The letters of this unusual sans serif typeface offer a blend of formal and informal construction. Legible in large and small sizes, Squire is versatile across a wide variety of advertising applications. It's a great choice for work such as greeting cards, menus, and personal stationery where a familiar, warm approach is desired. Created by Austrian typographer Michael Neugebauer.

The Dres family conjures up the sweaty aesthetics of sportswear and will find fans among those who like large-screen TVs, potato chips, and can’t seem to be drawn away from live feeds of team sports. It’s mandatory for those who own a club card to the local stadium or sports hall, prefer to drink beer from a paper cup, eat cold hot dogs and carry fireworks in their pockets. And of course for those who know all of the chants and choruses of their club by heart, wear scarves with logos around their necks and only travel by public transport dressed in the attire of their favourite club. No matter if it’s a football, ice hockey, volleyball or basketball club, regardless of whether you support Liverpool or United, Jagr, Gretzky or Maradona. Dres will remind you of all the successes (or failures) of your national or favourite team; some will also be reminded of the legendary Mexico 68 typography.

Sax is a professional, elegant and high end serif design by Coen Hofmann, published in 2008 by URW. The Sax family contains three effective weights of regular, bold and italic, along with a small caps weight.

Chairdrobe is minimalistic typeface with a contemporary, urban style. It feels pure, raw and a bit dirty. You can use it as displaytype as well as in longer text. Try to space it up. It looks super tight with a lot of spacing! Chairdrobe is a sans-serif, condensed typeface. Available in 3 different variations – Normal, Rounded and Grunge. It features upper and lowercase letters and up to 7 weights and italics.

Prestige Elite is a minimal, clean monospaced typewriter typeface, originally designed for use by IBM. This modern version was published by URW and was originally designed by Clayton Smith in 1953.

Have you ever imagined what a modern serif with massive triangle-shaped serifs instead of the usual hairline ones would look like? And what if the uppercases got smaller and the extenders were minimised at the same time? How big a narrowing can a serif type handle but still retain its character and legi­bility? Vojt?ch ?iha asked himself all of these questions and answered them with the extensive Steiner family. A contemporary serif, German-like in strictness and precision, but still retaining originality in its shapes.

Barna is a type family intended for long running reading text. Its simple and rational flavour makes it appropiate for technical literature contents. Barna family includes a large stylistic set of variants, including condensed weights and a stencilled display style (Barna Stencil and Barna Stencil Rough) that provides a urban feeling to the family.

The Husk Family began as a digitization of a film typeface called Maile by LetterGraphics. From there, it has evolved to a much more robust character set than its original reference. With multiple numerals sets, creative discretionary ligatures, as well as Swash Capitals and a few final forms, this gladiator of the type arena cuts through to let your designs shine.

Kenyan Coffee is a slim, blocky display typeface inspired by compact headliners of the 1960’s. It’s available in 7 weights and italics.

Josh Finklea’s newest release, the Centra series, is a study in utility and restraint. In keeping with his approach of iteration and improvement to the traditional typographic tools of graphic design, Finklea’s latest work tackles one of typography’s most popular genres, the geometric sans. Instead of strict adherence to a formal geometric structure, Finklea’s approach to the Bauhaus model is largely aesthetic. While Futura and other historical models of the genre were designed as distilled typographic expressions of modernism, Centra acts as a contemporary typographic expression with modernist characteristics. Centra emphasizes texture and readability over conceptual rationale, attributes that can be frustratingly elusive when using many strictly geometric sans-serif typefaces.