Alternate Gothic Font Family

Alternate Gothic Font Family

Alternate Gothic Font Family
3 TTF
Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.
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Bootstrap Alternate font

Bootstrap Alternate font

Bootstrap Alternate font
OTF TTF
Broken in but none the worse for wear, Bootstrap™ and less distressed companion Bootstrap Alternate each use OpenType features to automatically substitute a unique pair of characters when any upper or lower case letter is keyed twice in a row, as well as features for Old Style Numerals and Small Caps.
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Futura ND Alternate Font Family

Futura ND Alternate Font Family

Futura ND Alternate Font Family
20 TTF
Futura ND Alternate reintroduces the original glyphs of Paul Renner, that were abandoned after a few years of sales of casted types by the Bauersche Giesserei. These glyphs now comply with actual trends. The j, l and t with hook give a fresh new look to Futura; they are especially fit for corporate design and webfonts. The new text image is very distinct when compared to the familiar Futura typeface. Moreover, the letter r with point gives new graphic flair, as well as the choices of different a’s. Finally, designers can obtain beautiful results with the flat m and n, as well as with the triangle based g.Futura ND Alternate fonts offer the new look as a standard; the classic Futura ND glyphs are still available through the many OpenType features.
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