Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘??????’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface.

PORT CITY is a modern-classic type family designed by Conrad Garner and is inspired by the goods and packages that are shipped in and out daily from port cities across the globe and the mighty vessels that carry their precious cargo from port to port. PORT CITY includes 4 sets with three weights each. The 4 family sets include SANS, SERIF, ROUND, and PRESS. PORT CITY’s classic options will let you design across decades of design styles and is very versatile when designed alone or when mixing the family sets and weights. It looks great on packaging, posters, print pieces and more.

Bella is a classical Didot-inspired beauty suggesting the best of Paris and New York in a single package. Broad strokes and slender curves invoke the impact of vintage headlines, while the minimalist ‘stencil’ version is an exercise in geometrical perfection. You’ll want to find reasons to employ this delectable award-winning font. Exclusive to HypeForType, and designed by Rick Banks (Face37). F37 Bella is designed in the classical French Didot style but with a contemporary geometrical twist, F37 Bella is based on letterforms of American typographers; John Pistilli and Herb Lubalin, and Swiss typographer Jan Tschichold. Two brand new weights (Heavy & Stencil) have been added to our Exclusive award winning best seller, F37 Bella. Due to the extreme thinness of the hairlines on F37 Bella (Original), we've developed a heavy version for those occasions when you need her a bit smaller. We've also worked on an exciting new Stencil version to keep things fresh. F37 Bella (Original, Heavy, & Stencil) contain alternatives, and cover an extensive range of Latin-based languages, including Western and Eastern European. F37 Bella was also awarded the TDC Toyko 2012 award.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

Cheddar Gothic is a hand drawn, 8 style typeface family including Sans, Serif, Slab, and Stencil (FREE) with Italics. Each font also includes 92 matching catchwords and icons to quickly add variety and interest to your designs. Great for a variety of uses: packaging, posters, t-shirts, stamps, branding, headlines, billboards, websites, etc. An all caps family, simply switch between upper and lowercase for alternates. Choose lowercase for a classic, condensed look; choose uppercase for a little more character, including extended crossbars and sliced terminals. The individual styles are all based on the same structure, so they work well to mix and match with each other to best fit the occasion. The handmade details become very evident when used large, while the steadily drawn forms maintain a good structure when set in small sizes. Using a nice, mid-range weight—that is neither too light nor too bold—it feels confident large and doesn’t close up small.

Core Serif N is a modern serif family with neutral design elements. Letters in the Core Serif N has designed with large x-heights and simple serifs for legibility at small sizes. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Serif N Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black), and Italics for each format. Core Serif N Thin is designed such as a frame of Core Serif N Family, so its serif shapes are slightly different with other weights. But all weights of Core Serif N work in harmony because they are sharing same structure. It supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes support for proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, magazines, editorial and publishing as well as logo, branding, and so on.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultra light to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time.