Blockletter Font
OTF
OTF
Lunica Font Family
Lunica Font Family
4 OTF
Created by Bern-based designer Thomas Hirter, Lunica is a single line weight serif font available in four styles—thin, light, regular, and medium—for both italic and roman type. Inspired by the basic letterforms of the cinema subtitles during his years in Stockholm, Hirter added serifs to reflect the charm of the Swedish language. The serifs are abstracted with a geometric quarter circle, and they give the unique typeface a poetic character. Nonetheless, Lunica offers great legibility at small sizes.
4 OTF
Created by Bern-based designer Thomas Hirter, Lunica is a single line weight serif font available in four styles—thin, light, regular, and medium—for both italic and roman type. Inspired by the basic letterforms of the cinema subtitles during his years in Stockholm, Hirter added serifs to reflect the charm of the Swedish language. The serifs are abstracted with a geometric quarter circle, and they give the unique typeface a poetic character. Nonetheless, Lunica offers great legibility at small sizes.
Tosia Font Family
Tosia Font Family
20 OTF
Tosia is a modern, geometric, clean, elegant and versatile font family designed with neutrality, beautiful proportion and excellent legibility in mind. This professional, contemporary sans serif has slightly condensed dimensions, which make it a great typeface for situations, where space saving is needed. Tosia’s broad variety of weights makes it suitable for headlines of all sizes, as well as for long and short paragraphs of text. It is excellent for on-screen use, for web applications, user interfaces, as well as for all kind of print purposes, like branding, packaging and editorial design. Tosia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
20 OTF
Tosia is a modern, geometric, clean, elegant and versatile font family designed with neutrality, beautiful proportion and excellent legibility in mind. This professional, contemporary sans serif has slightly condensed dimensions, which make it a great typeface for situations, where space saving is needed. Tosia’s broad variety of weights makes it suitable for headlines of all sizes, as well as for long and short paragraphs of text. It is excellent for on-screen use, for web applications, user interfaces, as well as for all kind of print purposes, like branding, packaging and editorial design. Tosia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
Pradell Font
Pradell Font
4 OTF
Pradell is a Latin text family based on original Spanish 18th century type specimens. More exactly on those type specimens showing the types cut by Catalan punchcutter Eudald Pradell (1721-1788). It is a type family specially designed for literary texts. It includes, regular, italic, semi bold, bold, small caps and a set of ligatures, together with a collection of vignetes and fleurons. Although it is a contemporary product, Pradell has a very distinctive Spanish flavour.
4 OTF
Pradell is a Latin text family based on original Spanish 18th century type specimens. More exactly on those type specimens showing the types cut by Catalan punchcutter Eudald Pradell (1721-1788). It is a type family specially designed for literary texts. It includes, regular, italic, semi bold, bold, small caps and a set of ligatures, together with a collection of vignetes and fleurons. Although it is a contemporary product, Pradell has a very distinctive Spanish flavour.
The Bear Font Family
The Bear Font Family
4 OTF
The bear family who live in typography life. There are 4 types of bears with a different character each other. This font family can help you to create fun design. Recommended for kids book cover, food & beverage labels, handmade printing, and packaging.
4 OTF
The bear family who live in typography life. There are 4 types of bears with a different character each other. This font family can help you to create fun design. Recommended for kids book cover, food & beverage labels, handmade printing, and packaging.
Romina Font Family
Romina Font Family
16 OTF
Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.
16 OTF
Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.
Quiet Sans Font Family
Quiet Sans Font Family
12 OTF
Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make crisp, sharp and strong impact by geometric letter form but also to be legible and readable even on small size screen by their sophisticated design. Quiet Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.
12 OTF
Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make crisp, sharp and strong impact by geometric letter form but also to be legible and readable even on small size screen by their sophisticated design. Quiet Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.
Gardenia Font Family
Gardenia Font Family
18 OTF
Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodriguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features.
18 OTF
Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodriguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features.
Optimisti Font Family
Optimisti Font Family
2 OTF
“Optimisti” is Finnish for optimist – and optimism is exactly the feeling this handwriting font conveys. It is casual, playful, natural looking and character-strong – a perfect solution for headlines, slogans, teaser texts and brand naming. The family contains two styles which differ in their outline structure: Optimisti Smooth and Optimisti Sparkling. – Use the first to create a gentle typographic breeze and the second for a fresher one in print, on the web, and on packaging. Optimisti supports 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.
