Kaarna Font Family

Kaarna Font Family

Kaarna Font Family
3 OTF
Kaarna is a rough hand drawn sans serif. The underlying shapes and structure are designed in the style of modern sans serifs which are made livelier by the hand drawn look. The condensed proportions make it especially suitable for use in large headlines and to achieve maximum impact.
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Goudar HL Font Family

Goudar HL Font Family

Goudar HL Font Family
18 OTF
From the old days technique to the present technology of type design, Goudar is the font that meets in the middle. With the design that has acquired the essence of wooden type letterpress but added with our own modern twist.
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Binario Full Family

Binario Full Family

Binario Full Family
3 OTF 3 TTF
Binario is a geometric sans serif typeface. The design was inspired by elements of Italian Art Deco, early 1900s advertising, and shop signage. Binario to pays homage to early modernism’s optimism, modularity, and efficiency. The shapes of the rounded counters are based on the curve of the classic Roman arch. The bold and regular weights have a vertical emphasis and are suitable for headlines or large body text. The light is more open and provides a nice pairing to the regular or bold as body text or as large display text.
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Pervinca Family Typeface

Pervinca Family Typeface

Pervinca Family Typeface
OTF TTF WOFF SVG EOT
New Release Pervinca Family™ is a sharp and geometric Didone typeface. The glyph set is inspired by concepts such as elegance, simplicity. The letterforms are based on a strictly geometric grid for pixel perfection. A remarkable feature of this font is the triangular serif. Pervinca™ began its life as a research into collective French Style. The geometric approach to the glyph construction make it unique and suitable for text & display. Details: over 350 characters including +80 Standard & Discretionary ligatures, stylistic alternates & Uppercase Swashes, manually edited kerning and Opentype features.
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Glorynight Family

Glorynight Family

Glorynight Family
6 OTF 6 TTF
Glorynight is the ULTIMATE Display Sans font pack of 3 weight ( reguler, tall, short ) and 3 italic. Made with the principle of octagonal form. It look manly, classy and strong. Suitable for any design needs : technological, sport, fashion, modern branding, modern advertising, print identity, magazine, website, mobile application and more. Glorynight ( .otf and .ttf ) typeface comes with Uppercase and Lowercase, Punctuation, Numerals. Includes a range of multilingual support. Please message me if you're unsure of any language support.
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Town Font Family

Town Font Family

Town Font Family
124 OTF
Town is a display collection inspired by art deco and contemporary lettering. The fonts have a classic feel, with contemporary proportions, styling and details. There are eight base weights and nine decorative styles in multiple weights. The variety of styles are designed to create bespoke brand marks, stylish liquor labels, unique restaurant menus, engaging websites and fresh magazine layouts. The fonts are built on the same foundations, so the display and decorative styles can be mixed and matched while maintaining a harmonious look. Several of the styles can also be layered together; add a subtle shadow to your headline or create a full dimensional look with an inline face. The collection is rounded out with two sets of accent fonts, and a set of text weights, with matching italics.
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CA BND Font Family

CA BND Font Family

CA BND Font Family
4 OTF
Cape Arconas legendary obsession to create a DIN-like font substitution brings us to CA BND, named after the German Intelligence Agency.
Thomas Schostok created the font for the new CI of the Intelligence Agency, but the presentation wasn’t successfull because there wasn’t any contact person available: everything and everyone is just TOP SECRET.
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CA Play Font Family

CA Play Font Family

CA Play Font Family
5 TF
This font invites you to play with it. The Real version has longer tails, while the Roman version cuts them up to make the font more suitable for text. The Script version connects the letters, while the Dynamic version is just an italic style.
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PF Encore Sans Pro Font Family

PF Encore Sans Pro Font Family

PF Encore Sans Pro Font Family
22 OTF
Encore Sans Pro is a sans serif which projects an image of reliability, authority and competence making it ideal for corporate applications. A functional typeface which combines utility with style. It’s subtle round characteristics such as the slightly curved-in edges, create a distinctly contemporary look, blending effectively traditional with modern details.
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Averta Font Family

Averta Font Family

Averta Font Family
16 OTF 16 WOFF
Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘??????’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface.
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PF Baseline Pro Font Family

PF Baseline Pro Font Family

PF Baseline Pro Font Family
6 TTF
An ultra modern typeface which combined with the proper text font can revive any dull-looking document. The wide simple forms combined with the selective application of a few distinct characteristics has resulted a stylish typeface which shines in the top 10 of our most wanted list.

The powerful new “Pro” version comes complete with Greek and Cyrillic and includes a number of stylistic alternates as well as 2 groups of stylistic alternate sets, the last group being unicase characters.
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PF Centro Serif Pro Font Family

PF Centro Serif Pro Font Family

PF Centro Serif Pro Font Family
8 OTF
Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “…Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets.
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Roicamonta Font Family

Roicamonta Font Family

Roicamonta Font Family
6 0TF
Roicamonta font looks very feminine and delicate. Perfect fit for invitations, greeting cards and other printing where soft and elegant writitng is required. The design stems from Copperplate calligraphy and comes in two styles – upright and italic. This family consists of six font files overall, each file contains over 1200 glyphs. Complete with variety of swashes and fancy ligatures. All engineered and included in handy otf format.
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Clara Sans Font Family

Clara Sans Font Family

Clara Sans Font Family
16 OTF 16 TTF
Clara is a set of alphabets of interconnected serif and sans serif fonts. The connection is not only in the intensity of the strokes, i.e. in the identical brightness of the typesetting, but also in the drawing principles of both alphabets. The typeface aims to offer a sense of calmness for a reader even in smaller scales of the typesetting. In large scales it builds on the purity of the image without additional decorations. The Clara system includes maximum equipment of a Latin font from Thin to Black in all versions of marking fonts, italics, capital letters and four kinds of numbers. The typeface allows typesetting of the vast majority of cultural languages of the world.
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PF Das Grotesk Pro Font Family

PF Das Grotesk Pro Font Family

PF Das Grotesk Pro Font Family
14 OTF
Das Grotesk was inspired by earlier nineteenth-century grotesques, but it is much more related to American gothic designs such as those by M.F. Benton. Due to their pure geometric structure, most grotesque typefaces tend to have a rather monotonous and lifeless appearance, thus failing to express the ideals of the modern creed.
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