Varna Font
2 OTF
2 OTF
Academy Font Family1
Academy Font Family1
3 TTF
Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders rework Cheltenham of 1896 (designers Bertram G. Goodhue, Morris F. Benton) and Russian typefaces of the mid-18th century. A low-contrast text typeface with historical flavor. The modern digital version was designed at Poligrafmash type design bureau in 1989 by Lyubov Kuznetsova. Corrections and additions were done later in ParaType in early 2000th. Reworked version with Bold Italic style was released in 2009.
3 TTF
Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders rework Cheltenham of 1896 (designers Bertram G. Goodhue, Morris F. Benton) and Russian typefaces of the mid-18th century. A low-contrast text typeface with historical flavor. The modern digital version was designed at Poligrafmash type design bureau in 1989 by Lyubov Kuznetsova. Corrections and additions were done later in ParaType in early 2000th. Reworked version with Bold Italic style was released in 2009.
Wildbelle Font
Wildbelle Font
OTF
Wildbelle Font is a meeting of mother nature and a jar of japanese ink. This new brush script contains 138 characters with language support.
OTF
Wildbelle Font is a meeting of mother nature and a jar of japanese ink. This new brush script contains 138 characters with language support.
Gumption - handwritten font
Gumption - handwritten font
TTF OTF
Gumption was hand-crafted with paper and pen, then extensively cleaned up to have smooth curves and lines, while maintaining the flair of brush script handwriting.
TTF OTF
Gumption was hand-crafted with paper and pen, then extensively cleaned up to have smooth curves and lines, while maintaining the flair of brush script handwriting.
Vista Slab Font Family
Vista Slab Font Family
12 OTF
The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.
12 OTF
The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.
Diodrum Arabic Font Family
Diodrum Arabic Font Family
6 TTF
Diodrum Arabic is a low-contrast Naskh family with six weights. The typeface has been optimised for corporate identity work, editorial design, and UI/UX projects. Arabic typically places a stronger emphasis on the horizontal than the Latin script does. Since both the Arabic and the Latin letterforms in Diodrum are monolinear, we have employed another method to increase the prominence of horizontality: the counterforms are large and open, and the letters’ middle sections are accentuated. Many of Diodrum’s strokes begin or end with lightly-sheared lines; these subtle angles add a trace of calligraphy back into the static language of sans serifs. The same is true for the typeface’s Arabic-script dots and marks.
6 TTF
Diodrum Arabic is a low-contrast Naskh family with six weights. The typeface has been optimised for corporate identity work, editorial design, and UI/UX projects. Arabic typically places a stronger emphasis on the horizontal than the Latin script does. Since both the Arabic and the Latin letterforms in Diodrum are monolinear, we have employed another method to increase the prominence of horizontality: the counterforms are large and open, and the letters’ middle sections are accentuated. Many of Diodrum’s strokes begin or end with lightly-sheared lines; these subtle angles add a trace of calligraphy back into the static language of sans serifs. The same is true for the typeface’s Arabic-script dots and marks.
Equitan Sans Font Family
Equitan Sans Font Family
14 OTF
Part of the Equitan super family, Equitan Sans and Equitan Slab are ready for branding projects and packaging design. They serve up industrial-era letterforms, refreshed for a new century. Each of the seven weights has an upright and a italic variant, with 418 glyphs per font. The default numeral style in all 14 fonts are proportional oldstyle figures. Thanks to OpenType features, tabular versions are also available, as well as lining figures. Equitan Sans, with its closed apertures and arched shapes, resembles nineteenth century grotesques without becoming sterile, like so many mid-twentieth century neogrotesks. Wherever possible, counterforms are rounded, such as in b, d, p, q, 6, or 9 – even the bottom counter of the two-storey ‘g’ is round. The most recognisable character in Equitan Sans is the lowercase ‘y’, which has a straight tail instead of a diagonal one.
14 OTF
Part of the Equitan super family, Equitan Sans and Equitan Slab are ready for branding projects and packaging design. They serve up industrial-era letterforms, refreshed for a new century. Each of the seven weights has an upright and a italic variant, with 418 glyphs per font. The default numeral style in all 14 fonts are proportional oldstyle figures. Thanks to OpenType features, tabular versions are also available, as well as lining figures. Equitan Sans, with its closed apertures and arched shapes, resembles nineteenth century grotesques without becoming sterile, like so many mid-twentieth century neogrotesks. Wherever possible, counterforms are rounded, such as in b, d, p, q, 6, or 9 – even the bottom counter of the two-storey ‘g’ is round. The most recognisable character in Equitan Sans is the lowercase ‘y’, which has a straight tail instead of a diagonal one.
