Baskerville Display PT Font Family
6 OTF
Baskerville Display PT is a type family intended for large and extra large point sizes. It was inspired by the faces of John Baskerville and designed for expressive display typography. Two weights of Baskerville Display with matching italics are much lighter than the existing text versions of Baskerville. Each of them is an ideal partner for ITC New Baskerville. A good addition to the family is Baskerville Poster which will look great in very large sizes. The font was designed by Arina Alaferdova under the supervision of Dmitry Kirsanov and released by ParaType in 2016.

TT Lakes Font Family
54 OTF
The idea for this font emerged in the city of Priosersk, which until World War II was a Finnish city called Kakisalmi. At the city museum we came across an unusual sign plate with the former name of the railway station. We could not look past such a design gem and decided to create a fontfamily that would emphasize the input of Finnish functionalists into the modern design and demonstrate our utter respect towards the land of a thousand lakes, as Finland is often referred to.
TT Lakes is a simple and functional sans-serif that consists of 54 typefaces. TT Lakes contains 3 fontfamilies: Lakes, Lakes Condensed and Lakes Compressed, a universal set of typefaces that fits pretty much any purpose. TT Lakes is like a pair of classic jeans – suits everyone and takes on any challenge. TT Lakes fontfamily supports various OT features: tnum, case, frac, ordn, sups, subs, numr, dnom.

PF Centro Slab Press Font Family
16 OTF

Conglomerate Font Family
12 TTF

Camo Dirt Font Family
2 TTF
Camo Dirt is a variant of Camo... a version with more rough and dirt, with a set of dingbat.

Marita Pro Font Family
OTF
Marita combines sternness with swing and, from this, develops its own, unique elegance. This makes Marita quite versatile, also and especially for headline settings. Apart from numerous ligatures, the font also includes old style figures. Marita is based on brush writing with drop-shaped serifs. The idea was to try to apply a given design approach (also see Volker Schnebel’s Manuel and Martin fonts) to every single character. In other words, start with a character and develop all of the others from it. This is quite easy for some characters but extremely difficult for others. This process generates creativity and the characters move away from the initial constructed sketch. Together in a typeface, the individual characters are now all of a piece and character.

Henderson Sans Font Family
28 TTF
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans serif companion.
Henderson Sans comes in seven weights plus italics, each of which casting an eye on the crafty lettering origins of what is now the ubiquitous mode of corporate communication. This sans serif is a glyph-for-glyph match for Henderson Slab, inheriting pretty much all of its features and quirks, like the wealth or alternates and swashed variants — simple, endearing or otherwise.
Henderson Sans is a family of seven weights plus italics, all full of open features and extended Latin language support.

3 TTF
Sunbeat is a quite groovy face, but that’s not all: this upbeat family is packed with cool interlocking pairs for adding that twist when you need it. Available in three tones, suitable ?only ?for projects that sound great. Hell yes!

3 OTF
Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New. Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design. This is especially true in the heaviest weights. The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette.

4 TTF
A different kind of beauty.
Silex began life in the labs of R·U·S·S·T Institute several years ago with a skeleton of C.A.D./C.A.M system fonts, the tungsten carbide blade of a milling machine for a soul and a box of OpenType features for brains.
Silex is a family of solid, hard-edged, masculine display fonts — Suitable for headlines, logos, heavy equipment and, if you are a wrestler or mixed martial arts fighter, your résumé.
OpenType features include stylistic alternates, discretionarily ligatures, case sensitive glyphs, small caps, dozens of standard and discretionary ligatures.

2 TTF

2 TTF
Koo Koo Puff Regular Condensed is the companion font to Koo Koo Puff Light Condensed. Both fonts includes an upper and lowercase glyph set. Regular Condensed has a different upper and lowercase “O” from the original Koo Koo Puff Light Condensed. Spacing metrics are looser, as well. The font is not a match for Light Condensed, it is a separate font. Both are headline display faces, for optimum usage it is recommended, not be set smaller than 48 points in size.

TTF
Flamenco is an Andalusian art. Who think in flamenco, think in Spain. Is the result of a cultural mix: Gypsies, Arabs, Jews and Christians mixed elements of their respective cultures with traditional Andalusian elements.
It incorporate dance, song and guitar music. Known for its emotional intensity, flamenco is distinguished by the graceful arm movements, ferocious stomping’s flamenco dancer, deep groans and strumming guitar. Flamenco is an art of passion.

YWFT LED Font Family
5 TTF
Defying convention and bringing a new versatility to the pixel genre is YWFT LED, a unique, bitmap-styled typeface that certainly won't go over like a lead balloon. Use the Light weight to create a very fashionable, soft visual approach, or flip the spectrum to the ExtraBold weight for a more tech, fat and heavy pixel approach. YWFT LED works great either as aliased or anti-aliased text in your project.

Alexander Grotesk Font Family
2 OTF
Geometric typeface designed by Joan Ramon Pastor. Fashion design by Estela Diaz.

Foundry Journal Font Family
5 TTF
Foundry Journal is appropriately named for its intended purpose in journals, magazines and publications, where narrow column measures require a more condensed typeface, for the most economic use of page space. Foundry Journal has a characteristic subtle angularity, accentuated by well-defined curve to stem junctions, facilitating legibility and making it an ideal typeface when set at small point sizes.

Vanage Font Family
10 TTF
Vanage is is an elegant high contrast contemporary sans-serif stencil typeface provides advanced typographical support with features such as ligatures and alternate characters. It is rooted in the style of a classic high contest typeface, excluding the typical serifs and ball terminals. Vanage is made for display use, Available in 5 weights and their Italics.

MB Vinatage Font Family
12 OTF
MB Vinatage is a 6 weight font family with italics that has its roots based firmly in the type and font design of the early 20th Century. With some art deco touches in the standard caps like the N and the low bars on the E, F & H, by using the stylistic alternates these can be changed to give the font a more contemporary look. The same applies to the lower case letters, with an alternate a and g and a stylistic lowercase t. The family works great as a display font using the thin and heavy weights and just as well for smaller & bulk text. Stay traditional or go contemporary or mix it up.

La Casa Font Family
7 TTF
Font design meets architecture – the unique and architectural design of the urban villa “Dupli.Casa” by the architect J.Mayer.H triggered the inspiration for the typeface “La Casa”.?Inclinations and curvatures mirror the linear, modern impression of the architecture. The overall impression of the sans serif accounts for the great readability, even in lower point sizes – perfect for the design of books and magazines. The fresh and modern appearance of the font is particularly suitable for corporate designs of enterprises. The seven-font weights support more than 100 languages and the Cyrillic characters ensure a versatile and international use. The low contrast, the reduction of the corner points and the clear nature of the font make “La Casa” perfectly applicable as a web font.

Frugality Font Family
4 OTF