Stockport Extra & Brush is a cool combination between Sans Serif and Brush Script Font. Stockport Extra & Brush is suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography art, modern envelope lettering or book design. Stockport Extra & Brush also suitable for happening style like handdrawn design or watercolor design theme, craft design, any DIY project, book title, wedding font, pop vintage design, or any purpose to make our art/design project look pretty and trendy.

Hi Designer, Coming again to complete your script font collection..! Sinday College is classic calligraphy font. This is a classic thin font with a italic style. Here you will get a beautiful classic font. This font is available some modern swirl that can make your work look elegant, sweet and perfect. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Sakhiya Script is a handwritten script font, based on the expression of the signature style that flows freely, friendly and organic. hand painted with love. Sakhiya Script are available ligatures and alternates characters in Open Type Features. Also with additional Sakhiya, a font display harmony to be combined with Sakhiya Script. Perfect for brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm.

Introducing a vintage look label typeface named "Bullet". This typeface contains layers - light and shadow, for sample look at 4th preview. Plus aged (distressed) version. Typeface is good viewed on any yours design.

Univers Next is a completely reworked version of the original Univers typeface family by Adrian Frutiger. Based on a student project he drew in the late 1940s, Frutiger completed the Univers family in 1957 for Deberny and Peignot, where he was a staff designer. As the first large type family to be conceived in a wide range of widths and weights right from its inception, with a unique systemized numbering system, Univers was truly a trailblazer. In 1997 Adrian Frutiger and the design staff at Linotype completed the large joint project that resulted in Linotype Univers, a cohesive font family of 63 weights. The existing weights were completely redrawn, making the proportions more consistent and improving fine details such as curves and thick-to-thin stroke ratios. By following Frutiger’s original designs, Univers’s humanist characteristics were underlined.