Flirt Script Font Family

Flirt Script Font Family

Flirt Script Font Family

Young, playful, loopy, flirty. Flirt Script® carves out a niche for itself by concentrating on natural writing tendencies and not the simplified mechanics of script-to-font type design. A free-flowing monoline, the two weight typeface exploits the common letter-to-letter transitions of the typical cursive hand by utilizing three variable-height strike points controlled within the machinations of OpenType Contextual Alternates. The ease of writing (and the decisions made from letter to letter) is reflected as the structure and cadence of the writing evolves as the user types. Flirt Script® is equipped for complex, conscientious, professional typography. As an exclusively OpenType release, these fonts feature over 2700 glyphs and an extended character set to support Central and Eastern European as well as Western European languages. So, to really let the font perform for you, be sure to have Contextual Alternates activated. Flirt Script® received the “Certificate of Excellence in Type Design” at the TDC2 (2014).
OTF | 2 Fonts | JPEG Preview | 12.4 Mb RAR
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Brandon Printed Font Family

Brandon Printed Font Family

Brandon Printed Font Family

Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with four variations of every letter. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.
TTF | 8 Fonts | JPEG Preview | 17 Mb RAR
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No. Seven Font Family

No. Seven Font Family

No. Seven Font Family

No. Seven is a bold brush style script family of three weights, ornament set and a block capital “small caps” font. No. Seven is equipped with plenty of OpenType features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Discretionary Ligatures, Tabular or OldStyle Lining in any OpenType savvy program or manually select the characters from Glyph Palette. Always keep on Standard Ligatures for the best outcome. Combine No. Seven with No. Seven Ornaments and No. Seven Small Caps to complete your designs. No. Seven is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling.
OTF | 5 Fonts | JPEG Preview | 19.4 Mb RAR
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FM Bolyar Pro Font Family

FM Bolyar Pro Font Family

FM Bolyar Pro Font Family

Bolyar Pro type family is the ancestor of our successful font Bolyar. We decided to develop it to a new higher level - making it more sophisticated, detailed and useful at the same time. The new improved Bolyar is able to satisfy every typographic taste and meet the ever growing design requirements for high quality typefaces. If you are addicted to classic vintage style, then you could easily use Bolyar Pro for almost anything - from letterhead, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork.
OTF | 6 Fonts | JPEG Preview | 10.3 Mb RAR
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Esmeralda Pro Font

Esmeralda Pro Font

Esmeralda Pro Font

From the beginning “Esmeralda” was born with a strong influence of the classical “capitalis monumentalis”, carved in stone. In the same way, the origin of this majuscule writing emerged from the brush, from a way of writing made merely by hand. For this reason, these two universes were intended to lie beneath the shape of each letter, redefining them. And this combination of styles should also be reflected in a lower case set that also allows to open up the spectrum of usage possibilities. Foundational calligraphy represented a solid base for the development of lower case glyphs, ensuring proper interaction with the upper case letters. “Esmeralda” features a great number of ligatures that mix classic structures with a more contemporary impression. With more than eleven hundred glyphs, it provides a multiplicity of uses across a wide combinatory of ligatures, alternative signs, initial caps, miscellaneous and connectors; each one of them accessible through Open Type. “Esmeralda” is perfect to speak with a classical yet fresh, modern – and a little bit bold – tone of voice. Designed by Guille Vizzari, together with the tough and remarkable work of Ale Paul, in use “Esmeralda” stands out in a subtle and unexpected way that’s almost unnoticeable. Its delicate yet solid curves, serifs and endings give each composition a fine, elegant and exquisite feeling, along with a firm and sturdy look. “Esmeralda” was initially born as a typographic project developed by Guillermo Vizzari – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.
OTF | 1 Font | JPEG Preview | 44.7 Mb RAR
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Telemaque FY Family

Telemaque FY Family

Telemaque FY Family

8 Fonts
OTF | TTF
Telemaque FY is a contemporary didone style typeface with a lot of personality.
Both rigid and elegant with its modern sharped terminals and its generous curves, this 4 weights font family will be for sure your new typographic companion for all kind of applications, from magazine covers to luxury logotypes. Its extended glyphset offers beautiful small caps and charming oldstyle and proportional figures which make this typeface perfect for your editorial designs. Nice details like sharped shapes, square dots, special semi serif “E”, flared terminals, vertical “y” tail, and beautiful italic “v” and “w” give a lot of singularity to this 21st century neoclassical font family.Telemaque FY comes out in 4 weight from regular to black with lovely matching italics.Telemaque FY was created by Jean-Baptiste Morizot and Fontyou team on fontyou.com, the first collaborative type foundry.
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Aviano Silk Font Family

Aviano Silk Font Family

Aviano Silk Font Family

6 x TTF and OTF
A premier product from insigne, the powerful Aviano redefines its classic lines for the contemporary elegance of Aviano Silk. This modern development of a timeless font, part of insigne’s annual tradition in adding to the Aviano family, was elected the clear leader in a poll of insigne design’s social media followers.
Aviano Silk refers to the smooth flowing feel that the negative space gives the font. This particular example is sort of a hybrid between the stencil and a centerline. It has a certain amount of velocity to it. Extended characters lend formality and a sense of wealth and power. Due to the modifications required for the new look, the Silk family cannot work as an overlay for Aviano, though it pairs nicely with it. There are also 12 Aviano families that work well with Silk.
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Bright Grotesk Font Family

Bright Grotesk Font Family

Bright Grotesk Font Family

16 x TTF and OTF
Bright Grotesk is inspired by grotesque & humanist typefaces suggesting a serious yet friendly personality. It is designed to be legible in small sizes yet charmingly attractive in large settings.
Bright Grotesk is a neutral design with a subtle touch of flair. It feels old but looks new, warm yet active, symmetrical yet organic, classic yet modern. Bright Grotesk has great details that reveals in display sizes and can be felt in small sizes as well.
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Unio Font

Unio Font

Unio Font

Unio is a fresh new friendly typeface with a little calligraphic touch - this gives Unio a very pleasing rhythm. One of the key features of Unio is its emphasis on legibility. Several ligatures are also included. It is pretty versatile in its application including advertising, packaging and logotypes. Unio is available in Opentype for Mac and Windows - Enjoy!
OTF, WOFF | 1 Font | JPG Preview | 2.4 Mb RAR
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Ramsey Condensed Font Family

Ramsey Condensed Font Family

Ramsey Condensed Font Family

After releasing the first width of Ramsey, I got a lot of requests for a condensed version. After seeing it squished manually for a major motion picture, I figured I should do something about it . What you see is the result of a couple of years of tweaking and rethinking what I could do with the proportions. I feel like the balance between the Light and the Black are consistent, yet different. Like most type projects, I started obsessing on the little things. I finally finished it with a little additional help from Karl Engebretson. When I make typefaces, I like to design them so they are fun and easy to use. Ramsey Condensed is all that and it takes up less space!
OTF, WOFF | 12 Fonts | JPG Preview | 16.3 Mb RAR
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