Struffoli family font
2 OTF
2 OTF
Pintanina Family Greek+Cyrillic Display Fonts 1491126
Pintanina Family Greek+Cyrillic Display Fonts 1491126
9 OTF | 268 Kb
9 OTF | 268 Kb
Pintanina Family Author: Rodrigo Araya , Andrey Kudryavtsev, Franco Jonas Concept: Pintanina was developed in 2013 with many alternatives of alphabets as ligatures Based on the Comics of Condorito in the headlines, a typography very condensed, in 2015 was redesigned next to andrey kudryavtsev now with a much more finished design and a better Cyrillic and now 2017 with Franco Jonas, takes Pintanina and begins to generate all the Family of Thin, Light Regular, Bold, Extrabold, Black, also contains different dingbats that can be of help in the titles
Beach Please Font Family
Beach Please Font Family
7 OTF
Is a suite of fonts designed with pointed brush and watercolours. Beach Please Script is a relaxed and tender brush, a bit inspired by sign painting. The caps have a bizarre look because of the reversed contrast on some letters. We have a slanted, wide version for each weight.
7 OTF
Is a suite of fonts designed with pointed brush and watercolours. Beach Please Script is a relaxed and tender brush, a bit inspired by sign painting. The caps have a bizarre look because of the reversed contrast on some letters. We have a slanted, wide version for each weight.
Bibliophile Script Font Family
Bibliophile Script Font Family
2 OTF
Bibliophile comes in 2 weights, each of them with over 900 glyphs covering all the latin languages.
Bibliophile also comes with a bold weight, something I’m always reluctant to do with something as adventurous and complex as the structure of this historical mashup. But I couldn’t chase away the idea of increasing the contrast while maintaining the hairlines in a lowercase this narrow. Part of it was the curiosity about the outcome, and part was the sheer challenge of it. I think it turned out OK.
Words set in either weight will show delicateness and elegance, and the more time you spend inside the font and micro-manage the setting, the more ways you will find to magnify either. Bibliophile can as muted or luxurious as you want it to be. This is the kind of alphabet that fits well in fashion marketing and high-end packaging, from the very subdued to the super-exquisite. Enjoy the gleaming new vehicle made with freshly polished old parts.
2 OTF
Bibliophile comes in 2 weights, each of them with over 900 glyphs covering all the latin languages.
Bibliophile also comes with a bold weight, something I’m always reluctant to do with something as adventurous and complex as the structure of this historical mashup. But I couldn’t chase away the idea of increasing the contrast while maintaining the hairlines in a lowercase this narrow. Part of it was the curiosity about the outcome, and part was the sheer challenge of it. I think it turned out OK.
Words set in either weight will show delicateness and elegance, and the more time you spend inside the font and micro-manage the setting, the more ways you will find to magnify either. Bibliophile can as muted or luxurious as you want it to be. This is the kind of alphabet that fits well in fashion marketing and high-end packaging, from the very subdued to the super-exquisite. Enjoy the gleaming new vehicle made with freshly polished old parts.
Moments Font Family
Moments Font Family
4 OTF
Moments is a charming font family inspired by all those moments in life that make us smile. As usually, it is a combo of an informal script, two handmade sans variations and some extras to spice up your designs.
The script has 1300+ lovely glyphs with lots of stylistic variations, ligatures and swashes, which you can mix and match for a more interesting effect. The dancing baseline makes it very casual and full of personality, thus a great addition to every design project.
Moments is versatile and can be used on cards, posters, merchandise, book covers, websites, packaging, and basically anywhere you like. The overall feel of the font is warm, elegant and informal and it is perfect if you want to convey a sense of friendliness and style.
4 OTF
Moments is a charming font family inspired by all those moments in life that make us smile. As usually, it is a combo of an informal script, two handmade sans variations and some extras to spice up your designs.
The script has 1300+ lovely glyphs with lots of stylistic variations, ligatures and swashes, which you can mix and match for a more interesting effect. The dancing baseline makes it very casual and full of personality, thus a great addition to every design project.
Moments is versatile and can be used on cards, posters, merchandise, book covers, websites, packaging, and basically anywhere you like. The overall feel of the font is warm, elegant and informal and it is perfect if you want to convey a sense of friendliness and style.
Gotcha font family
Gotcha font family
3 OTF 3 TTF
A versatile new marker font with bounce and vigor and a a super-sexy-casual vibe!
The Gotcha fonts are incredibly versatile , from street urban, to styled fashionista, to hearty food branding - whatever the weather, Gotcha! has you covered :)
Gotcha! comes with a set of alternate upper and lower case letters, and a second set of lowercase letters - this way you can write one word in a million different ways - and keep things ultra natural looking. A comprehensive set of double letter ligatures are also included.
