Introducing Fright Night! A vintage horror typeface from Great Scott! It got thrills, chills and diacritics! With inspiration from vintage horror posters and bold geometric type Fright Night is here to put shills on your next project. Fright Night comes in several styles and can be combined to create a lot of different looks. Fright Night has basic latin support as well as a lot of western european characters. Well over 300+ glyphs which should support a wast range of international languages

Introducing Nimbostratus Script Font. This handwritten typeface is perfect for wedding invitation, wedding decor, greeting card, logos, posters, overlays, quotes, and any other interesting projects.

Originally designed in 2005 to be used in a brochure project, Jessica is a typewriter face with a sinister mood. Its peculiar original features have been retained but on the other hand, the font has had a monospacing treatment and some Open Type programming added for a more contemporary feel. The extended character set covers most European languages.

Delivered in two styles (Regular and Deco) Pivot was originally inspired by digits on digital watches, primarily how the character forms are rigid and strictly defined by the constraints of the LCD technology. Using this concept as a structure for Pivot, strict rules are imposed on how the glyphs are formed using essentially only circular forms and cuts.

Rasmus typeface was created in 2014 by Markus John. Rasmus is delivered in 4 styles (regular, bold, italic? and bold Italic). The typeface is inspired by classic serifs like Times or Sabon but features contemporary details. Two significant details are the oblique serifs and the bold version has a larger x-high, therefore it becomes more legible. All styles are designed for use as body or headline text. The name Rasmus is the continuation and counterpart of Tilde. It symbolize a strong but at the same time detailed aesthetic.

Karbon is an open, geometric sans serif with a contemporary spartan finish. It is an exploration of Paul Renner’s reductionist Futura concept channelled through the proportions of Eric Gill’s eponymous sans, with a slight nod towards Jan Tschichold’s Uhertype sans-serif. Includes seven weights in Roman and Italic.