Academy Font Family1
3 TTF
Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders rework Cheltenham of 1896 (designers Bertram G. Goodhue, Morris F. Benton) and Russian typefaces of the mid-18th century. A low-contrast text typeface with historical flavor. The modern digital version was designed at Poligrafmash type design bureau in 1989 by Lyubov Kuznetsova. Corrections and additions were done later in ParaType in early 2000th. Reworked version with Bold Italic style was released in 2009.

Wildbelle Font
OTF
Wildbelle Font is a meeting of mother nature and a jar of japanese ink. This new brush script contains 138 characters with language support.

Gumption - handwritten font
TTF OTF
Gumption was hand-crafted with paper and pen, then extensively cleaned up to have smooth curves and lines, while maintaining the flair of brush script handwriting.

Vista Slab Font Family
12 OTF
The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.

Camp Kids Font
OTF,TTF

Diodrum Arabic Font Family
6 TTF
Diodrum Arabic is a low-contrast Naskh family with six weights. The typeface has been optimised for corporate identity work, editorial design, and UI/UX projects. Arabic typically places a stronger emphasis on the horizontal than the Latin script does. Since both the Arabic and the Latin letterforms in Diodrum are monolinear, we have employed another method to increase the prominence of horizontality: the counterforms are large and open, and the letters’ middle sections are accentuated. Many of Diodrum’s strokes begin or end with lightly-sheared lines; these subtle angles add a trace of calligraphy back into the static language of sans serifs. The same is true for the typeface’s Arabic-script dots and marks.

Equitan Sans Font Family
14 OTF
Part of the Equitan super family, Equitan Sans and Equitan Slab are ready for branding projects and packaging design. They serve up industrial-era letterforms, refreshed for a new century. Each of the seven weights has an upright and a italic variant, with 418 glyphs per font. The default numeral style in all 14 fonts are proportional oldstyle figures. Thanks to OpenType features, tabular versions are also available, as well as lining figures. Equitan Sans, with its closed apertures and arched shapes, resembles nineteenth century grotesques without becoming sterile, like so many mid-twentieth century neogrotesks. Wherever possible, counterforms are rounded, such as in b, d, p, q, 6, or 9 – even the bottom counter of the two-storey ‘g’ is round. The most recognisable character in Equitan Sans is the lowercase ‘y’, which has a straight tail instead of a diagonal one.

Creta Font
TTF

SNAKE Display Font
OTF TTF

Marie Bella Brush Font
TTF OTF

Roska Stencil Font
OTF,TTF

Buffalo Script Font
OTF,TTF

FF Holmen Font Family
19 TTF
Danish type designer Per Jorgensen created this serif FontFont in 2007. The family has 5 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, festive occasions as well as editorial and publishing. FF Holmen provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths

Choc Chip Font Family
2 OTF
Choc Chip is a font from my younger days as an apprentice sign writer -when breaking the rules of lettering was ok because I was new to the trade. It didn’t take long before this font was on posters, windows and buildings. With years of use and refinement Choc Chip has the look of a real man’s font: in your face, easy to read and a real character to look at. Choc Chip is packaged with a 3D version (Choc Dip) at no extra cost.

Alouette Modern Calligraphy Font
TTF, OTF,EPS
Alouette is a hand-lettered modern calligraphy script font, that includes discretionary ligatures, stylistic alternates, initial and terminal forms. Alouette includes several ligatures and alternates to make your text look more handwritten. Perfect for invitations, greeting cards, typographical art, logos, letterpress printing, and all sorts of other design projects. Check out all of the characters of this font by clicking on, and expanding, the second image in the previews above. BONUS With your Alouette Font purchase, you will receive a free Photoshop brush set including my hand-painted watercolor floral images, and also each of their png image files, as featured in the image previews above. The image files are in color and all have transparent backgrounds.

The Heart of Everything Font
TTF

Expose Font Family
4 OTF
Expose is a constructed sans typeface for headlines and general editorial work. It looks like it has taken letterforms drafted by engineers and crossed these with avant-garde remixes of typewriter faces. As a family, Expose includes four fonts, ranging in weight from Regular through Black. Newspaper headlines need to be compact, and the counters inside of Expose’s letters help the design achieve this by being almost squared off. Something similar happens with the diagonal strokes, too: several diagonals change direction towards one end of their stroke. While Expose’s design is proportionally-spaced, its design does feel somewhat fixed-width – especially in its capital letters. Unusual for a constructed-style sans, Expose’s fonts make use of the double-storied form for the ‘g’.

LeBrush Font Family
12 TTF
“LeBrush” is a contemporary Roman typeface based on real brush lettering, in 10 styles from Thin to ExtraDark, inspired on the classic Roman proportion of the “Capitalis Monumentalis” present into the Trajan Column and another Greek architectural structures. The “LeBrush classic” weight was specially developed to easily design ‘Movie titling’ graphics, cover books & magazines and posters. More skilled designers and pro-Users can even set the type, in a very smart way, in logotypes and labels as well, using its multiple advanced opentype options and extra ornamental sets. Lowercases allowed users to work in lecture size requirements.

Umbra Font
OTF TTF

Southbank Font
OTF TTF