HAZMAT Font Family

HAZMAT Font Family

HAZMAT Font Family
2 OTF
Inspired by a love of geometry, combined with an obsession with all things stencil type!
HAZMAT is a distinctive stencil, using angular characters to give the font an energetic look and feel.
Created with the intention to be different from other stencils, the cut of the font has been designed to create eye catching and intriguing displays. HAZMAT works very well at small sizes for legible and detailed typesetting and is equally successful when used at bigger sizes for creating large format, powerful graphics.
The font is available in two styles - Regular & Oblique.
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Caricia - handdrawn font

Caricia - handdrawn font

Caricia - handdrawn font
OTF TTF
Caricia is a gentle, very feminine font that has all you need to create stunning logo designs, packaging and invitations. Caricia comes with full set of lowercase alternates, as well as some initial & terminal letters (check previews to see all glyphs).
Also Caricia is PUA encoded - that means that you will be able to access all characters from any application. Instruction of how to use PUA glyphs is included.
For those of you who have opentype capable software: you can access the alternates by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop's Character panel, or via any software with a glyphs panel, e.g. Inkscape, Adobe Illustrator, Photoshop CC.
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Bright Daddy Typeface

Bright Daddy Typeface

Bright Daddy Typeface
OTF TTF
Bright Daddy Typeface, simple and easy to create awesome lettering, just type your words and then you will immediately see the great results. If you don't have a program that supports OpenType features such as Adobe Photoshop or Illustrator, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows).
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RM Pro Font Family

RM Pro Font Family

RM Pro Font Family
3 TTF
RM Pro is a completely redrawn and updated version of RM Regular, previously available in only a single weight. RM Pro is now available in 3 weights – Light, Regular and Bold – as OpenType, and WebFont formats, and includes alternate a’s and l’s, plus support for 60+ Latin based languages. Designed by Mark Bloom of Mash Creative, RM Pro is a simple, clean & legible sans-serif, inspired by mid-century neo-grotesques, but with a contemporary twist. Visually striking at display sizes and highly legible as a text face, RM Pro is both distinctive and functional – the perfect choice for professionals seeking a versatile sans-serif for a range of design environments.
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Early Morning Typeface

Early Morning Typeface

Early Morning Typeface
OTF TTF
Early Morning Typeface its a modern classic typeface, really beautiful to typography, your brand, your shop, Logos, catalog, wedding invitation , all about of fashions and arts. Early Morning Typeface, more 300 unique glyphs. Early Morning Typeface, support with Opentype
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Sable Powerpoint Template 897253

Sable Powerpoint Template 897253

Sable Powerpoint Template 897253
Then you’re in the right position to proclaim yourself as the powerpoint expert, who can impress his/her audience like a breeze.
Best ever simple and minimal powerpoint presentation template based on real topics. Super modern and handcrafted slides with lots of creative infographics, Data Charts, Device Mockups & Maps for graphical and realistic visual presentation. Highly organized and modern style of infographic slides based on master slides.
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Campaign Grotesk Font Family

Campaign Grotesk Font Family

Campaign Grotesk Font Family
12 OTF
This handsome new typeface incorporates exuberant curves, subtly curled terminals, and rare forms such as its upright looped lowercase k. The comfortably wide-set family covers six weights, each complete with an optically corrected companion oblique. Available in 6 weights ranging from Thin to Black.
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Rivets

Rivets

Rivets
5 OTF
Rivets is a result of my fascination with the beauty I find in utilitarian industrial objects like the riveted stanchions in New York subway stations, decorative ironwork in Grand Central terminal and the eloquent construction details of the urban infrastructure of the 19th and early 20th century.
It began its life as die-raised sign typography for a magazine cover assignment, developed further for a book cover about mid-20th century American manufacturing and evolved into a complete font plus four individual components suitable for producing multiple color variations.
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Antiquarian

Antiquarian

Antiquarian
OTF
The titles struck me as handsome -- the titles and captions and place labels on a page I have of Henri Abraham Chatelain’s Atlas Historique. I'd already modeled Antiquarian Scribe after the neat, slanted penmanship used in the body text of Chatelain’s famous old world atlas; now I felt compelled to digitize this legible roman handlettering, as well.
The letterforms are strong and handsome. They've got a certain deft, organic character. A personality. I can't fully explain it. But this antique alphabet seems suitable for many applications.
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