After Effects Version CS4, CS5, CS5.5, CS6 | Add-on Files Included: .ffx | 20 February 2013 | No plug-in | Help | 33 Mb

CS4 CS5 CS5.5 CS6 | 1920x1080 | Full HD | No Requires Plugins | 167 MB

CS4 CS5 CS5.5 CS6 | 1920x1080 | No Requires Plugins | 19 MB

CS5 or Above | 1920x1080 | No Requires Plugins | 219 MB

4 EPS files + JPEG Preview | 18 MB

3 EPS files + JPEG Preview | 13,3 MB

ATN | 191 KB

Graphicriver 3D Natural Photo Frame Action 10431722

As a student in Zurich, Adrian Frutiger began work on Univers, which would eventually be released in 1957 by the Deberny & Peignot foundry in Paris. The design is a neo-grotesque, similar to its contemporary, Helvetica. With the release of Univers, Frutiger began using numbers rather than names to designate variations of weight, width, and slope. The full Univers family consists of twenty-one typefaces, and Frutiger has used this numerical system on other designs, including Serifa and Frutiger. Linotype also has adopted this numerical system for many other faces. All twenty-one Univers faces were designed to work together, so they can be mixed in a variety of ways. Their legibility lends itself to a large variety of applications, from text and headlines to packaging and signage.
OTF | 27 Fonts

8 x TTF and OTF
Como is a modern rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 8 weights from ExtraLight to Heavy.
The basic skeleton of their letterform was designed geometrically and their ends were rounded out. The sophisticated geometric design gives them universality, neutrality and sense of unity for the use in all media, all purposes. And their large x-heights makes this family legible and readable. While at the same time, the rounded ends characterizes this family and it makes them very friendly and natural. This rounded feature will also accentuate your design work moderately.
Como supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

18 x TTF and OTF
Rama Slab is an antiqued slab serif designed inspired by 1800s-style wood type.
All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia.
This condensed font family with 18 styles will be the best solution for posters, titles and anywhere you need impact.
To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model.

4 x TTF and OTF
Fidelia is a dynamic, disconnected script-typeface. Like a chameleon it is her finest pleasure to slip inside different roles and characters in order to figure out the very best of every story. Fidelia has many alternate letters, ligatures, ornaments and features for typographic variety: choose between normal styles, the swash-letters-feature and extra-swashes. The caps are available in three style versions as well.

25 EPS | 112 mb

25xEPS | 250 MB

25 EPS | 198 Mb

25 EPS | 95 Mb RAR

OTF TTF | JPEG Preview | 2.17 MB RAR
Inspired by the old era of handmade letterpress machine that gives you an authentic manual made feel and the press effect on some letters that produced

5 OTF Font Files
Drop is a brush script headline typeface.
Ideal for food packaging and product branding.

Lightyears is a geometric typeface that features a highly stylized lowercase and variations of alternates to create titling results on the fly. You can set the typeface to all-caps for a simple look, or you can alternate uppercase and lowercase letters for a highly stylized title. Uppercase stylistic alternates have a “stereo” look as the crossbars and some stems are doubled in a non-traditional way.
OTF, WOFF | 1 Font

Relato has a low contrast and “a muscular” structure that makes it useful for setting longer text. In display sizes it has a variety of details that lends it a unique and personal expression. The formal principle of the serif, the variety of terminal strokes and the combination of curves and semi-straight lines gives the Relato a more “human” flavor. The inspiration for the design comes from different traditional calligraphic styles. The upper case letter, for example, is based on roman capitals from the Rennaissance, whereas the lower case relates to humanist handwriting. Even so, Relato is a decidedly contemporary typeface, proposing individual ideas on the design of type. The italic has a distinct typographic color thanks to the construction principle of broken lines. The bold weights have an increased contrast in the union of the strokes which helps improve legibility in small sizes and reinforce their personality in display sizes. The family consists of a Regular version, Italic, Small caps, Semibold and Bold.
OTF, WOFF | 5 Fonts