2 OTF
“Optimisti” is Finnish for optimist – and optimism is exactly the feeling this handwriting font conveys. It is casual, playful, natural looking and character-strong – a perfect solution for headlines, slogans, teaser texts and brand naming. The family contains two styles which differ in their outline structure: Optimisti Smooth and Optimisti Sparkling. – Use the first to create a gentle typographic breeze and the second for a fresher one in print, on the web, and on packaging. Optimisti supports 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.
Foundry Plek Font Family
Foundry Plek Font Family
5 TTF
Foundry Plek and Foundry Flek are created on the same dot matrix grid system.Each family includes: light, regular, medium and bold weights – with a selection of dot patterns that can extend the grid vertically and horizontally. The underlying matrix common to each weight allows experimentation with overlays, and mixing weights produces varying effects. Foundry Plek used conventionally works well for serious correspondence, with a ‘typewriter font’ effect. Foundry Flek has an integral dot matrix grid as a background. With these two fonts a whole new graphic language can be explored.
5 TTF
Foundry Plek and Foundry Flek are created on the same dot matrix grid system.Each family includes: light, regular, medium and bold weights – with a selection of dot patterns that can extend the grid vertically and horizontally. The underlying matrix common to each weight allows experimentation with overlays, and mixing weights produces varying effects. Foundry Plek used conventionally works well for serious correspondence, with a ‘typewriter font’ effect. Foundry Flek has an integral dot matrix grid as a background. With these two fonts a whole new graphic language can be explored.
Fox Sans Pro Font Family
Fox Sans Pro Font Family
10 OTF
Fox Sans Pro – an upgraded version of Fox Sans TRF (2008), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Four more styles have been added to the original six styles. This typeface is released in OpenType format with some OpenType features.
10 OTF
Fox Sans Pro – an upgraded version of Fox Sans TRF (2008), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Four more styles have been added to the original six styles. This typeface is released in OpenType format with some OpenType features.
Sabler Titling Font Family
Sabler Titling Font Family
18 OTF
Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper towards the baseline highlight--a feature that adds clear distinction to your design.Originally inspired by a WPA poster, this typeface has been expanded to include three equally elegant proportions. Sabler Titling includes more than 60 free alternative forms, including support for most Latin-based languages.Add a hint of seduction to your work with Sabler’s high-contrast letterforms--ideal for magazines, advertisements and books on fashion, fine arts, and luxury goods of all kinds.
18 OTF
Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper towards the baseline highlight--a feature that adds clear distinction to your design.Originally inspired by a WPA poster, this typeface has been expanded to include three equally elegant proportions. Sabler Titling includes more than 60 free alternative forms, including support for most Latin-based languages.Add a hint of seduction to your work with Sabler’s high-contrast letterforms--ideal for magazines, advertisements and books on fashion, fine arts, and luxury goods of all kinds.
Brush font - August Rain
Brush font - August Rain
TTF OTF
August Rain is a bold, brush font with an awesome style. This font is perfect for making posters, quotes, photo overlays, invites, logo's and whatever other amazing projects you're working on.
This font contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, swashes and international characters. You will receive the OTF and TTF files. You can use this font in Word, Photoshop, Illustrator, InDesign, InkScape, GIMP, Corel, Silhouette, Cricut, etc.
TTF OTF
August Rain is a bold, brush font with an awesome style. This font is perfect for making posters, quotes, photo overlays, invites, logo's and whatever other amazing projects you're working on.
This font contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, swashes and international characters. You will receive the OTF and TTF files. You can use this font in Word, Photoshop, Illustrator, InDesign, InkScape, GIMP, Corel, Silhouette, Cricut, etc.
Naive Line Font Family
Naive Line Font Family
5 OTF, 5 TTF
Naive Line is a handwritten serif font designed by Fanny Coulez and Julien Saurin in Paris. We drew five weights to assure a good readability whatever the size. We also designed a sans serif version of this typeface, Naive Line Sans. We hope you will enjoy our work. Merci beaucoup!
5 OTF, 5 TTF
Naive Line is a handwritten serif font designed by Fanny Coulez and Julien Saurin in Paris. We drew five weights to assure a good readability whatever the size. We also designed a sans serif version of this typeface, Naive Line Sans. We hope you will enjoy our work. Merci beaucoup!