Freight Neo Pro Font Family
12 OTF
12 OTF
Posterama Font Family
Posterama Font Family
63 OTF
The Posterama™ typeface family contains 63 fonts and is a true journey through space and time. Designed by Jim Ford, each Posterama family contains 7 weights from Thin to Ultra Black, in 9 distinct families. What makes Posterama so unique and versatile are the eight alternative display families. By making use of a collection of alternative glyphs, Posterama sets an evocative flavor to visualize an entire century of futuristic reference points from art, architecture, poster design and science fiction into one family.
63 OTF
The Posterama™ typeface family contains 63 fonts and is a true journey through space and time. Designed by Jim Ford, each Posterama family contains 7 weights from Thin to Ultra Black, in 9 distinct families. What makes Posterama so unique and versatile are the eight alternative display families. By making use of a collection of alternative glyphs, Posterama sets an evocative flavor to visualize an entire century of futuristic reference points from art, architecture, poster design and science fiction into one family.
Schizotype Grotesk Font Family
Schizotype Grotesk Font Family
9 TTF
A neo-grotesk with a bit more bite, this is Schizotype Grotesk. It’s not your usual grot; this is purely display typography. Notches cut deep into the letterforms and the thick/thin contrast isn't always where you might expect. It’s intended to be a challenging typeface - not beautiful or particularly ‘useful’ in any conventional sense, but it is at the very least interesting. In a world where everyone and their dog has their own grotesk offering, perhaps being interesting and that little bit different is in itself enough to give the face its utility.
9 TTF
A neo-grotesk with a bit more bite, this is Schizotype Grotesk. It’s not your usual grot; this is purely display typography. Notches cut deep into the letterforms and the thick/thin contrast isn't always where you might expect. It’s intended to be a challenging typeface - not beautiful or particularly ‘useful’ in any conventional sense, but it is at the very least interesting. In a world where everyone and their dog has their own grotesk offering, perhaps being interesting and that little bit different is in itself enough to give the face its utility.
Polke Font
Polke Font
OTF
Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations.Polke’s name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.
OTF
Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations.Polke’s name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.
Lunica Font Family
Lunica Font Family
4 OTF
Created by Bern-based designer Thomas Hirter, Lunica is a single line weight serif font available in four styles—thin, light, regular, and medium—for both italic and roman type. Inspired by the basic letterforms of the cinema subtitles during his years in Stockholm, Hirter added serifs to reflect the charm of the Swedish language. The serifs are abstracted with a geometric quarter circle, and they give the unique typeface a poetic character. Nonetheless, Lunica offers great legibility at small sizes.
4 OTF
Created by Bern-based designer Thomas Hirter, Lunica is a single line weight serif font available in four styles—thin, light, regular, and medium—for both italic and roman type. Inspired by the basic letterforms of the cinema subtitles during his years in Stockholm, Hirter added serifs to reflect the charm of the Swedish language. The serifs are abstracted with a geometric quarter circle, and they give the unique typeface a poetic character. Nonetheless, Lunica offers great legibility at small sizes.
Tosia Font Family
Tosia Font Family
20 OTF
Tosia is a modern, geometric, clean, elegant and versatile font family designed with neutrality, beautiful proportion and excellent legibility in mind. This professional, contemporary sans serif has slightly condensed dimensions, which make it a great typeface for situations, where space saving is needed. Tosia’s broad variety of weights makes it suitable for headlines of all sizes, as well as for long and short paragraphs of text. It is excellent for on-screen use, for web applications, user interfaces, as well as for all kind of print purposes, like branding, packaging and editorial design. Tosia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
20 OTF
Tosia is a modern, geometric, clean, elegant and versatile font family designed with neutrality, beautiful proportion and excellent legibility in mind. This professional, contemporary sans serif has slightly condensed dimensions, which make it a great typeface for situations, where space saving is needed. Tosia’s broad variety of weights makes it suitable for headlines of all sizes, as well as for long and short paragraphs of text. It is excellent for on-screen use, for web applications, user interfaces, as well as for all kind of print purposes, like branding, packaging and editorial design. Tosia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
Pradell Font
Pradell Font
4 OTF
Pradell is a Latin text family based on original Spanish 18th century type specimens. More exactly on those type specimens showing the types cut by Catalan punchcutter Eudald Pradell (1721-1788). It is a type family specially designed for literary texts. It includes, regular, italic, semi bold, bold, small caps and a set of ligatures, together with a collection of vignetes and fleurons. Although it is a contemporary product, Pradell has a very distinctive Spanish flavour.
4 OTF
Pradell is a Latin text family based on original Spanish 18th century type specimens. More exactly on those type specimens showing the types cut by Catalan punchcutter Eudald Pradell (1721-1788). It is a type family specially designed for literary texts. It includes, regular, italic, semi bold, bold, small caps and a set of ligatures, together with a collection of vignetes and fleurons. Although it is a contemporary product, Pradell has a very distinctive Spanish flavour.
The Bear Font Family
The Bear Font Family
4 OTF
The bear family who live in typography life. There are 4 types of bears with a different character each other. This font family can help you to create fun design. Recommended for kids book cover, food & beverage labels, handmade printing, and packaging.
4 OTF
The bear family who live in typography life. There are 4 types of bears with a different character each other. This font family can help you to create fun design. Recommended for kids book cover, food & beverage labels, handmade printing, and packaging.
Romina Font Family
Romina Font Family
16 OTF
Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.
16 OTF
Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.
Quiet Sans Font Family
Quiet Sans Font Family
12 OTF
Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make crisp, sharp and strong impact by geometric letter form but also to be legible and readable even on small size screen by their sophisticated design. Quiet Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.
12 OTF
Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make crisp, sharp and strong impact by geometric letter form but also to be legible and readable even on small size screen by their sophisticated design. Quiet Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.
Gardenia Font Family
Gardenia Font Family
18 OTF
Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodriguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features.
18 OTF
Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodriguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features.
Optimisti Font Family
Optimisti Font Family
2 OTF
“Optimisti” is Finnish for optimist – and optimism is exactly the feeling this handwriting font conveys. It is casual, playful, natural looking and character-strong – a perfect solution for headlines, slogans, teaser texts and brand naming. The family contains two styles which differ in their outline structure: Optimisti Smooth and Optimisti Sparkling. – Use the first to create a gentle typographic breeze and the second for a fresher one in print, on the web, and on packaging. Optimisti supports 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.
2 OTF
“Optimisti” is Finnish for optimist – and optimism is exactly the feeling this handwriting font conveys. It is casual, playful, natural looking and character-strong – a perfect solution for headlines, slogans, teaser texts and brand naming. The family contains two styles which differ in their outline structure: Optimisti Smooth and Optimisti Sparkling. – Use the first to create a gentle typographic breeze and the second for a fresher one in print, on the web, and on packaging. Optimisti supports 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.