TDC2 winner Darka is a fine achievement — not only for its crisp tension and accomplished nuances, but also for its sheer inventiveness. Blackletter fonts have been revived periodically in past years, but Martinez Meave seems too enamored of the spirit of blackletter to create a mere copy of an historical design. Instead, he has thrown the revivalists’ rules out the window and, operating from what is obviously a firm understanding of blackletter forms, has created a hybrid which combines elements of gothic cursives, frakturs (uppercase and ascenders) and French lettre batardes (lowercase) with a hint of the Spanish-influenced Rotundas thrown in for good measure. Purists may wrinkle their noses at it, but I find it an attractive and accomplished example of what someone can create from an understanding — and not mere appropriation — of historical forms. — Mark Jamra

Echo, a sans serif counterpart to Charlie typeface, designed by Ross Milne. Echo is clear and direct, with subtle influences from the broad nib pen. The two typefaces developed more-or-less simultaneously, learning from the other.

Hello! This is my new font IOLANTHE. it's a great font with its own individual style, which combines a playful mood and severity of vertical lines. This is a great decoration element for your design, belongings, interior, pillows, shirts, posters, prints, weddings, apparel, packaging, invites, etc. Also you can place these phrases to your photos.

Crushine Wet Brush Update lowercase glyphs Crushine is a casually and quickly written brush script. Letters are made with brush pen on a paper. Then scanned and carefully drawn into vector format. There is just a handmade typeface so it looks good in small and big sizes. These elements gives Crushine its organic, authentic and laid-back characteristics.

I am super stoked to finally announce my font mega bundle! I've created all of these fonts by hand. They're great for adding a hand-crafted, vintage look to your designs that stands out from the crowd!

Make gorgeous three letter circle monograms quickly and easily in any program, even Word or Pages.
CIRCLE MONOGRAM is a trendy monogram set suitable for wedding invitations, branding, stationery, blog design, custom art, custom stamps, custom embossers, or any design purpose. You can use it for your personal use, or for a commercial project.

Saffa Script Monoline is a letter with original handwriting style, nice applied in various products. Complete with multilingual characters, ligature, alternate and swash. It is suitable for quote, clothing design, vintage logo, label, poster, packaging design and other designs.

Kenstein - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Emmeline is timeless, elegant and minimal. It achieves this through its clean lines, subtle angles and perfect rounding. Emmeline is a versatile family, including 3 different weights in upper case. Italics for each weight are also included, adding to its opulence. Emmeline is perfect for corporate projects, branding, publishing, editorial, and logotypes, but is also adaptable and versatile enough to be used for multiple different projects…

Introducing Stylish Script Stylish Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Stylish Script come with 402 glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the typeface to generate an inviting but sophisticated feel on the page. Although, less contrasting, geometric designs have been quite popular around type designers until today, Quarion finds its niche by combining circular elements with a medium stroke contrast, resulting in a versatile and robust workhorse for any analog or digital application.