligatures.

Bella is a classical Didot-inspired beauty suggesting the best of Paris and New York in a single package. Broad strokes and slender curves invoke the impact of vintage headlines, while the minimalist ‘stencil’ version is an exercise in geometrical perfection. You’ll want to find reasons to employ this delectable award-winning font. Exclusive to HypeForType, and designed by Rick Banks (Face37). F37 Bella is designed in the classical French Didot style but with a contemporary geometrical twist, F37 Bella is based on letterforms of American typographers; John Pistilli and Herb Lubalin, and Swiss typographer Jan Tschichold. Two brand new weights (Heavy & Stencil) have been added to our Exclusive award winning best seller, F37 Bella. Due to the extreme thinness of the hairlines on F37 Bella (Original), we've developed a heavy version for those occasions when you need her a bit smaller. We've also worked on an exciting new Stencil version to keep things fresh. F37 Bella (Original, Heavy, & Stencil) contain alternatives, and cover an extensive range of Latin-based languages, including Western and Eastern European. F37 Bella was also awarded the TDC Toyko 2012 award.