3 OTF 3 TTF
A versatile new marker font with bounce and vigor and a a super-sexy-casual vibe!
The Gotcha fonts are incredibly versatile , from street urban, to styled fashionista, to hearty food branding - whatever the weather, Gotcha! has you covered :)
Gotcha! comes with a set of alternate upper and lower case letters, and a second set of lowercase letters - this way you can write one word in a million different ways - and keep things ultra natural looking. A comprehensive set of double letter ligatures are also included.
Header Font Family
Header Font Family
5 OTF
Header includes hybrid glyphs encoded where small caps are normally found: turn the Smcp on to see it here. Tall x-height and geometric radicalism of the 80’s. Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Useful for newspaper and magazine headlines, a must for all kinds of impacting posters.
5 OTF
Header includes hybrid glyphs encoded where small caps are normally found: turn the Smcp on to see it here. Tall x-height and geometric radicalism of the 80’s. Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Useful for newspaper and magazine headlines, a must for all kinds of impacting posters.
Orchidea Pro font family
Orchidea Pro font family
16 OTF
Orchidea Pro is a typeface balancing on the verge of sans and serif. Called a stressed sans or a serifless serif, it does not feature any serifs, but resembles a serif typeface by build, and features unilateral nibs that speed up the reading and create a particular distinction in the form.
The typeface comes in 8 weights + corresponding real italics, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 5 sets of digits, 4 stylistic sets in romans and 1 in italics, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.
16 OTF
Orchidea Pro is a typeface balancing on the verge of sans and serif. Called a stressed sans or a serifless serif, it does not feature any serifs, but resembles a serif typeface by build, and features unilateral nibs that speed up the reading and create a particular distinction in the form.
The typeface comes in 8 weights + corresponding real italics, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 5 sets of digits, 4 stylistic sets in romans and 1 in italics, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.
Brock Pro Font Family
Brock Pro Font Family
20 OTF
Brock Pro celebrate the essence of the famous 19th century wooden letterpress type, Block Berthold by bringing out its remarkable features and explicate them in relation to the modern day trend. Brock Pro is a conventional font with a twist, fun, easy to use and has a very particular tone of voice that suits numerous design purposes. Brock pro comes in 10 weights and 20 styles to support a wide range of usage, every needs and great building brands, Brock Pro also available in both ttf. and otf.
20 OTF
Brock Pro celebrate the essence of the famous 19th century wooden letterpress type, Block Berthold by bringing out its remarkable features and explicate them in relation to the modern day trend. Brock Pro is a conventional font with a twist, fun, easy to use and has a very particular tone of voice that suits numerous design purposes. Brock pro comes in 10 weights and 20 styles to support a wide range of usage, every needs and great building brands, Brock Pro also available in both ttf. and otf.
Lota Grotesque Font Family
Lota Grotesque Font Family
56 OTF
Lota Grotesque was designed by Daniel Hernandez with the collaboration of Rodrigo Fuenzalida and Latinotype Team in digital editing.
The family comes in 7 weights with matching italics and includes alternative versions that provide high versatility and functionality. The whole font family is composed of 4 subfamilies that share exactly the same number of characters and styles but with differences in programming and default characters.
Lota Grotesque contains a 760-character set that supports 219 languages and includes alternative characters, discretionary ligatures, small caps, and a variety of figures and fractions—a wide range of typographic tools to meet different design needs.
56 OTF
Lota Grotesque was designed by Daniel Hernandez with the collaboration of Rodrigo Fuenzalida and Latinotype Team in digital editing.
The family comes in 7 weights with matching italics and includes alternative versions that provide high versatility and functionality. The whole font family is composed of 4 subfamilies that share exactly the same number of characters and styles but with differences in programming and default characters.
Lota Grotesque contains a 760-character set that supports 219 languages and includes alternative characters, discretionary ligatures, small caps, and a variety of figures and fractions—a wide range of typographic tools to meet different design needs.
Noyh Geometric Font Family
Noyh Geometric Font Family
18 OTF 18 TTF
Noyh Geometric is altered modified from the form of the original "Noyh(2015)” typeface. We added sharp corners in apex, including the structure of typeface. Import to be more Corporate, the font family has flat terminals that harmonize with sharp corners. With all of these features , "Noyh Geometric” is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.
18 OTF 18 TTF
Noyh Geometric is altered modified from the form of the original "Noyh(2015)” typeface. We added sharp corners in apex, including the structure of typeface. Import to be more Corporate, the font family has flat terminals that harmonize with sharp corners. With all of these features , "Noyh Geometric” is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.
Weekly Font Family
Weekly Font Family
60 OTF
Weekly: a slab serif that wants to be a sans. The font was created under the premise that it can be used as a sans: a fresh design without that retro feel typical of slab fonts. As a result, we developed an Egyptienne font—more simple compared to others of its kind, a feature that gives it its unique personality.
