Santoro Script Font Family

Santoro Script Font Family

Santoro Script Font Family

Santoro Script is a fun, happy script font created in the style of handpainted sign lettering. It displays a jubilant attitude which will add a spontaneous, warm and friendly look to any design. The typeface contains at least three versions of every letter found under the Swash and Stylistic Alternates OpenType features as well as a few additional letter versions and ligatures under the Titling and Discretionary Ligatures OpenType features. These extra alternates help give the font a hand painted feeling. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.
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Tertre Font Family

Tertre Font Family

Tertre Font Family

Tertre is a display/short text typeface with a wide range of applications from signage or posters to menus and pricelists; branding, packaging or publishing. It is named after Place du Tertre, a square located at the top of Montmartre—a hill overlooking Paris, made famous by the artists of the 19th and 20th Century. Like in Galette, the letters have no overhangs and the stroke thickness of capitals and lower case letters is identical, making hinting or anti-aliasing more uniform at any point size and zoom combination.
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Chiswick Sans Font Family

Chiswick Sans Font Family

Chiswick Sans Font Family

Chiswick Sans demonstrates that the past can offer inspiration for new typefaces which are not slavishly historical. The high contrast sans serif offers a letterform that shares the unadorned simplicity of a low contrast sans, but also shares the beauty of a serif letter.
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Aloha From Deer - Summer Font Family 1522804

 Aloha From Deer - Summer Font Family 1522804

Aloha From Deer - Summer Font Family 1522804
3 OTF
Let say "aloha" to upcoming summer... It's a friendly and welcoming typeface arriving in three different weights. Created to be positive and easy going. :) Font has been sketched by hand and post processed in adobe illustrator. So, there are no rough lines or edges. Simply size this font as you want - it will stay smooth and precise as you see now.
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FF Brokenscript Font Family

FF Brokenscript Font Family

FF Brokenscript Font Family
4 OTF
Dutch type designer Just van Rossum created this blackletter FontFont in 1991. The family contains 2 weights: Bold and Condensed and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Brokenscript provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures. This FontFont is a member of the FF Brokenscript super family, which also includes FF Brokenscript Rough.
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Alternate Gothic Font Family

Alternate Gothic Font Family

Alternate Gothic Font Family
3 TTF
Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.
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Bauer Bodoni Font Family

Bauer Bodoni Font Family

Bauer Bodoni Font Family
8 OTF
Firmin Didot cut the first modern face about 1784 in Paris; Giambattista Bodoni followed prolifically on his heels; his punches and matrices survive in Parma. Bauer has produced the most faithful and delicate contemporary version of his types.
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Eleganza Font Family

Eleganza Font Family

Eleganza Font Family
4 OTF
Eleganza is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch.The font comes in pairs for the price of one. The “plus” version being the one with less embellishments.
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Bw Gradual Font Family

Bw Gradual Font Family

Bw Gradual Font Family
14 OTF
Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but also delivers a very confortable reading experience when used as body copy, thanks to the deep joins acting as ink traps. Designed by Alberto Romanos, Bw Gradual is available in 7 weights from the delicate Thin to the robust Black with accompanying oblique italics. It supports all European Latin languages and it includes OpenType features like ligatures, old style figures or case sensitive forms among others.
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Lido STF Font Family

Lido STF Font Family

Lido STF Font Family
6 OTF
Lido is suitable for all periodicals wishing to abandon inconspicuously the hideous system typefaces with their even more hideous accents and to change over to the contemporary level of graphic design. It is also most convenient for everyday work in text editors and office applications. It has a fairly large x-height of lower case letters, shortened serifs and simplified endings of rounded strokes. This is typical of the typefaces designed for use in small sizes. Our typeface, however, can sustain enlargement even to the size appropriate for a poster, an information table or a billboard, as it is not trite and at the same time is moderate in expression.
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Pentagraf Font Family

Pentagraf Font Family

Pentagraf Font Family
12 OTF
The five-pointed star gave vertical proportions to this typeface. The cap-height, x-height, ascenders and angles of all important diagonals have been taken from the pentagram. Other elements and details are geometrically constructed, too. This typeface is especially suited for any kind of hermetic and occult literature and poetry, where symbols play an important role. Its appearance is surprisingly clean and neutral enough to be comfortable for long reading, naturally of any kind of text. Pentagraf is already proven as a workhorse in art catalogues, where its humble letterforms don't disturb art reproductions.
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Mediaeval Font Family

Mediaeval Font Family

Mediaeval Font Family
8 OTF
Medi?val has a robust skeleton covered in soft flesh and its italics still show the Renaissance dynamics. It is suitable for the setting of long texts, since it does not contain any sharp points, hairstrokes or other disruptive elements. Its moderate weight encompasses elements of variety and its shading seems to follow a half-moon rolling in the direction of reading. This rhythm considerably speeds up the perception of the text.
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Stanley Font Family

Stanley Font Family

Stanley Font Family
5 OTF
‘Stanley’ is a new typeface from Ludovic Balland, inspired by ‘Times New Roman’, one of the most classic typefaces of the 20th century. Stanley Morison, after criticizing the British newspaper ‘The Times’ of being typographically outdated was then commissioned to create a new font.
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