STAY BOLD Brush Font 1655316

STAY BOLD Brush Font 1655316

STAY BOLD Brush Font 1655316
TTF | 384 Kb

With extra chunk in the trunk and a rough paintbrushed edge, Stay Bold cuts straight to the point; ideal for designing big impact merchandise, eye catching social media & marketing posts, and attention-grabbing product packaging & branding projects.
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Faito Font 1655456

Faito Font 1655456

Faito Font 1655456
OTF WOFF | 80 Kb

Faito is a handwritten brush font inspired by text balloons in Japanese comic book with a neat brushy look. Suitable for food and beverages restaurant menu, branding, packaging, summer theme, or your next comic book.
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FS Olivia Font Family

FS Olivia Font Family

FS Olivia Font Family

On a visit to Belgium and the Netherlands while still an MA student at Reading University, Eleni Beveratou made some important discoveries. First, there was the letter ‘g’ from the Didot family seen at Plantin Moretus Museum in Antwerp, which seemed “almost like a mistake”. Then there were strange details such as the serifs on the “l”, “h”, “k”, “b” ?and “d” in Egmont Cursive and other typefaces by Sjoerk Hendrik de Roos, found in volumes of poetry she picked up from a chaotic bookshop in Amsterdam. These were characters that stood out from the text but seemed to blend harmoniously with the rest ?of the letters. “And there it was, the spark. ?I decided to design a typeface that would capture the details of the process of writing.”
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FS Albert Narrow Font Family

FS Albert Narrow Font Family

FS Albert Narrow Font Family

FS Albert Narrow is a narrow version of FS Albert Pro, designed by Jason Smith. But, drawn from scratch, it’s more like a font in its own right, as Jason Smith explains. “The challenge in designing a narrow version of a typeface based on an existing design is not to make it to look squashed. “There comes a point in condensing a font where it becomes broken. You can usually automatically squash something by 10% and it will still look OK. But by the time you’ve squashed it by 25% the type looks ugly and needs redrawing. So we drew it all manually in order to ensure the design integrity was kept while still fulfilling the need to save space.”
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FS Clerkenwell Font Family

FS Clerkenwell Font Family

FS Clerkenwell Font Family

2003. Fontsmith was sharing a small, cold, whitewashed studio space in Northburgh Street, Clerkenwell. But things were on the up following prestigious custom type commissions for The Post Office and E4. “Slab serifs were on the brink of another revival, we could feel it,” says Jason Smith. “All we wanted to do was have a play with these slabs, go as far as we could within what was acceptable and readable.” “It wasn’t initially clear what was happening,” recalls Phil Garnham. “We were becoming very influenced by our surroundings, outside the studio space. We absorbed the essence and the designer grime of where we were.”
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Fyodor Font Family

Fyodor Font Family

Fyodor Font Family

Fyodor provides powerful headlines and dramatic titling for editorial projects. The typeface design features balanced oblong and square geometric spaces, inside the classic forms of the Constructivist-era typefaces. The font family comes in 274 characters with Latin, Western European, Cyrillic and Greek language support, and is available in a bold weight with regular, condensed and expanded styles, both normal and oblique.
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Yellow Numbers Font Family

Yellow Numbers Font Family

Yellow Numbers Font Family
Yellow Numbers™ is a collection of fat, funky numbers and symbols in regular, soft and rough versions. Each subset has 3D and shadow layers for added pop. The rough family features 5 different distress options for every character. Desktop and webfont licenses are included.
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FS Albert Font Family

FS Albert Font Family

FS Albert Font Family

How do you make a font like FS Albert unique, distinctive? “When designing a font I try to question every letter,” says Jason Smith, “but all you need is a few that have an x factor. With FS Albert, they’re the lowercase ‘a’ and ‘g’ and the uppercase ‘I’ and ‘J’. “I remember a friend saying, ‘Why on earth have you designed the ‘a’ like that? Isn’t it too friendly for this kind of font?’ And, in a way, that’s what I wanted – honesty and warmth, because a lot of big brands at the time really needed to show a more human side.”
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Stencil font 1694704

Stencil font 1694704

Stencil font 1694704
4 OTF 4 WOFF EPS
The Stencil font is a modern font for your design. four types of font use in application and websites use for poster and baner In the archive there is a set of necessary files (EPS., TTF., OTF)
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Eksell Display Font Family

Eksell Display Font Family

Eksell Display Font Family
Eksell Display is a unique typeface from 1962, designed by the legendary swedish designer Olle Eksell (1918–2007). Olle was a prolific artist who couldn’t resist sketching out whatever ideas came to mind. His work covered a broad range, but this was the only complete typeface. The letters were drawn in Olle’s five square meter studio in Stockholm, six years after he designed the classic Mazetti eyes. We carefully digitized the letters and developed a family of four optical styles, including a stencil version. Have fun with it, we think Olle did.
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Jerrad Beautiful Serif Font Family 1678268

Jerrad Beautiful Serif Font Family 1678268

Jerrad Beautiful Serif Font Family 1678268
OTF, TTF, WEBFONT | 2.1 Mb

Jerrad A Beautiful Serif Font Family is a clean and beautiful serif font family, which contains 4 weights and Jerrad features unique and modern serif look and feel. Perfect for gorgeous logos, titles, web layouts and branding. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless.
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Shore A Carefree Font Family 1647710

Shore A Carefree Font Family 1647710

Shore A Carefree Font Family 1647710
6 OTF 6 TTF 6 WOFF | 747 Kb

Shore is a carefree sans-serif font family, that has been designed to create fun yet sleek designs and branding. It works well for pretty much anything, due to its clean and contemporary lines and rounding. it works especially well for industries such as apparel, perfumes & colognes, food & drink, beauty, travel and homeware.
Shore comes with the original font, plus the italic, rough and rounded versions, so you can use it for your entire project without needing anything else. Alternatively it pairs great with script fonts or thin sans-serifs.
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