Weekly was based on fonts with humanist proportions, such as ‘Oficina’ and ‘Caecilia’, both created in the ’90s. Typefaces like these give designers the possibility to use them in books or magazines, in contrast to geometric slab fonts or early 20th century fat faces, which are mainly used for advertising or display text. Another feature that reminds us of humanist sans fonts is the small difference between x-height and cap-height. Some characters in Weekly like ‘a’ or ‘g’ lack serifs and some like ‘c’ or ’s’ have short serifs, giving it a semi-serif air.
Weekly comes in both light and heavy weights. The heavier ones bear resemblance to Egyptienne slab serif typefaces with strong personality. These variants are ideal for use in posters and big, powerful headings.
60 OTF
Weekly: a slab serif that wants to be a sans. The font was created under the premise that it can be used as a sans: a fresh design without that retro feel typical of slab fonts. As a result, we developed an Egyptienne font—more simple compared to others of its kind, a feature that gives it its unique personality.
Weekly was based on fonts with humanist proportions, such as ‘Oficina’ and ‘Caecilia’, both created in the ’90s. Typefaces like these give designers the possibility to use them in books or magazines, in contrast to geometric slab fonts or early 20th century fat faces, which are mainly used for advertising or display text. Another feature that reminds us of humanist sans fonts is the small difference between x-height and cap-height. Some characters in Weekly like ‘a’ or ‘g’ lack serifs and some like ‘c’ or ’s’ have short serifs, giving it a semi-serif air.
Weekly comes in both light and heavy weights. The heavier ones bear resemblance to Egyptienne slab serif typefaces with strong personality. These variants are ideal for use in posters and big, powerful headings.
Jean Paul Fraktur Font Family
Jean Paul Fraktur Font Family
A typographic treasure, originated in the Biedermeier epoch at the beginning of the 19th century, had been brought back to life. With its charming touch it makes a wonderful font for reprints and historically relevant projects.This font contains a bunch of useful ligatures, and by typing 'N', 'r' and period plus activating the discretionary ligatures you get an old style number sign. As usual in my blackletter fonts, the # key is occupied by the 'round' s.
Market Sans Font Family
Market Sans Font Family
We worked with the eBay brand team and the New York based design agency Form&. Market Sans’ style came from the Capital typeface, a font from our Lab department. eBay bought the exclusive rights for developing a complete font family and taking it out of the market. This typeface was a fusion between the neo-grotesque style of the Suisse Int’l and the geometric shapes of the Euclid Flex typeface. Market Sans is a brand-new family including six weights with italics.
Phi Font Family
Phi Font Family
Phi is a simple geometric sans, inspired by the Golden Ratio. It is rock solid, versatile, legible and excellent for both text and display usage.
Fairfield Font Family
Fairfield Font Family
Fairfield is a fifty-year-old typeface that has had a recent facelift. Rudolph Ruzicka, artist and book illustrator, designed light and medium weights of Fairfield for Linotype in 1940 and 1949, respectively. For Fairfield’s 1991 release as an electronic typeface, designer Alex Kaczun added bold and heavy weights. With its straight, unbracketed serifs and abrupt contrast between thin and thick strokes, Fairfield harks back to the modern typefaces of Bodoni and Didot, but has a distinctly twentieth-century look. Fairfield is a fine text face, both for books and shorter texts. Kaczun added small capitals and old style figures, swash capitals, and a set of “caption” typefaces (sloped roman style) that were inspired by Matthew Carter's extensions to Oldstyle 7 for National Geographic magazine.
Practice Font Family
Practice Font Family
Francois Rappo’s latest project is a significant outcome of his design practice anchored in the research of typographic paradigms. In the mapping of serif typography, Practice introduces a new perspective with an unprecedented sharpness. While its architecture revisits the elegance of Renaissance typography, an innovative calligraphic drawing was achieved to reach a crisp digital identity. The precise texture of Practice is outstanding on both paper and screen. The optical balance of the text rythm offers a clear reading with a contemporary aesthetic. Practice is declined in a consistent gradient of styles to provide a complete tool for magazines, books and newspapers. The family is structured in three display weights designed for larger sizes and six roman weights for smaller sizes plus their matching italics. Each style offers five series of numerals, small caps and an extended ligature set.
New Grotesk Square Font Family
New Grotesk Square Font Family
A suite of 7 condensed fonts inspired by printed wood and display type from A2-TYPE’s archive of historical specimens and printed ephemera. The New Grotesk Square family comprises a series of condensed fonts designed with unified proportions across all widths; from ONE to SEVEN, to create a varied palette of fonts for the modern designer.