Chandler 42 Font Family
OTF
One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable. All the eccentric personality of this particular machine is intact: a slightly angled “m,” filled in gaps in the most-used characters; even the number “4” is reminiscent of gasoline pump numbers of its day. Chandler 42 features edges meticulously redrafted by hand, fully developed Western character sets and is available in 4 weights, plus obliques. Chandler 42 is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start.

Stratic Script Font Family
7 OTF
Stratic Script is an elegant family of seven fonts, all based on handwriting. The main idea was to create a script font with almost no contrast, easy to use and quite legible. The design is flawless, every letter is carefuly connected to another, in all fonts. The 6 weights, which are very close to each other, allow the designer to choose precisely the weight he needs. It’s an ideal font for fashion magazines, posters, book covers, etc…This family contains OpenType features, such as Proportional Figure, Tabular Figures, Standard & Discretional ligatures

Candyland - delicious font
TTF OTF
Candyland comes with full set of lowercase alternates, as well as initial and terminal forms, and the great news is: all of those are PUA encoded! That means that you will be able to access all characters from any application. Instruction of how to use PUA glyphs is included (it’s super-easy and you don’t need any special programs).
For those of you who have opentype capable software: you can access the alternates by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop's Character panel, or via any software with a glyphs panel, e.g. Inkscape, Adobe Illustrator, Photoshop CC.

FF Antithesis Font Family
3 OTF
German type designer Yanone created this FontFont in 2013. The family has 3 weights and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Antithesis provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Linotype Univers Font Family
63 OTF
Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. By following Frutiger’s original designs, the humanist character of the sans serif, Univers, now comes through more distinctly. The systemized numbering system has also been updated. With its sturdy, clean forms Linotype Univers can facilitate an expression of cool elegance and rational competence.

Carrara Font Family
14 TTF

Core Sans AR Font Family
16 TTF
Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans AR family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans AR contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.
We highly recommend it for use in books, web pages, screen displays, and so on.

License Font Family
TTF
License is a typeface designed for car and motorbike license plates. Its letters – all uppercase – are monospaced and instantly identifiable; however, they don’t look so technical that they’d be out of place in other design applications. For instance, License is an excellent choice for address signage, too. While License only includes one set of letters, it offers three ranges of numerals. The standard numerals are classic-looking, with mostly-closed apertures and low stroke contrast. The numerals in Stylistic Set 1 are more streamlined, with generally open counters and increased character differentiation. The numerals in Stylistic Set 2 are intended for general graphic design work; they feature increased stroke contrast, additional serifs, and related forms for the ‘6’ and ‘9’.

Fuji Sans Font
4 OTF

PARALLELS Font
OTF

Digitalt Font
TTF OTF

Valley Of Elah Font
OTF

Okomito™ Medium Font
TTF OTF

Chunky Funks Font
OTF

Prehistoric Caveman Font
TTF

Long Loving Letters Font
TTF

Acumin Pro Font Family
90 OTF
Acumin is a versatile sans-serif typeface family designed by Robert Slimbach, intended for a balanced and rational quality. Solidly neo-grotesque, it performs beautifully at display sizes but also maintains an exceptional degree of sensitivity for text sizes.

Viva Beautiful Font Family
5 TTF
Viva Beautiful is a lovely hand painted brush script. Viva Beautiful includes two script styles (Regular or B) and an all caps font. Both scripts come in a basic or pro version.Viva Beautiful Pro and Viva Beautiful Pro B include opentype alternates and common ligatures. Try the alternates and ligatures to give your designs a realistic hand painted look. Viva Beautiful and Viva Beautiful B include opentype ligatures. The all caps font is a basic version and pairs beautifully with any Viva script.

Kazimir Text Font Family
22 TTF
Kazimir Text is a Modern serif typeface with a quite simple graphic idea. It is a Text version of display Kazimir typeface. Kazimir Text has a bit wider proportions, a bit lower contrast and much wider codepage with extended language support compare to Kazimir. A set of stylistic alternatives called Irregular was also reconsidered — they became also more suitable for text usage. The amount of styles also became much wider: 11 romans and 11 italics.