Sweet Caroline is based on my original "Caroline" font released in 2013. This file includes the original thin/light caroline, but with minor edits included such as specific letter spacing and overlaps, as well as a brand new bolder version, perfect for cutting with your silhouette or cricut! Files included : OTF (opentype) format Be sure to install the files on to your system before use in software suchas photoshop, illustrator, design space, etc.

Here is a classic look label typeface named "TattooParlor". It's made in vintage label style. Font is perfect for any labels design.

Tangerine is a simple, uppercased outline font. It features a hand drawn brushed look. It makes a great stylistic title font. Try it out in your next design!
Included in this download is the .ttf font file. Only the glyphs, A-Z and 0-9, and .,!?& , are available (see preview images for full preview).

Here is a classic look label typeface named "Striped". It's made in vintage label style. Font is perfect for any label or poster design.

SMBRN Stencil Family a new stencil san. The font with simple, minimalistic, modern, retro and vintage feel character. As a display typeface SMBRN Stencil Family is suitable for headlines, logotypes, signs, posters, greeting card, letterhead, t-shirt, and many more.

TDC2 winner Darka is a fine achievement — not only for its crisp tension and accomplished nuances, but also for its sheer inventiveness. Blackletter fonts have been revived periodically in past years, but Martinez Meave seems too enamored of the spirit of blackletter to create a mere copy of an historical design. Instead, he has thrown the revivalists’ rules out the window and, operating from what is obviously a firm understanding of blackletter forms, has created a hybrid which combines elements of gothic cursives, frakturs (uppercase and ascenders) and French lettre batardes (lowercase) with a hint of the Spanish-influenced Rotundas thrown in for good measure. Purists may wrinkle their noses at it, but I find it an attractive and accomplished example of what someone can create from an understanding — and not mere appropriation — of historical forms. — Mark Jamra

Echo, a sans serif counterpart to Charlie typeface, designed by Ross Milne. Echo is clear and direct, with subtle influences from the broad nib pen. The two typefaces developed more-or-less simultaneously, learning from the other.