Vector ink brushes set 875989

Vector ink brushes set 875989

Vector ink brushes set 875989
Ai EPS | 15 MB
Inside the archive you will find as well samples of brushstrokes, which were sources of brushes. Sometimes it's easier and more convenient to use a shape. It also comes handy when you need to know a face of applyable stroke beforehand. Just go from left to right, from top to bottom.
50 brushes hidden inside two AI files (one with samples, another is blank), EPS-10 and high-res JPEG.
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Tabular Font Family

Tabular Font Family

Tabular Font Family
10 TTF
Tabular is a family of ten monospace sans serif fonts; there are five weights, each with a companion italic. Every glyph in Tabular family shares the same advance width, meaning that line-wrap isn’t affected by emboldening or italicising text. We recommend Tabular for onscreen-use in apps, and on the web – wherever you have to display code (font families that can be used for coding and which include italics are rare). Tabular is great in print, too, especially for financial reporting or letterheads that include several telephone numbers.
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Envy Races Font

Envy Races Font

Envy Races Font
TTF
Envy Races is an elegant contemporary typeface based on sharp clean lines.
Its alluring, sophisticated look is inspired by high fashion. It has a gothic presence, a distinctive simplicity of the letterforms with the spiked angles and subtle contrasting thick and thin lines.
Envy Races is a display font and can be used for editorial and print design.
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Questal Font Family

Questal Font Family

Questal Font Family
6 TTF
Questal is an intriguing unicase serif. The face appears rather eccentric, yet it still retains a refined character. The typeface is wider than most, but not to the degree that Aviano is extended. The font includes some interesting OpenType alternate characters to extend the quirky quality of the letterforms even further. If unicase isn't your thing, the Questal family also includes a small caps variant for more traditional uses. Use Questal for eye-catching and distinctive logotypes or headlines.
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Tony Tony Font

Tony Tony Font

Tony Tony Font
6 OTF 6 WOFF
Introducing Tony Tony - a clean and simple sans serif font, with sharp and smooth edges. Perfect for logo designs, headers and big or small amounts of text. It contains uppercase and lowercase characters within the 6 fonts, round and sharp edges.
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50 Monster Business Card Bundle 869561

50 Monster Business Card Bundle 869561

PSD | 300 MB RAR
This business card bundle contains 50 High Quality business card templates that are suitable for any kind of business or personal use. Each card is fully customizable and come in a well organized, named and layered .PSD file (PHOTOSHOP). All texts are editable and colors can be easily change to whatever you may want. You can use the sample logos included or replace it with yours. All fonts used in these template are free and the fonts download links can be found inside the help file.
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Noir Font Family

Noir Font Family

Noir Font Family
24 TTF
Noir is a sans serif font family of 12 fonts with contemporary aesthetics heavily influenced by early 20th century geometric typefaces. While having its geometric structure it carries organic personality with touch of warmth injected to each form.Noir font family ranges from light and elegant weights perfect for small text, to extremely heavy and masculine weights suited for large display sizes.Noir has a rich arsenal of Open Type features for highly professional use and extended Latin, Cyrillic and Greek language support.Noir is delivered as Std and Pro version. Cyrillic and Greek are available in Pro package only.
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BigCity Grotesque Pro Font Family

BigCity Grotesque Pro Font Family

BigCity Grotesque Pro Font Family
18 TTF
BigCity Grotesque for Bol’shoi Gorod magazine (Big City). The typeface, like other humanist sans serifs, is based on the structures of old-style serifs. BigCity Grotesque was the first magazine sans serif with Cyrillic ligatures. It was honored in 2009 in the international competition, Modern Cyrillic 2009. In the latest version, by Olga Pankova, the shapes of the letters have been updated, and there are new upright and italic styles, small capitals and new ligatures and non-alphabetic symbols.
BigCity Grotesque Pro, thanks to the wide range of weights and styles that it offers, has become a serious tool for meeting all kinds of typographical demands: from large displays to the most finicky typesetting.
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