INDD | Adobe CS4+ | 8.5 x 11 in | CM 252016 | 7 MB

INDD | Adobe CS4+ | 11 x 8.5 in | CM 252002 | 43,9 MB

INDD | Adobe CS4+ | 8.5 x 11 px, 8.3 x 11.7 px | CM 250756 | 35,9 MB

PPT | 1920 x 1080 px | CM 238824 | 207 MB

KEY | 1920 x 1080 px | CM 250031 | 109 MB

PPT, PPTX | 1900 x 1080 px | CM 251360 | 310 MB

Add-on Files Included: JPG Image, Photoshop ATN; Minimum Adobe CS Version: CS5

Photoshop ATN 2.84 MB

Photoshop ATN 27.32 MB

lrtemplate | Adobe CC+ | CM 251608 | 77 KB

Layered PSD | Adobe CS1+ | 3200 x 2000 px | CM 249048 | 159 MB

3 TTF 3 OTF
Ashraf Kids I dedicate to my son who is 4 months old may be a good boy, font Asraf Kids is perfect for baby products, children's fashion, baby store logo and creative design other children.

OTF, WOFF | 14 Fonts

OTF, WOFF | 2 Fonts

OTF

Angelline Script is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. This font is 100% based on the brush traces, it has 348 glyphs, contextual, ligatures, swsh and alternates in any OpenType Savvy program or manually choose from even more alternate characters from Glyph Palette.The OpenType features can be accessed by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign

Hayze is a hand drawn typeface using ink and brush. Brought to complete your sweet and romantic design. The typeface is great for invitations, quotes, headings, t-shirt, labels, posters, etc.

Vanessa Handscript is a new hand written font. Available for both personal and commercial use. No extended license is required. Download and use Vanessa Handscript for anything and everything.Vanessa Handscript come with 402 characters there 202 alternate characters. see all alternate on third poster to view all alternate characters.
enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

OTF, WOFF | 1 Font

10 x TTF and OTF
Pacifista takes advantage of the well-tested structure of our constructed typefaces, the directness and simplicity of which are by far the best suited to stencils. Straight lines, regular arcs and purity of drawing facilitate maintaining the maximum possible legibility even in a typeface that is practically devoid of any joining of strokes