Monster Fonts

Monster Fonts

Monster Fonts

Originally influenced by the hand-lettered B-horror movie titling sequences, the Monster Fonts have proven to be as useful for a gala masquerade party as they are for a bottle of Liquid Smoke. After wearing out the pause button on his VCR’s remote control, the House type development team also looked to Brigantine Castle commercials, Misfits album covers, Channel 29’s Creature Double Feature and Aurora monster model kits. We sent our sketches to David Coulson, who completed the alphabets with a rare treat of India ink, rubber cement and illustration board. The original limited-edition package was based on the Aurora monster model kits and included one of the first commercial paintings by House artist Adam Cruz. His spooky portrait of Lon Chaney’s Phantom was approved by none other than the famous horror movie actor’s grandson, Ron Chaney.
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Pintanina Family Greek+Cyrillic Display Fonts 1491126

Pintanina Family Greek+Cyrillic Display Fonts 1491126

Pintanina Family Greek+Cyrillic Display Fonts 1491126
9 OTF | 268 Kb

Pintanina Family Author: Rodrigo Araya , Andrey Kudryavtsev, Franco Jonas Concept: Pintanina was developed in 2013 with many alternatives of alphabets as ligatures Based on the Comics of Condorito in the headlines, a typography very condensed, in 2015 was redesigned next to andrey kudryavtsev now with a much more finished design and a better Cyrillic and now 2017 with Franco Jonas, takes Pintanina and begins to generate all the Family of Thin, Light Regular, Bold, Extrabold, Black, also contains different dingbats that can be of help in the titles
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5 Fonts Bundle 2 - 1526201

5 Fonts Bundle 2 - 1526201

5 Fonts Bundle 2 - 1526201
20 TTF 20 OTF
Extra fonts bundle - you'll find some new versions of 5 popular fonts in this bundle!
Cool retro or vintage style fonts for your new projets. These are mainly display fonts so best for your branding, identity, logo, print, headers, t-shirt and other projects...
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Ravensara Stencil 9 fonts 1554455

Ravensara Stencil 9 fonts 1554455

Ravensara Stencil 9 fonts 1554455
OTF, WOFF | 670 Kb

Ravensara - new elegant high contrast font family with wide choice of weights.
Ravensara Antiqua Stencil is display font family with 9 weights, from Thin to Extrablack with hightest contrast. This font was inspired by old style classic typefaces, such as Didone and Baskerville, and got a modern feel by getting rid of unnecessary details and adding stencil elements to it.
Perfect for branding, packaging, headlines, posters, presentations, short texts.
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Brushability Fonts 1450167

Brushability Fonts  1450167

Brushability Fonts 1450167
25 OTF
The Brushability is a brush-written font family that contains 9 fonts, all united by a brushy look. All fonts compliment each other perfectly and can be used either together or with many other brush-looking fonts on the market.
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Obsession Script Fonts 1437322

Obsession Script Fonts 1437322

Obsession Script Fonts 1437322
6 TTF 6 OTF
Obsession has taken me completely in its spell. I could go on forever creating new forms for this script. But I have other fonts to do, so this is as far as my obsession goes for the moment. There are six different cuts, all letters, end-letters and swirls can be mixed.
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Quentine Script Fonts 1472506

Quentine Script Fonts 1472506

Quentine Script Fonts 1472506
2 OTF 2 TTF | 1.2 MB RAR

Quentine is a script typeface with sharp and rough character. Ideal for logos, name tag, quotes, product packaging, merchandise, social media & greeting cards. It contains a full set of lower & uppercase letters, alternative characters, a large range of punctuation, numerals, and multilingual support. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature.
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Gessetto Family (9 fonts) 1223416

Gessetto Family (9 fonts) 1223416

Gessetto Family (9 fonts) 1223416
9 OTF
Gessetto is an extensive chalk font family, containing script, sans, roman, figures and ornaments. One of the things most charming about chalkboard lettering is the variation; in both texture and style. Our goal was to achieve a real chalk effect using the varied typographic genres in a digital format.
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