7 x TTF and OTF
Some years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting.
The style eventually settled in my memory waiting for the work of time.
Behind its apparent neutrality, there is a complex balance game, that almost leads to the basic principles of design which deliver such power to the grotesque style. Stevie Sans is the answer to the work of
time. A bridge that allows the designer to go into the past, while being in the present and looking towards the future. It is what it’s expected from a grotesque designed in the 21st century.
With 7 roman styles ranging from thin to black, support to many languages and essential opentype features, Stevie Sans is the ideal choice for your project.

Photoshop ATN | Adobe CS2+ | 950 KB

TTF

TTF | 34.9 KB

TTF - 3 Fonts

OTF | TTF
SalamacaTF is a fun to use stylistic typeface. With the OpenType options or the glyphs palette you make your own special typography. The font is based on the wall typography of the city of Salamanca.

25xEPS | 265 MB

25xEPS | 235 MB

OTF | 6 Fonts | 5 MB

Odin Rounded is an experimental font family with a clean and linear appearance. The simple compact nature of the design and the many alternates allows for great economy of space across layouts. it supports upper/lowercase, kerning and opentype features. I hope you like it Please send me some images of your project using the font Odin.

EPS | 2.27 MB

OTF, WOFF | 8 Fonts | JPG Preview | 5.3 Mb RAR

ATN, JPG | Adobe CS3+ | CM 225666 | 23,2 MB

Photoshop ATN | Adobe CS2+ | 2.5 MB

LRTemplate | Lightroom 4 - 5 | 3.5 MB

Photoshop ATN | Adobe CS2+ | 151KB

4 OTF | JPEG Preview | 2.36 MB RAR
Hand lettered with a felt tip market, Porter makes a great addition to your growing font collection! Comes in FOUR weights : Light, Normal, Semi Bold and Extra Bold

4 Fonts | OTF
Picastro Bold by TypeFaith Fonts is a firm script with lovely swashes. It is a characteristic font with a retro feel. It contains a full set of ligatures, alternatives, swashes and special characters to end. The OpenType layout features can be used to position or substitute glyphs.

3 OTF Fonts

Type designer Hannes von Dohren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.
OTF | 16 Fonts | JPEG Preview | 3.9 Mb RAR

After doing this for so many years, one would think my fascination with the old history of writing would have mellowed out by now. The truth is that alongside being a calligraphy history buff, I'm a pop technology freak. Maybe even keener on the tech thing, since I just can't seem to get enough new gadgets. And after working with type technologies for so many years, I'm starting to think that writing and design technologies as we now know them, being about 2.5 post-computer generations, keep becoming more and more detached from what the very old humanity arts/tasks they essentially want to facilitate. In a world where command-z is a frequently used key combination, it’s difficult to justify expecting a Morris-made book or a Zaner-drawn sentence, but accidental artistic “mutations” become welcome, marketable features. When fluid pens were introduced, their liquid saturation influenced type design to a great extent almost overnight ? an influence professional designers tend to play down. Now round stroke endings are a common sight, and the saturation is so clean and measured, unlike any liquid-paper relationship possible in reality. Some designers even illustrate their work by overlaying perfect circles at stroke ends, in order to illustrate how “geometric” their work was. Because if it’s measured with precise geometry, it’s got to be meaningful design.
OTF | 5 Fonts | JPEG Preview | 42.5 Mb RAR