Mimosa Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Mimosa Script come with 260+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Coffeelover - a handmade font consisting of uppercase letters and lowercase letters, punctuation and numbers. Basic Latin alphabet A-Z.

Bringing the magic of unicorn and Pegasus together, the Pegacorn Initials merge myth, legend and fairytale into one typeface! Each pegacorn is rendered in high detail and drawn with care, from the tip of the horn to the far end of the tail. The lush manes, feathered wings and star-sparkling diacritics make these mythical beasts illuminate any text they accompany.

In the 1920s the Danish architect, printer and designer Knud V. Engelhardt made some striking typefaces for signage. The Swedish typeface designer Marten Thavenius used some structural elements from the work of Engelhardt when he designed Skilt Gothic—a typeface to be used for display and text settings in the 21st century. Skilt Gothic comes in nine weights—thin, light, regular, medium, semibold, bold, extrabold, black and ultra—in roman and italic respectively. A wide range of glyph alternatives are accessible through OpenType features. Skilt Gothic has support for more than 50 languages.

Knif (pronounce [Ka-neef]) is an acute and sharp-as-a-knife monospaced typeface. Its starkness results from a very short and intense design process. Knif is the product of a team of 4 french people: It has been designed by Axel Pelletanche-Thevenart under the artistic direction of Guillaume Grall and Benoit Santiard, then Emilie Rigaud, head of “A is for… type foundry”, took care of the production of the final typeface.

First Prize typeface has simple shapes. It is a narrow, heavy sans serif typeface with geometrical logic and quite predictable constructions of characters. The idea behind it was to combine constructed structure of the skeleton and some calligraphic ideas, swashes and cursiveness. At the moment First Prize typeface consists of three narrow styles: bold, upright italic and italic. Cursive weights have beautiful ending swashes and initials. There are few alternative shapes for A&N. As a Display typeface First Prize will work very well with any other typefaces for the good of any project in print or online.

Grind is a big and bold display typeface that oozes strength and toughness. Grind features simple, demolished, halftone and timber styles. It also comes with multilingual support and includes letters, numbers and punctuation.