Styrene, a new sans serif by Berton Hasebe, is his latest exploration of proportion and simplicity in type design. The initial inspiration for the family was a charmingly awkward sans serif called Breede Schreeflooze shown in an early 20th century type specimen published by the Enschede Typefoundry in the Netherlands. However, Styrene has an ahistorical attitude. Its name was inspired by the purposefully synthetic feeling to its curves and geometry. Styrene is characterized by its proportions: typically narrow characters like f j r and t are hyperextended and flattened, adding openness in unexpected places. Styrene’s two widths offer different textures in text: version A is dogmatically geometric, with a stronger overall personality, while version B is narrower for more reasonable copyfit, though not truly condensed.

Chiswick follows the path taken by John Baskerville (1706–1775) in taking the handmade letter and fixing it in type. The single surviving example of Baskerville’s lettering, cut in the 1730s, shows the vernacular letter that would be the model for his later adventure in printing. As a modern serif design, Chiswick has high contrast between thick and thin, yet its freewheeling shapes make it quite distinct from other members of the genre, such as Didot, Bodoni or a Scotch Roman. At the same time, its crisp contrast makes it different from a transitional design such as Baskerville or the types cut by Richard Austin for John Bell, which are more formal in style. Chiswick Headline is designed for situations where Chiswick Poster is too delicate and Chiswick Deck too heavy in its thins and serifs; perfect for sizes from 30 point to 60 point.

When designer Stuart de Rozario surveyed the fonts used in signage on London’s public transport systems, he reached a dead end. They seemed staid, sterile, lacking in personality, and ill-suited to use by modern brands. He was pointed in another direction entirely. ‘The driving force behind my thoughts was to design something more current and fresh without compromising legibility and clarity. A font with both personality and function, that’s versatile and large and small sizes, and effortless to read, but which also says something new.

Rondka is a sentimental reminder for those who have forgotten what is a pen with a rounded, flat nib. Inspired by a brochure of letter patterns for teachers and clerks, published between the world wars. It is most appropriate for books of folk songs. Swashed upper-case elements are deliberately mixed among plain shapes to resemble certain amateurish feel. When adding lines to your page, have the ends rounded.

This collection contains 15 carefully crafted Lightroom presets, specially developed for urban and city landscapes with a focus on architecture. With these presets you will be able to enhance your photos within minutes. Each preset targets a different weather and lighting situation at daytime or night-time – just see the screenshots to get a good overview of what you can achieve with the presets. ? PLEASE NOTE: Since every day in life is unique and every photographer uses his or her personal settings, there is no such thing as a ‘one click preset’. You will always have to fine-tune the basic settings – particularly Color-Temperature, Exposure and the Blacks and Whites under the 'Basic' panel. Therefore every preset is meant as a starting point.

These actions are pretty strong so not every action suitable for every image. Keep testing until finding "the one". Every action will flatten the final image at the end to ease your job. So if you want to tune more just undo last step (flatten) and play with layers.

Awesome color grading will elevate your project and help you tell a better story! With this amazing LUT collection your next project will have a kick start into the world of beautiful images and videos. In case you were wondering, LUT stands for Look Up Table. This phenomena is being used for several years in the film industry. Now it can be yours!