Typefaces made from circles are an intriguing proposition for graphic designers. Many are created for technical reasons, such as for the dot matrix printers, or for large screens at sports events. Often they are simple sans serif forms, but Tanja is something unique; a Renaissance dot typeface. Based on the monolinear Marian 1554, Tanja began life as the proposed logo for a German publisher. Though the idea is simple, a seriffed dot typefaces, in its details it reveals a complexity as the dots vary gradually in size. Like Marian, it closely follows the historical models of Garamond and Granjon, but has a contemporary aesthethic, a remix of a remix of a classic. Designed as a display typeface for sizes above 30 point, it comes with various numeral styles, small capitals, swash letters and ligatures.

Bella is a classical Didot-inspired beauty suggesting the best of Paris and New York in a single package. Broad strokes and slender curves invoke the impact of vintage headlines, while the minimalist ‘stencil’ version is an exercise in geometrical perfection. You’ll want to find reasons to employ this delectable award-winning font. Exclusive to HypeForType, and designed by Rick Banks (Face37). F37 Bella is designed in the classical French Didot style but with a contemporary geometrical twist, F37 Bella is based on letterforms of American typographers; John Pistilli and Herb Lubalin, and Swiss typographer Jan Tschichold. Two brand new weights (Heavy & Stencil) have been added to our Exclusive award winning best seller, F37 Bella. Due to the extreme thinness of the hairlines on F37 Bella (Original), we've developed a heavy version for those occasions when you need her a bit smaller. We've also worked on an exciting new Stencil version to keep things fresh. F37 Bella (Original, Heavy, & Stencil) contain alternatives, and cover an extensive range of Latin-based languages, including Western and Eastern European. F37 Bella was also awarded the TDC Toyko 2012 award.

Sul Mono is a geometrically constructed monospaced family of five fonts. It is the fixed width version of Sul Sans, a typeface with features observed in capital letters on signs and buildings in Portugal. Sul Mono’s glyphs width is the standard, so it takes the exact same horizontal space as popular monospace fonts, like Courier or Andale Mono. The name Sul (South), hints to a southern european flavour on a typically northern style of typeface.

William A. Dwiggins designed Caledonia for Linotype in 1939. Initially, he had intended to blend the elements of Scotch Roman and Bulmer typefaces, but ended up with a design that bettered both his models. Dwiggins describes it as having “something of that simple, hard-working, feet-on-the-ground quality that has kept Scotch Roman in service for so many years.” The Bulmer types gave Caledonia “the liveliness of action the quality is in the curves, the way they get away from the straight stems with a calligraphic flick, and in the nervous angle on the underside of the arches as they descend to the right.” The result, Caledonia (the Latin name for Scotland), is one of the most widely used book types of all time. In the late 1980s, Linotype released New Caledonia, removing some of the constraints placed on the original design when it was first produced in metal and augmenting the range of weights for the typeface.

Prana Pro is a modern, young and fresh slab serif created by Christoph Ulherr during his studies with Prof. Gertrud Nolte at the faculty of design of the Hochschule Wurzburg under the direction of Volker Schnebel, URW's type director. Prana Pro is an excellent headline and display font while, at the same time, very well readable at small sizes. It can be used for any kind of publication including posters and book covers.

Inspired by Russian Constructivism, Gullcoast is contemporary display typefaces. Comes with only regular and italic, Gullcoast has 893 glyphs each font. This typefaces support multilingual languages includes cyrillics. Gullcoast has true Small Caps features that can be accessed via opentype panel. Designed especially for display, this typefaces has a post-modernism taste.

Stockholm is a gorgeous Swedish-style sans serif that is extremely versatile and timeless. With a full suite of uppercase and lowercase letters, Stockholm can be used in many style contexts and design environments. Perfect for invitations, magazines, websites, logos, and more!

Aster Slab Serif font is a set of 9 weights and it is good for making creative displays and it has slab serif font. It’s a lovely and unique slab serif font in our store, allowing you to make each word look completely stylish! It Suits best for modern / clean designs, logos, headlines, banners and templates etc. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless.

Murray Hill is an American, retro style script, designed by E. J. Klumpp in 1956.