November Font Family

November Font Family

November Font Family
18 OTF
Sometimes there are situations when a friendly typeface is too imposing. Sometimes you just want to use a typeface to get the job done. November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease. While most tool-based typefaces feature angled terminals, November’s end strokes are always straight, anticipating the following letter, creating distinctive counterspaces that support the visual rhythm of the words.
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Neutral Font Family

Neutral Font Family

Neutral Font Family
6 OTF
Neutral began as Kai Bernau’s graduation project at KABK (the Royal Academy of Art, The Hague), taking inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed. It was constructed based on a set of parameters derived by measuring and averaging a number of popular 20th-century Sans Serif fonts (Kai published a book about the project too). Aware that there is no such thing as total neutrality, this typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
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Massimo Font Family

Massimo Font Family

Massimo Font Family
14 OTF
Massimo is a semi-serif geometric type family. For as long as I can remember, I've admired the visual style of New York – its architecture, fashion, design, and typography. After spending two weeks in Manhattan this summer, I wanted to prepare a sharp and modern typeface in Big Apple style.
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Tangerine, Outlined Font 1563418

Tangerine, Outlined Font 1563418

Tangerine, Outlined Font 1563418
TTF | 56 Kb

Tangerine is a simple, uppercased outline font. It features a hand drawn brushed look. It makes a great stylistic title font. Try it out in your next design!
Included in this download is the .ttf font file. Only the glyphs, A-Z and 0-9, and .,!?& , are available (see preview images for full preview).
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Publico Text Font Family

Publico Text Font Family

Publico Text Font Family
6 OTF
The narrow proportion of Publico Text makes for a very efficient text face, but the squareness of the forms and overall openness keeps the text from looking squeezed. From Publico Headline to Publico Text, elegance gives way to sturdiness in the serifs and less pronounced ball terminals, making for an even, comfortable texture in text.
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Caponi Display Font Family

Caponi Display Font Family

Caponi Display Font Family
12 OTF
The influence of master Italian punchcutter Giambattista Bodoni of Parma has only grown since his death in 1813. Though best known for his delicate, high-contrast Moderns, his early work had a character all its own, warmer and more organic, showing the influence of Pierre Simon Fournier in France. Caponi Display and Caponi Slab are similar in their lightest weights, but depart quickly into two very different approaches to weight and contrast. Though lower contrast than other contemporary Bodoni revivals, Caponi Display follows Bodoni’s approach to weight and contrast, with long, elegant ascenders and descenders.
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Le Jeune Poster Font Family

Le Jeune Poster Font Family

Le Jeune Poster Font Family
14 OTF
Le Jeune Poster is the most flexible display size, intended for use between 40 and 96 point. In both roman and italic, Le Jeune is characterized by crispness and beauty. Though its vertical proportions and ball terminals differ significantly from Le Jeune’s model, the spirit of the original comes through in the grace of the romans and the exuberant spirit of the italics. Though initially intended for magazines and editorial design, Le Jeune is well suited to graphic, book and corporate design where modern elegance is a requirement.
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Darka Font

Darka Font

Darka Font

TDC2 winner Darka is a fine achievement — not only for its crisp tension and accomplished nuances, but also for its sheer inventiveness. Blackletter fonts have been revived periodically in past years, but Martinez Meave seems too enamored of the spirit of blackletter to create a mere copy of an historical design. Instead, he has thrown the revivalists’ rules out the window and, operating from what is obviously a firm understanding of blackletter forms, has created a hybrid which combines elements of gothic cursives, frakturs (uppercase and ascenders) and French lettre batardes (lowercase) with a hint of the Spanish-influenced Rotundas thrown in for good measure. Purists may wrinkle their noses at it, but I find it an attractive and accomplished example of what someone can create from an understanding — and not mere appropriation — of historical forms. — Mark Jamra
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Echo Font Family

Echo Font Family

Echo Font Family

Echo, a sans serif counterpart to Charlie typeface, designed by Ross Milne. Echo is clear and direct, with subtle influences from the broad nib pen. The two typefaces developed more-or-less simultaneously, learning from the other.
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Iolanthe. Handwritten font. 1308687

Iolanthe. Handwritten font. 1308687

Iolanthe. Handwritten font. 1308687

Hello! This is my new font IOLANTHE. it's a great font with its own individual style, which combines a playful mood and severity of vertical lines. This is a great decoration element for your design, belongings, interior, pillows, shirts, posters, prints, weddings, apparel, packaging, invites, etc. Also you can place these phrases to your photos.
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Circle Monogram Font 1531656

Circle Monogram Font 1531656

Circle Monogram Font 1531656
4 OTF 4 TTF | 1.4 MB RAR

Make gorgeous three letter circle monograms quickly and easily in any program, even Word or Pages.
CIRCLE MONOGRAM is a trendy monogram set suitable for wedding invitations, branding, stationery, blog design, custom art, custom stamps, custom embossers, or any design purpose. You can use it for your personal use, or for a commercial project.
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Emmeline Font Family 1501048

Emmeline Font Family 1501048

Emmeline Font Family 1501048
6 OTF 6 TTF | 196 KB RAR

Emmeline is timeless, elegant and minimal. It achieves this through its clean lines, subtle angles and perfect rounding. Emmeline is a versatile family, including 3 different weights in upper case. Italics for each weight are also included, adding to its opulence. Emmeline is perfect for corporate projects, branding, publishing, editorial, and logotypes, but is also adaptable and versatile enough to be used for multiple different projects…
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Quarion Font Family

Quarion Font Family

Quarion Font Family

Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the typeface to generate an inviting but sophisticated feel on the page. Although, less contrasting, geometric designs have been quite popular around type designers until today, Quarion finds its niche by combining circular elements with a medium stroke contrast, resulting in a versatile and robust workhorse for any analog or digital application.
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