Acumin Pro Font Family

Acumin Pro Font Family

Acumin Pro Font Family
90 OTF
Acumin is a versatile sans-serif typeface family designed by Robert Slimbach, intended for a balanced and rational quality. Solidly neo-grotesque, it performs beautifully at display sizes but also maintains an exceptional degree of sensitivity for text sizes.
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Viva Beautiful Font Family

Viva Beautiful Font Family

Viva Beautiful Font Family
5 TTF
Viva Beautiful is a lovely hand painted brush script. Viva Beautiful includes two script styles (Regular or B) and an all caps font. Both scripts come in a basic or pro version.Viva Beautiful Pro and Viva Beautiful Pro B include opentype alternates and common ligatures. Try the alternates and ligatures to give your designs a realistic hand painted look. Viva Beautiful and Viva Beautiful B include opentype ligatures. The all caps font is a basic version and pairs beautifully with any Viva script.
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Kazimir Text Font Family

Kazimir Text Font Family

Kazimir Text Font Family
22 TTF
Kazimir Text is a Modern serif typeface with a quite simple graphic idea. It is a Text version of display Kazimir typeface. Kazimir Text has a bit wider proportions, a bit lower contrast and much wider codepage with extended language support compare to Kazimir. A set of stylistic alternatives called Irregular was also reconsidered — they became also more suitable for text usage. The amount of styles also became much wider: 11 romans and 11 italics.
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Neuzeit S Font Family

Neuzeit S Font Family

Neuzeit S Font Family
2 OTF
Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.
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Hunky Dory font

Hunky Dory font

Hunky Dory font
OTF
Meet Hunky Dory, a bold display type with a bright and bubbly personality. Named after the album by David Bowie—yes I am obsessed with Bowie.
Its childlike simplicity gives it a sense of innocence that will really light up your designs.
With its simple lines and curves its great for packaging, branding, headlines and logos. Although it's a display font it also looks very legible in smaller sizes too.
in big sizes, but because of its straight architecture the fonts are also very legible in smaller sizes and longer texts - in print or on screen.
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Editor Condensed Font Family

Editor Condensed Font Family

Editor Condensed Font Family
5 OTF
Newspaper headlines dwell in the realm immediacy, and the right typeface will capture attention in an instant. Editor and Editor Condensed are two such families. They each feature prominent wedge-shaped serifs and visible stroke contrast. Several letterform details retain a calligraphic feeling, too. The tops of uppercase letters, numerals, and ascenders all align with one another, and all of the fonts feature large diacritics.
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Cindie Mono Font Family

Cindie Mono Font Family

Cindie Mono Font Family
6 TTF
Cindie Mono is a multi-width display font. Six different widths – A (condensed) through F (super extended) – mathematically correspond with one-another creating a stackable type family. Each face contains all caps full West, Central and East European language support. All diacritics and marks are done in a hairline to add style and contrast. And Cindie Mono is ideal for posters, headlines and display lettering.The inspiration for Cindie Mono came from the lettering styles on optometrists sight-test posters. Then through several stages of development the overall concept for Cindie became of a half-broken Commodore64 and the computer from the 1985 movie ‘Weird Science’ hooked up to a dot-matrix printer spitting out reams of mechanical but distorted mono-lettering all the while an old modem you can't seem find keeps beeping and beeping and beeping...
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Tradesman Font Family

Tradesman Font Family

Tradesman Font Family
40 OTF
Rough-hewn industrial geometric typefaces have been used and admired from early wood types through the digital age of Machine and beyond, but they have lacked an expansive enough family to become a true workhorse. The Tradesman family finds its origin of inspiration in the Craftsman tool company logo, and from there expands to type megafamily.Tradesman celebrates the angular octagonal forms of industrial lettering, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherited its reliably tough tone from the all capitals lettering that inspired it, and goes on to include a lowercase, small caps style, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.
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Gandur New Font Family

Gandur New Font Family

Gandur New Font Family
3 TTF
Gandur New is a display textura in three weights. It was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, it slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights).
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