FORMATIF STD Font Family

FORMATIF STD Font Family

FORMATIF STD Font Family
10 TTF
FORMATIF STD is a modern style sans serif typeface, simple and strong.
A family of 5 Weights with Oblique styles, designed for flexibility, proportions and better balance with carefully crafted diacritics and extensive kerning.
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Aspen Font Family

Aspen Font Family

Aspen Font Family
18 OTF
Aspen is a refreshing and resilient typeface for text of any kind. Functional but not faceless, Aspen derives a very distinctive character from an unusual pedigree. It is loosely influenced by early American and European grotesques, but with more warmth and improved legibility. And where these historical models were rigid and bulky, Aspen’s curves have a gentle sway that makes for very comfortable reading. Relatively generous ascenders and descenders allow the typeface to feel spacious even when set with tight leading. These amiable qualities are matched with a lively italic based on cursive writing. The family consists of nine weights, and is intended for both text and display usage.
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Bowline Script Font Family

Bowline Script Font Family

Bowline Script Font Family
3 OTF
Bowline Script is a classic monoline cursive script font. This family of 3 fonts has 2 weight options and a Vintage version. Bowline Script is inspired by classic cursive handwriting, the great thing about Bowline Script is its versatile use, it can be used in a retro way or a more modern, clean approach. Anchor script was created with the designer in mind by including some useful stylistic alternates and some swash elements that compliment the font. Use Bowline Script in a range of items like packaging, posters, logotypes, branding, book covers, magazines, wedding stationery and much more. You have the options to keep it clean and modern or take it back to a vintage era.
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Calma Display Font Family

Calma Display Font Family

Calma Display Font Family
10 OTF
Calma Display is a very elegant font fitting perfectly in high-end environment, like perfumes & cosmetics, fashion, retail and magazines. It has unique terminals which enhances a beautiful and elegant personality to the typeface, being really useful for editorial purposes. It also has a great amount of lower and uppercase ligatures and an Art Nouveau alternate stylistic set to help you to create some differentiation throughout your projects.
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Boxley Font Family

Boxley Font Family

Boxley Font Family
18 TTF
The original superellipse typeface, Microgamma/Eurostile, coincided with the emergence of the CRT (cathode ray tube) TV screen, but there is more than this visual analogy of high-tech in play, as the pumped up angularity of the curved components of the genre also informs the quality of set text. In particular, due to the straightness of the round letters’ side stems, there is a neat modularity of vertical letter spacing, which denotes authority, with precision, complementing the tautness of the face’s curves."
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Malva Font Family

Malva Font Family

Malva Font Family
18 TTF
Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for.Legibility was one of the top concerns during the development of Malva. We took special care to differentiate the naturally ambiguous characters I, i, l and 1. Besides that, carefully proportioned letterforms make Malva a very legible text typeface. The lighter and bolder weights look great at large sizes, such as posters, ads and headlines. On the other hand, the whole family works very well on the web and on mobile devices.The family consists of 18 fonts, from Thin to Black and matching italics. Each font contains 424 glyphs, supporting 219 languages.
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Intelo Font Family

Intelo Font Family

Intelo Font Family
32 TTF
Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages.To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.
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Chocolatte Font Family

Chocolatte Font Family

Chocolatte Font Family
2 TTF
Chocolatte font is a yummy, creamy script font, made entirely with chocolate.. No, sorry, that’s not true. It was made with a pen, but I thought I’d create a nice urban myth.
Chocolatte is a pretty useful font: you can stick it on your X-mas cards, write a little poem with it and surprise the love of your life with an enormous amount of chocolate, decorate your cake with it (preferably a chocolate cake) or use it for your… well, whatever.
Just remember that this delicious font cannot be eaten, but it does come with copious amounts of diacritics for all you chocoholics out there!
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Acorde Font Family

Acorde Font Family

Acorde Font Family
14 OTF
Acorde is a reliable workhorse for large, demanding design projects. It was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. The typeface’s name is derived from ‘a’ ‘cor’porate ‘de’sign typeface, however Acorde is not only suitable for corporate design programmes but for information design and editorial design purposes as well. Acorde’s inception was in early 2005 as Stefan Willerstorfer’s final project in the Type?and?Media course at the Royal Academy of Art in The Hague (NL). It is a humanist sans serif with noticeable diagonal contrast and shows clear influences of the broad nib pen, especially in the Italics. Acorde’s characterful details give it a distinctive appearance in large sizes and contribute to its high legibility in small sizes. It comes in 14 styles – seven weights in Roman and Italic each. While the proportions of the Regular style were chosen to guarantee optimal legibility without being too space consuming, the heavier the weight gets the more suitable it is for headline purposes. The heavy weights are relatively narrower than the lighter ones, which gives them a strong appearance. The huge character set contains 925 glyphs per font and covers a vast range of latin-based languages. Various accented letters, small caps, eleven figure-sets, superscript and subscript are all included. OpenType features allow for a comfortable use of the large set. Acorde was honored with the 2010 Joseph Binder Bronze award for type design by DesignAustria.
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Jazz Script Font Family

Jazz Script Font Family

Jazz Script Font Family
11 TTF
Jazz Script is a groovy font family of two weights of the Script, a vivid set of Caps and Extras to spice up your designs or create custom letters with extra swashes.Inspired by 50s and 60s American lettering but polished with sharp but smooth vector expression Jazz Script is a powerful tool for creating iconic headlines, packages, or logos. Each Script version contains more than 750 glyphs and is equipped with several OpenType features to easy up your access for all the goodies: turn on Swash, Contextual or Titling Alternates or manually select from the Glyph Palette from even more Alternates to compose elegant word images. Jazz Script also has plenty of Automatic Ligatures that keep the text flowing and then there’s Proportional Oldstyle for more bouncy numerals.Jazz Script Family has four versions: #1 is regular, #2 has inline and #3 and 4 have different styles of carefully designed printed texture on them. For the very best price purchase the complete set that has all versions of Jazz Script and go wild with the flow!
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Futura Futuris Font Family

Futura Futuris Font Family

Futura Futuris Font Family
12 OTF
The typeface was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov. Based on Futura of the Bauer company, 1927 by Paul Renner. Futura is a registered trade mark of Neufville, SL. Condensed styles were added by in 1993 by Vladimir Yefimov and Alexander Tarbeev.
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Metropolis CT Font Family

Metropolis CT Font Family

Metropolis CT Font Family
2 TTF
Metropolis Bold was commissioned by Publish magazine for their 1990 redesign. Although other digital versions exist, I think this was the first one and is characterized by extremely pointy serifs. It is well to remember in laying out copy for Metropolis to allow plenty of white space in the layout. Metropolis is based on the 1932 Stempel cut as designed by W. Schwerdtner.
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Taberna Font Family

Taberna Font Family

Taberna Font Family
22 TTF
Taberna is a type system that provides a wide range of choices for any design project. The typeface comes in Sans and Serif layered versions plus a monolinear Script font.Taberna is the result of having explored design trends in bar signage, liquor packaging and street wear. Taberna is a funny display font with a Sans version—that provides a more clean and simple design—and a Serif one, which gives text a more distinctive and sombre personality. The Script version matches perfectly with the heavy Caps of the typeface. Taberna is a very versatile font well-suited for headlines, posters, logotypes, etc.
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