Kopius Font Family
16 OTF
The Kopius™ family is a contemporary serif type that features friendly characteristics with round, open counters conveying a relaxed ambiance. The robustness of the characters supports a wide variety of applications including editorial and display use.
The uniquely defined novel glyph construction and serif shapes convey an allusion to a brush stroke that bestows a contemporary, texture-rich appearance entirely in tune with functionality. The top and bottom slightly curved stems imply flow and reading direction.

Catacumba Pro Font Family
6 OTF
Catacumba is a six-weight typeface inspired by the painted inscriptions of the Igreja de Sao Francisco church’s catacombs in Porto, Portugal. The forms are clearly influenced by Victorian style, with an unmistakable French heritage, and yet they somehow convey a decidedly Portuguese sensibility. Catacumba’s centerpieces are its two titling styles: the exuberant Excelsa, and the didonesque Moderata. From these two decoratives, four new cuts are derived. These, the Text fonts, are tamer and more understated, but maintain the same artisanal grounding and DNA as the display fonts. Each Catacumba font includes an expanded selection of OpenType ranges and features, allowing for extensive use within the Latin range. The Catacumba fonts include: Extended Western and Eastern European characters, Stylistic Alternates, Smallcaps, Ligatures, and more. Catacumba was produced and mastered by PSY/OPS throughout 2008-9, and is a joint release by Fountain and PSY/OPS Type Foundry.

Elido Font Family
16 OTF

Brim Combined Font Family
3 TTF
Brim Combined packs all of the character of the popular layered typeface, Brim Narrow, into three eye-catching font styles.Inspired by antique wood type from the 1800s, Brim is warm and tactile. Its innovative styles produce both striking headlines and sophisticated titles, making it perfect for use in posters, packaging and logotypes.Brim Combined makes it even easier to achieve punchy headlines on the web. This flattened version of Brim does not require professional design software to use and is compatible with Microsoft Word.Brim is an all-caps typeface with Western European, Central European and South Eastern European language support.

Foundry Dit Font Family
4 TTF
Foundry Dit is created with a common horizontal dash grid structure for accurate layering when characters are superimposed.Foundry Dit functions as a legible correspondence font, with a ‘typewriter’ feel. Foundry Dit’s companion family Foundry Dat has an integrated background grid.Each family contains: light, regular, medium and bold weights. Foundry Dat comes with a series of dashes to extend the grid. Characters can also be offset to make different patterns – in the process becoming images – a graphic language with total integration of form and function.

Henderson Slab Font Family
28 TTF

Falkin Font Family
8 OTF

Xyngia Font Family
22 OTF
Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes.
Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design.
Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Camo Font Family
8 OTF

Artigua Font Family
18 OTF
High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings. Whole family contains small caps, subscript, superscript, italics, fractions old style and tabular figures. Over 1100 glyphs and 18 fonts makes a perfect match for clean and minimal projects. With Artigua it’s super easy to prepare adverts, books or web headings.

Foundry Fabriek Font Family
5 TTF
Foundry Fabriek was inspired by the concepts behind industrial fabrication, where and how parts of materials or structures are united. The systematic grid, formed by stencil shapes, is indicative of the work of Wim Crouwel, consultant on the development of this typeface. The compact character widths of Foundry Fabriek are consistent over the five weight progression, giving flexibility for a variety of applications. The characteristic letterforms have an extra dynamic in large scale, perhaps in cast concrete or laser cut metal, to form integrated components in architectural or signage projects.

Danos Font Family
18 TTF
Danos is a flexible family of modern sans serif and characterized by some humanistic. It has his own unique style in expressed perfect condensed forms, inspired by the classic industrial grotesque and geometric typefaces. Danos is an ideal font family for display, text, print, user interfaces, mobile devices, branding, signage, and especially web design creation, with a set of minimal ligatures and alternative characters for your design in any layout. The family has 18 weights ranging from Thin to Black and their italic.

Menoe Grotesque Font Family
2 OTF
Menoe Grotesque typeface was inspired by an old Continental typewriter. I analised the serif typeface in this machine and drew my own sans serif version, keeping in mind the typewriter traditions. This typeface is a 10 Pitch font:if you set 10 letters in 12 Points size, it will be 10 Pitch (1 inch) wide. Menoe Grotesque is a monospaced typeface, all the characters are in same bounding box width. Perfect for programming or setting text in columns. (please use Metrics kerning in InDesign). Supporting languages is a really important question for us. Up to latin, we support greek and cyrillic scripts, all together 86 different languages. (Greek and Cyrillic scripts are available only in the Pro fonts.)

OTF
Zina is a stately and elegant inline serif face for display use. At its heart, this is actually an early-nineteenth century Didone-style design. Its serifs are light and only slightly bracketed onto the main strokes. Several letters have prominent ball terminals. The inline strokes in Zina’s letters are really the typeface’s most prominent feature. These inlines run through the middle of each letterform’s thick strokes, creating a jewell-like appearance. In order for Zina’s inlines and the thin serifs to shine, the typeface should only be used in applications that are subheadline-sized or larger.

Foundry Context Font Family
6 TTF
Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure letterforms, crafted without being over refined, and having minimal stroke contrast in the neo-grotesque style. A hint of personality has emerged from the very drawing of the proportions, strokes, and terminals, yet Foundry Context is still neutral enough to compete in the grotesk arena, and at the same time has something new to say.

Latina Font Family
22 TTF
Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus when reading continuous text. On the other hand, these same features get highlighted when using the font for headlines or display text.This 11-weight family includes italics and small caps, and supports 219 different languages as well as several sets of figures. Latina is the perfect choice for publishing design (books and magazines), branding and advertising.

Typewalk Mono 1915 Font Family
8 OTF
Typewalk Mono 1915, the vintage typewriter grotesque that is branded by history. It is a tribute to the European sign painter and lettering tradition of the early 20th century. Typewalk Mono 1915 also speaks in the proto-rational and graphical language of the Werkbund Objectivity which was used around 1915.
It works great for cultural, editorial and branding purposes. It is versatile in small printing sizes and works great on the web. Speaking with its unique voice.
Typewalk Mono 1915 is the debut release by Sven Fuchs and was designed between 2012 and 2016. It has 8 distinctive weights from thin to bold.

LiebeGerda Font Family
4 OTF
Go out into the wilderness. Cut down a tree. Stop and smell the roses. And then treat yourself with this unplugged, hand-lettered typeface.
LiebeGerda is an effortless-but-refined, spontaneous-but-elegant brush font. She is ready for your next project, and she wants to add that little crafty something that makes the difference. Her natural breath of fresh air lets you escape those same old monotonous script fonts you’ve been using.
After our successful first brush font, LiebeDoris, and our first interconnected script, LiebeLotte, we’re combining both genres and taking them to the next level: an interconnected brush script.

Cozza Font Family
3 OTF
The inspiration for the design of the font Cozza was Unitra Letraset from the 80s. Dry transfer lettering was used by architects from Poland and Czech Republic. Font Cozza, for each character has three alternative characters with their automatic replacement. Cozza doesn’t have lowercase but has up to three alternate uppercase for each letter.

Kaleko 105 Remix Font Family
6 OTF
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kaleko 105, or a display font in its own right. Kaleko 105 Remix features a comprehensive glyph set including accented characters for central European languages.