Rufina Stencil Font Family
9 TTF
Simplicity, delicacy and elegance are the words that best characterize Rufina. Based on an idea that was conceived long before its “birth”, Rufina was created from dark-text on light-background combinations. Refined and at the same time distant, Rufina seduces the viewer in a subtle and elegant manner. Blending of contrasty, Bodoni-influenced forms with the emotive touch of the calligraphers pen. This family consists of two weights, their italic counterparts, plus a set of alternate cuts — each containing a selection of illustrative ornaments.

Classic Grotesque Font Family
56 TTF

HaruNami Font Family
4 OTF
HaruNami (“spring wave”) fuses Japanese ornamentation with the Roman alphabet. All the motifs in the typeface are based on traditional Japanese wave ornamentation. HaruNami has a unique stylistic system that ranges from Simple to Ornate. The Simple font is a purely functional sanserif that is ready to use as text type. The three other styles, Decorative, Embellished and Ornate, progressively apply the wave ornamentation to the capital letters. HaruNami Complete ships as a unified OpenType font, and as a set of individual fonts. If you're using an application that supports OpenType features, we recommend using the Unified font. The three decorated styles will be accessible as feature sets. Otherwise, you can install the individual fonts and use them in any application. (It is also all right to install the Unified and individual fonts simultaneously.)

Zina Font
OTF
Zina is a stately and elegant inline serif face for display use. At its heart, this is actually an early-nineteenth century Didone-style design. Its serifs are light and only slightly bracketed onto the main strokes. Several letters have prominent ball terminals. The inline strokes in Zina’s letters are really the typeface’s most prominent feature. These inlines run through the middle of each letterform’s thick strokes, creating a jewell-like appearance. In order for Zina’s inlines and the thin serifs to shine, the typeface should only be used in applications that are subheadline-sized or larger.

Embryo Tiny Font Family
2 OTF
Embryo Tiny based on the Embryo Typefaces Embryo and Embryo Open. In contrast to its big brothers it is way more readable in smaller sizes and on screens. These superheavy cute fonts are perfect for games, children’s books, logos, posters and flyers. Special for the gamers: All numbers have the same width, so it is perfect for highscores.

Gothiks Condensed Font Family
6 TTF
This is the condensed version of Gothiks, a 6-weight display sanserif influenced by Texturas. It is ideal for everything big, compact and powerful. This family has an extensive character set — with extensive language support — and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase.

Hoxton North Font Family
12 TTF
Hoxton North came out of the concept to create something distinctly British, drawing on modernist influences such as Edward Johnston’s typeface for the London Underground and Gill Sans.A humanistic san serif typeface with a British modern quality. Open forms with subtle contrast promote good readability across a wide range of media in both print and screen. The compact letterforms give it a strong lateral dynamic that is space efficient across design layouts. Details include 620 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.

Viabella TH Pro Font Family
8 TTF

Every Summer Script Font
OTF TTF WOFF
Every Summer is a dynamic, spontaneous typeface created manually using brush and marker. With a complete glyph available in the family, you can use Every Summer to create greeting card title, signature for design work, badge and sticker, logo and return address, some cover design and so forth, you decide!
Every Summer comes with complete accented glyphs for international languages and also, special ligature feature that allows you to create different look to your design.

Noise by EJT Display Font
OTF
Noise by EJTee. A collection of awesome textured brush stroke. Created with just a normal brush, sumi ink and a few piece of textured watercolor paper. The 'Noise' is born.

Aisha Font Family
8 OTF
Aisha originated from research about the Maghribi script – its regular Arabic weight is based on the foundry type Titus discovered in a 19th century book. In the process of design Titus reinterpreted the sources within the framework provided by current usage and technology. He developed a Latin face to accompany the Arabic, drawing both as independently usable, yet closely related typefaces. The Latin version of Aisha is one of the designs where the style of the Arabic version shaped the direction for the Roman letters, rather than the other way around. Drawing on research around Maghribi calligraphy, and inspired by expressive Moroccan lettering, the resulting designs feature generous curves and joyful variations, rendering Aisha a historically informed typeface for contemporary requirements, with a wide range of weights in both Arabic and Latin.

Tidy Script Font Family
4 OTF
Tidy Script is a cursive-style constructed sans. Almost all letters in the fonts connect. The typeface is inspired by engineering letters and obscure typewriter faces. Tidy Script’s letter structure is based on handwriting. Characters each have mild slant; about 7?. Counterforms are large, and the capitals are more decorative than the lowercase. When using Tidy Script, make sure to switch on the OpenType Contextual Alternate and Ligatures features. That way, you’ll have automatic access to the dozens extra glyphs in each of the fonts

Houseplants Font
TTF
Houseplants are commonly grown for decorative purposes, positive psychological effects, keeping fresh or health reasons such as indoor air purification. Actually, just like this font has a positive effect on your artwork!
This font comes with a heavy load of diacritics! On top of that, it has contextual alternates, which means your text cycles through 6 different versions of each letter! Hard to tell that this is actually a font!

Figgins Standard Font Family
13 OTF
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only designs with almost no stroke contrast, stripped bare of serifs. To all intents and purposes these minimal expressions of utility were identical to 20th century functionalism. Recontextualizing one of the original sans fonts, Shinn offers an alternative proposition to the myth of modernism.

Bw Surco Font Family
12 OTF
Bw Surco is a fresh and optimistic humanist sans serif with hand-stroke cues. Its soft, rounded shapes, balanced x-height and the contrast between the romans and the true italics, all build towards a very practical font family with a friendly and spontaneous personality.
It comes in 12 styles supporting all European Latin and Cyrillic languages, with stylistic variations for Bulgarian, Serbian and Macedonian. It features many OpenType features like old style and lining figures, case-sensitive forms or fractions

Malva Font Family
18 OTF
Malva is a sans serif font family. This typeface has eighteen styles

DeCoro Font Family
8 OTF
DeCoro is a decorative display font inspired by the Art Deco style that had a dominant influence between '20 and '30, by this way, DeCoro is a revival of those times between wars, a time of luxury cars and refined decorative arts, crazy dancer contestants of Charleston and Jazz bands, aerial acrobats, sound cinema, animated films and clandestine drinkers.

Assemblage Font Family
9 OTF
Designed by Daniel Hernandez, Alfonso Garcia, Bruno Jara Ahumada and Luciano Vergara.
Assemblage is a typeface-inspired by Roman square capitals-that comes in 6 different weights and ranging from Thin to Black. The background of the typeface makes it well-suited for branding, short text, titles and complex compositions, thanks to its italic version.

Porceleina Font
OTF
Porceleina is elegant, what more can I say?
This handmade and handdrawn font comes with a heavy loadful of diacritics - and the Opentype contextual alternates makes sure that the font cycles between the six different...yes SIX different...versions of each letter from a-z!

DIN Next Arabic Font Family
7 OTF