Menoe Grotesque Font Family

Menoe Grotesque Font Family

Menoe Grotesque Font Family
2 OTF
Menoe Grotesque typeface was inspired by an old Continental typewriter. I analised the serif typeface in this machine and drew my own sans serif version, keeping in mind the typewriter traditions. This typeface is a 10 Pitch font:if you set 10 letters in 12 Points size, it will be 10 Pitch (1 inch) wide. Menoe Grotesque is a monospaced typeface, all the characters are in same bounding box width. Perfect for programming or setting text in columns. (please use Metrics kerning in InDesign). Supporting languages is a really important question for us. Up to latin, we support greek and cyrillic scripts, all together 86 different languages. (Greek and Cyrillic scripts are available only in the Pro fonts.)
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Autumn Feel Font

Autumn Feel Font

Autumn Feel Font
2 OTF 2 TTF 2 WOFF 2 EPS
Presenting a hand drawn calligraphic script Autumn Feel. It's made with a dry brush and has a usefull extra set of various swashes and dynamic strokes (fourth screenshot). This extra items can be found in an additional font files Autumn Feel Extras or in included vector eps. What's inside: OTF, TTF, WOFF font files, Vector EPS v.10 with all characters.
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Bekelakar Blackletter Font

Bekelakar Blackletter Font

Bekelakar Blackletter Font
2 TTF 2 OTF
Introducing 'Bekelakar' typeface the experimental letters which combined from hardcore, horror, metal and gothic style. Available in Regular and All-caps styles. Use it for you display, headline, title or maybe you can try for logo. Explore yourself!
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Zina Font Family

Zina Font Family

OTF
Zina is a stately and elegant inline serif face for display use. At its heart, this is actually an early-nineteenth century Didone-style design. Its serifs are light and only slightly bracketed onto the main strokes. Several letters have prominent ball terminals. The inline strokes in Zina’s letters are really the typeface’s most prominent feature. These inlines run through the middle of each letterform’s thick strokes, creating a jewell-like appearance. In order for Zina’s inlines and the thin serifs to shine, the typeface should only be used in applications that are subheadline-sized or larger.
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Grafton Titling Font

Grafton Titling Font

Grafton Titling Font
TTF
Grafton Titling was designed for dramatic impact. It contemporizes old style proportions, bracketed serifs and a left-leaning stress angle with striking contrast and modern angular joins. The solid style has a timeless feel, while a flared through-line variation provides textural interest. Small caps, a complement of OpenType features, and support for diacritics and accented characters make it a robust and distinctive choice for headlines that demand attention.Through-line characters are accessible using the Stylistic Set or Stylistic Alternate OpenType feature.
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Foundry Context Font Family

Foundry Context Font Family

Foundry Context Font Family
6 TTF
Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure letterforms, crafted without being over refined, and having minimal stroke contrast in the neo-grotesque style. A hint of personality has emerged from the very drawing of the proportions, strokes, and terminals, yet Foundry Context is still neutral enough to compete in the grotesk arena, and at the same time has something new to say.
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Latina Font Family

Latina Font Family

Latina Font Family
22 TTF
Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus when reading continuous text. On the other hand, these same features get highlighted when using the font for headlines or display text.This 11-weight family includes italics and small caps, and supports 219 different languages as well as several sets of figures. Latina is the perfect choice for publishing design (books and magazines), branding and advertising.
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Typewalk Mono 1915 Font Family

Typewalk Mono 1915 Font Family

Typewalk Mono 1915 Font Family
8 OTF
Typewalk Mono 1915, the vintage typewriter grotesque that is branded by history. It is a tribute to the European sign painter and lettering tradition of the early 20th century. Typewalk Mono 1915 also speaks in the proto-rational and graphical language of the Werkbund Objectivity which was used around 1915.
It works great for cultural, editorial and branding purposes. It is versatile in small printing sizes and works great on the web. Speaking with its unique voice.
Typewalk Mono 1915 is the debut release by Sven Fuchs and was designed between 2012 and 2016. It has 8 distinctive weights from thin to bold.
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LiebeGerda Font Family

LiebeGerda Font Family

LiebeGerda Font Family
4 OTF
Go out into the wilderness. Cut down a tree. Stop and smell the roses. And then treat yourself with this unplugged, hand-lettered typeface.
LiebeGerda is an effortless-but-refined, spontaneous-but-elegant brush font. She is ready for your next project, and she wants to add that little crafty something that makes the difference. Her natural breath of fresh air lets you escape those same old monotonous script fonts you’ve been using.
After our successful first brush font, LiebeDoris, and our first interconnected script, LiebeLotte, we’re combining both genres and taking them to the next level: an interconnected brush script.
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Cozza Font Family

Cozza Font Family

Cozza Font Family
3 OTF
The inspiration for the design of the font Cozza was Unitra Letraset from the 80s. Dry transfer lettering was used by architects from Poland and Czech Republic. Font Cozza, for each character has three alternative characters with their automatic replacement. Cozza doesn’t have lowercase but has up to three alternate uppercase for each letter.
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Kaleko 105 Remix Font Family

Kaleko 105 Remix Font Family

Kaleko 105 Remix Font Family
6 OTF
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kaleko 105, or a display font in its own right. Kaleko 105 Remix features a comprehensive glyph set including accented characters for central European languages.
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"typrighter"-Amazing Typewriter Font

"typrighter"-Amazing Typewriter Font

"typrighter"-Amazing Typewriter Font
3 OTF 3 TTF
Here is a revolution in typewriter fonts.......typrighter.......yes! The package have two versions.......typrighter V1 and typrighter V2.....Applied Contextual Substitutions feature in fontlab with 6 different alternative of each letter (standard English alphabets). No more repeating same contours of letters which a typical typewriter font does......a letter replaces itself automatically to 6 variations to give you real typewriter text flowing out of your computer keyboard......
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Manukao Serif Font

Manukao Serif Font

Manukao Serif Font
OTF TTF
Here is old style with modern look, MANUKAO. This font is wel crafted and has made lot of efforts in kerning each letter to give best result when you type with MANUKAO. This font is revival of old style bold fonts in 1870 with new look and feel. This font gives a fresh with old style feeling. This contains 285 glyps, supports many languages, Feel free to contact us if your language glyps is missing, we will add and send you....
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Quisnue Font

Quisnue Font

OTF
The Quisnue font is a serif font by Leandro Ribeiro Machado. Quisnue includes 6 OpenType features including Contextual Alternates. Quisnue is designed by Leandro Ribeiro Machado and has extensive latin language support.
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