Crossten Font Family
20 TTF

Senhan Font Family
6 TTF
Like wearing a pair of slip-on Vans® with a suit, the Senhan font family makes a statement with confidence. Defined by sexy, sharp, angular contours when used in headline and display scenarios, this family of 3 weights and italics is a real eye-catcher. But with a tall’ish x-height for legibility, and a medium contrast, Senhan is a workhorse at small sizes and in lengthy blocks of copy.

Alquitran Pro Font Family
37 TTF

Albeit Grotesk Caps font family
4 OTF 4 TTF

Sombrieul font family
OTF TTF

Fibra One font family
32 OTF

Zinc font family
4 OTF 4 TTF

Kristof Font Family
4 TTF

URW Alcuin Full Family
12 TTF

Legothic Font Family
3 TTF
A modern and clean sans originally designed by Phil Martin, works great in body and headline usage.

Mont Font Family
22 TTF
Designed by Mirela Belova and Svetoslav Simov, Mont is a sans serif font family. This typeface has twenty-two styles and was published by Fontfabric.

Augmento Font Family
35 TTF
Augmento is a large contemporary font family from R9 Type+Design. We designed this typeface right smack on the sweet spot between formal and casual. The rounded rectangular structure gives Augmento the corporate, yet approachable look while the quirky stems add the fun, playful feel. This unique, versatile type family is excellent for a variety of applications such as posters, packagings, editorials, and web design.

Motor City Font Family
2 OTF
An industrial strength slab-serif inspired by Detroit itself, Motor City is a heavyweight titan of type that breathes diesel and exudes brawn. Defined by its trapezoidal serifs that were characteristic of many Detroit-centric sign-painters during the dawn of the 20th century, this typeface is a modern adaption of a classic aesthetic.

Bouchers Family Bundle 2061857
OTF TTF

NEATO SERIF FONT FAMILY 2103344
2 OTF

Chypre Font Family
54 OTF
Chypre’s subtle technological feel is perfect for our culture’s evolving electronic media applications. At its source, the carefully adjusted character designs and the balanced weight contrast convey to the modern reader an understanding of cutting edge concepts through a pleasing human feel. Unlike many other tech-driven fonts out there, this next-gen cyborg is a great option for text settings as well as headlines.
The new face is composed of six styles, including numerous alternates which dramatically alter the appearance. There are also extra letter shapes, numerous figure options, and extensive language support. Designed to fit where you need a high-tech feel, Chypre is a modern font for a modern age.

Praktika Font Family
40 OTF
Praktika is a multifunctional super family of 40 fonts. It consists of three distinct widths and weights from extra light to extra bold. Conceptually, it is a rendition of the familiar early 20th century European grotesque styles, used in road signage – reimagined to meet the needs of contemporary world.
Its design language, however, has been kept decidedly rough and bulky, to achieve a unique-yet-familiar look and feel.

Adaline Script font family 1966048
5 OTF 5 TTF
Adaline Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, lettering and more !!

Decima Nova Font Family
8 TTF
Decima Nova is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and identity design.

URW Antiqua Font Family
63 OTF
URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.